On August 19, 1854, U.S. Army lieutenant John L. Grattan led a detachment of twenty-nine soldiers and one civilian interpreter to a large Lakota encampment near Fort Laramie to arrest an Indian man accused of killing a Mormon emigrant’s cow. The terrible series of events that followed, which became known as the Grattan Massacre, unleashed the opening volley in the First Sioux War—and marked the beginning of a generation of Indian warfare on the Great Plains. All Because of a Mormon Cow tells, for the first time, the full story of this seminal event in the history of the American West. Where previous accounts of the Grattan Massacre have made do with limited primary sources, this volume includes eighty contemporary, annotated accounts of the fight and its aftermath, many newly discovered or recovered from obscurity. Recorded when the events were fresh in their narrators’ memories, these documents bring a sense of immediacy to a story more than a century and a half old. Alongside the voices heard here—of the Indian leaders Little Thunder and Big Partisan, of Mormons from passing emigrant trains, and of government officials charged with investigating the massacre, among many others—the editors include a substantial and thorough introduction that underscores the significance of the Grattan Massacre in all its depth and detail. All Because of a Mormon Cow offers a better understanding even as it evokes the drama of a highly controversial episode in the history of relations between Indians and non-Indians in the American West.

On August 19, 1854, U.S. Army lieutenant John L. Grattan led a detachment of twenty-nine soldiers and one civilian interpreter to a large Lakota encampment near Fort Laramie to arrest an Indian man accused of killing a Mormon emigrant’s cow. The terrible series of events that followed, which became known as the Grattan Massacre, unleashed the opening volley in the First Sioux War—and marked the beginning of a generation of Indian warfare on the Great Plains. All Because of a Mormon Cow tells, for the first time, the full story of this seminal event in the history of the American West. Where previous accounts of the Grattan Massacre have made do with limited primary sources, this volume includes eighty contemporary, annotated accounts of the fight and its aftermath, many newly discovered or recovered from obscurity. Recorded when the events were fresh in their narrators’ memories, these documents bring a sense of immediacy to a story more than a century and a half old. Alongside the voices heard here—of the Indian leaders Little Thunder and Big Partisan, of Mormons from passing emigrant trains, and of government officials charged with investigating the massacre, among many others—the editors include a substantial and thorough introduction that underscores the significance of the Grattan Massacre in all its depth and detail. All Because of a Mormon Cow offers a better understanding even as it evokes the drama of a highly controversial episode in the history of relations between Indians and non-Indians in the American West.

How might the life and work of Christian writer G. K. Chesterton shed light on our understanding of North American Indigenous art and history? In these discerning reflections, art historian Matthew Milliner appeals to Chesterton's life and work in order to understand and appreciate both Indigenous art and the complex, often tragic history of First Nations peoples.

This book explores the place of art in Latter-day Saint society during the first 50 years of the Utah settlement, beginning in 1847. Nathan Rees uncovers the critical role that images played in nineteenth-century Mormon religion, politics, and social practice. These artists not only represented, but actively participated in debates about theology, politics, race, gender, and sexuality at a time when Latter-day Saints were grappling with evolving doctrine, conflict with Native Americans, and political turmoil resulting from their practice of polygamy. The book makes an important contribution to art history, Mormon studies, American studies, and religious studies.

The Lakȟóta are among the best-known Native American peoples. In popular culture and even many scholarly works, they were once lumped together with others and called the Sioux. This book tells the full story of Lakȟóta culture and society, from their origins to the twenty-first century, drawing on Lakȟóta voices and perspectives. In Lakȟóta culture, “listening” is a cardinal virtue, connoting respect, and here authors Rani-Henrik Andersson and David C. Posthumus listen to the Lakȟóta, both past and present. The history of Lakȟóta culture unfolds in this narrative as the people lived it. Fittingly, Lakhota: An Indigenous History opens with an origin story, that of White Buffalo Calf Woman (Ptesanwin) and her gift of the sacred pipe to the Lakȟóta people. Drawing on winter counts, oral traditions and histories, and Lakȟóta letters and speeches, the narrative proceeds through such periods and events as early Lakȟóta-European trading, the creation of the Great Sioux Reservation, Christian missionization, the Plains Indian Wars, the Ghost Dance and Wounded Knee (1890), the Indian New Deal, and self-determination, as well as recent challenges like the #NoDAPL movement and management of Covid-19 on reservations. This book centers Lakȟóta experience, as when it shifts the focus of the Battle of Little Bighorn from Custer to fifteen-year-old Black Elk, or puts American Horse at the heart of the negotiations with the Crook Commission, or explains the Lakȟóta agenda in negotiating the Fort Laramie Treaty in 1851. The picture that emerges—of continuity and change in Lakȟóta culture from its distant beginnings to issues in our day—is as sweeping and intimate, and as deeply complex, as the lived history it encompasses.

This book is based on the true life story of William Bixby, which includes his friends George Harris and Albert Spang and their marriage to three related women of the Northern Cheyenne Tribe, Jessie, Sally, and Lucy. It starts with the parents of William, their homesteading to Iowa, and includes the lives of his brothers and sisters. From the 1840s to 1918, it includes wagon trains, the Mormons, the Civil War, the pioneer outposts for the Army on the frontier, the Indian massacres of Sand Creek and Washita, the cattle wars of Johnson County, Wyoming, and the settlement on the Tongue River Reservation (now the Northern Cheyenne Reservation). It starts with William’s struggle to fight the Spanish Flu and turns into memories by his wife and his children. Historical information has been woven into these stories, but when that information was not available, then the best guess (fiction) was used. This book was created with a sense of spiritual guidance, and I hope it helps others understand these families and the saga of the Northern Cheyenne Tribe.