The first critical and analytical dictionary of Turkish Cinema, this book provides a comprehensive overview of Turkish cinema from its beginnings to the present day. Addressing the lacuna in scholarly work on the topic, this dictionary provides immense detail on a wide range of aspects of Turkish cinema including; prominent filmmakers, films, actors, screenwriters, cinematographers, editors, producers, significant themes, genres, movements, theories, production modes, film journals, film schools and professional organizations. Extensively researched, elaborately detailed and written in a remarkably readable style, the Routledge Dictionary of Turkish Cinema will be invaluable for film scholars and researchers as a reference book and as a guide to the dynamics of the cinema of Turkey.

As in western cinema, cross-dressing is a recurrent theme in Turkish film. But what do these films, whose characters typically cross-dress in order to escape enemies or other threats, tell us about the modern history of the Turkish Republic? This book examines cross-dressing in Turkish films in the context of formative events in modern Turkish political history, arguing that this trope coincides with and is illustrative of trauma induced by Turkey's multiple coup d'etats, periods of authoritarianism, enforced secularism and 'modernization'. Burcu Dabak Ozdemir analyses five case study films wherein she reveals that cross-dressing characters are able to escape persecutors and surveillance - key instruments of oppression during Turkey's coups. She shows how cross-dressing in the films examined become a destabilising force, a form of implicit resistance against state power, both political and in terms of binaries of gender and identity, and a means to register moments of national trauma. The book historicises the concept of cross-dressing in modern Turkey by examining what the author argues is a formative trauma worked through in the films examined: the westernization policies of the Kemalist regime whose most immediate symbolic presence was worn - the enforced adoption of western dress by citizens. Of interest to scholars of gender, queer, film and trauma studies, the book will also appeal to students and scholars of contemporary Turkish culture and society.

The essays in this book are the first scholarly attempt to examine the complex interrelation of social change and political radicalization during the 1960s. In analyzing topics ranging from the 1968 student uprising, working class politics and trade unionism, Anti-Americanism, right-wing and left-wing militant action, communitarian violence, state coercion, and the artistic representation of these phenomena the contributors offer insights to help to answer why the experiences of this decade turned so radical with lasting polarizing effects on contemporary Turkish society today. Even though issues surrounding the topic are at the very center of intellectual and political debates in today ́s Turkey, such as the collective remembrance of the Turkish “68ers” and of the anti-communist state persecution and prosecution after the military intervention in 1980, a cohesive analysis of this era is still strikingly absent in scholarly works. Thus, “Turkey in Turmoil” is unique in many regards. As important as the presented diversity in research perspectives, the volume will also showcase multiple and, at some point, contesting and even provocative perspectives on the subject at hand.

Titan Comics’ Robotech saga continues – and the action and shocks intensify. The Zentraedi aliens continue to attack the human crew on the SDF-1 ship – and the fighting is getting more and more vicious. But Rick is about to face his biggest shock yet – and traitors aboard the SDF-1 make the situation much worse. Written by Simon Furman (Transformers, Dr Who) with stunning art by Marco Turini (Heavy Metal, Assassin’s Creed, Dark Souls), Hendry Prasetya (Mighy Morphin’ Power Rangers), and Ivan Rodriguez (Doctor Who, Star Wars). Collects Robotech #9-12.

What is the contemporary cultural legacy of Byzantium or The Eastern Roman Empire? This book explores the varied reception history of the Byzantine Empire across a range of cultural production. Split into four sections: the origins of 'Byzantomania' in France, modern media, literature, and politics, it provides case studies which show the numerous ways in which the empire's legacy can be felt today. Covering television, video games and contemporary political discourse, contributors also consider a wide range of national and geographical perspectives including Russian, Turkish, Polish, Greek and Hungarian. It will be essential reading for scholars and students of the reception and cultural history of the Byzantine Empire.

Here, Jayne L. Warner has created a unique biographical tapestry that illuminates not only the life of one of Turkey's leading literary and cultural authorities, but also the emergence of a republic in his native country, and sheds new light on the history of one of the world's great cities. Sumptuously illustrated throughout with evocative period pictures of Istanbul, Turkish Nomad tells the extraordinary life story of this poet, thinker, and diplomat. As a young boy, Halman surveyed the last vestiges of the Ottoman Empire, walked through the ruins of Byzantium, and grew up in the modern nation created by the charismatic Mustafa Kemal Ataturk. Talat S. Halman would go on to serve the republic as its first minister of culture. The more than four decades Halman lived primarily in the United States are not overlooked but are used to discuss how his ideas developed as he taught at leading unversities-Princeton, Columbia, New York University-and introduced Americans to Turkish literature and culture through his translations and public lectures. We In the Turkish Nomad we follow the literary, scholastic, and journalistic journey of a restless writer, who might best be described by the title of one of his books, The Turkish Muse, his 2006 collection of literary reviews tracing the development of Turkish literature during the Turkish Republic.