Have fun while journaling or taking notes with this Project Blue Book Notebook. If you a conspiracy theory, there could be no better notebook to keep track of those alien abductions, moon landing hoaxes, or secret one-world government meetings thank the Project Blue Book Notebook. Contains 150 pages of lined notebook style paper and a uniques cover designed to resemble a top secret report. A perfect gift for: Father's Day Gag gifts Stocking Stuffers Birthday gifts And more!

A sparkling debut novel set in the sixties about a boy's emotional and fantastical journey through alien worlds and family pain. Against the backdrop of the troubled 1960s, this coming-of-age novel weaves together a compelling psychological drama and vivid outer-space fantasy. Danny Shapiro is an isolated teenager, living with a dying mother and a hostile father and without friends. To cope with these circumstances, Danny forges a reality of his own, which includes the sinister "Three Men in Black", mysterious lake creatures with insectlike carapaces, a beautiful young seductress and thief with whom Danny falls in love, and an alien/human love child who-if only Danny can keep her alive-will redeem the planet. Danny's fictional world blends so seamlessly with his day-to-day life that profound questions about what is real and what is not, what is possible and what is imagined begin to arise. As the hero in his alien landscape, he finds the strength to deal with his own life and to stand up to demons both real and imagined. Told with heart and intellect, Journal of a UFO Investigator will remind readers of the works of Michael Chabon and Jonathan Lethem.

HR Giger worked in the Shepperton Studios near London from February to November 1978, creating the figures and sets for the film Alien (1979) directed by Ridley Scott. The film became an international success, earning Giger an Oscar. In the transcribed Alien Diaries, published here for the first time as a facsimile, HR Giger describes his work in the studios. He writes, sketches, and takes photographs with his Polaroid SX70. With brutal honesty, sarcasm and occasional despair, Giger describes what it is like working for the film industry and how he struggles against all odds be it the stinginess of producers or the sluggishness of his staff to see his designs become reality. The Alien Diaries (in German transcription with an English translation) show a little-known personal side of the artist HR Giger and offer an unusual, detailed glimpse into the making of a movie classic through the eyes of a Swiss artist. The book contains almost completely unpublished material, including drawings, Polaroids showing the monster coming to life, and several still shots from the plentiful film material that Giger took in Shepperton.

In Alien Capital Iyko Day retheorizes the history and logic of settler colonialism by examining its intersection with capitalism and the racialization of Asian immigrants to Canada and the United States. Day explores how the historical alignment of Asian bodies and labor with capital's abstract and negative dimensions became one of settler colonialism's foundational and defining features. This alignment allowed white settlers to gloss over and expunge their complicity with capitalist exploitation from their collective memory. Day reveals this process through an analysis of a diverse body of Asian North American literature and visual culture, including depictions of Chinese railroad labor in the 1880s, filmic and literary responses to Japanese internment in the 1940s, and more recent examinations of the relations between free trade, national borders, and migrant labor. In highlighting these artists' reworking and exposing of the economic modalities of Asian racialized labor, Day pushes beyond existing approaches to settler colonialism as a Native/settler binary to formulate it as a dynamic triangulation of Native, settler, and alien populations and positionalities.

A voyage of exploration to the outer reaches of our inner lives. UFOs are a myth, says David J. Halperin—but myths are real. The power and fascination of the UFO has nothing to do with space travel or life on other planets. It's about us, our longings and terrors, and especially the greatest terror of all: the end of our existence. This is a book about UFOs that goes beyond believing in them or debunking them and to a fresh understanding of what they tell us about ourselves as individuals, as a culture, and as a species. In the 1960s, Halperin was a teenage UFOlogist, convinced that flying saucers were real and that it was his life's mission to solve their mystery. He would become a professor of religious studies, with traditions of heavenly journeys his specialty. With Intimate Alien, he looks back to explore what UFOs once meant to him as a boy growing up in a home haunted by death and what they still mean for millions, believers and deniers alike. From the prehistoric Balkans to the deserts of New Mexico, from the biblical visions of Ezekiel to modern abduction encounters, Intimate Alien traces the hidden story of the UFO. It's a human story from beginning to end, no less mysterious and fantastic for its earthliness. A collective cultural dream, UFOs transport us to the outer limits of that most alien yet intimate frontier, our own inner space.

I Saw a UFO Notebook is a 6x9 College Ruled BLANK notebook style book that can be used as a journal or field notes or short stories or novels about aliens and UFOs. Just like a regular notebook the pages can also be used as a sketch book and for sketching scenes that you experienced or dreamed about or imagined. Keep this as a journal of your alien or UFO encounters. Or, if you're not into that sort of thing and know someone that is, this makes a great gift for them or even a gag gift for fun. Finally, it contains 120 pages of college ruled paper for your writing, planning, drawing or whatever you want.

"In 1977 NASA shot a mixtape into outer space. The Golden Record aboard the Voyager spacecraft contains world music and sounds of the Earth with which humanity represents itself to any extraterrestrial civilizations. This book asks the big questions that the Golden Record raises. Can music live up to its reputation as the universal language in communications with the unknown? How do we fit all of human culture into a time capsule that will barrel through space for tens of thousands of years?"--