The fast-accelerating world crisis is driving us towards barbarism and extinction. The capitalist system means ecological and social collapse. Mainstream politics, embedded in the system, has been reduced to irrelevance. Revolution has become an existential imperative. This book offers critical Marxist thinking about the nature of the crisis and what must be done to turn mass protest into the revolutionary transformation on which our survival depends.

The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.

Capitalisms’ Future: Alienation, Emancipation and Critique frames 21st century economic and social possibilities in a dialogue between two forms of critical social theory: Marx’s critique of political economy that analyzes capitalism and the critique of political psychology that analyzes authoritarianism. Contributions from social theorists in sociology, philosophy, and cultural studies are brought together to dissect and critique capitalist crises, left-liberalism, left-Thatcherism, resistance to risk-pooling, idealist philosophy, undemocratic social character, status wages and authoritarian spectacles. Throughout, Marx’s centrality to critical social theory is confirmed, both alone and in in powerful combination with Adorno, Durkheim, Dubois, Lacan, Veblen, Weber and others. This book outlines conjoined critiques of commodity-fetishism and authority fetishism as the emancipatory agenda of 21st century critical theory. Contributors are: Kevin S. Amidon, Graham Cassano, Tony A. Feldmann, Daniel Krier, Christian Lotz, Patrick Murray, David Norman Smith, Tony Smith, William J. Swart, and Mark P. Worrell.

This book examines alienation from both a sociological and psychoanalytic perspective, revisiting classic treatments of the topic (Marx, Simmel, Weber) and exploring its relevance to understanding post-modern consumer society. It examines the escapist potentials for good and for ill in modern society - those fostered by commercial interests, and those maintained by individuals and groups as their form of resisting alienation.

Struggling to make sense of the Revolution of 1789, the French in the nineteenth century increasingly turned to visual forms of historical representation in a variety of media. Maurice Samuels shows how new kinds of popular entertainment introduced during and after the Revolution transformed the past into a spectacle. The wax display (in which visitors circulated amid life-size statues of historical figures), the phantasmagoria show (in which images of historical personages were projected onto smoke or invisible screens), and the panorama (in which spectators viewed giant circular canvases depicting historical scenes) employed new optical technologies to entice crowds of spectators. Such entertainments, Samuels asserts, provided bourgeois audiences with an illusion of mastery over the past, allowing them to picture their new role as historical agents.Samuels demonstrates how the spectacular mode of historical representation pervaded historiography, drama, and the novel during the Romantic period. He then argues that the early Realist fiction of Balzac and Stendhal emerged as a critique of the spectacular historical imagination. By investigating how postrevolutionary France envisioned the past, Samuels illuminates a vital moment in the cultural history of modernity.

This classic book is Marcuse's masterful interpretation of Hegel's philosophy and the influence it has had on European political thought from the French Revolution to the present day. Marcuse brilliantly illuminates the implications of Hegel's ideas with later developments in European thought, particularily with Marxist theory.

A torrent of nationalism, racism, misogyny, and irrationalism is sweeping the world. The authoritarian right and new forms of fascism have become a clear and present danger. Neoliberal capitalism has torn society apart. Alienation has reached an unprecedented level. Extreme narcissistic individualism has become a pandemic. In this little book, Neil Faulkner draws on Marxist-Freudian theory to provide an updated analysis of the mass psychology of fascism, and to argue for a progressive counter-offensive based on love, labour, and reason.