AMENDED ENTRY. Previously announced as SPACE STATIONS, by Robin Kerrod, weekly list no. 8, dated 24th February, 1995

What is political philosophy? Ronald Beiner makes the case that it is centrally defined by supremely ambitious reflection on the ends of life. We pursue this reflection by exposing ourselves to, and participating in, a perennial dialogue among epic theorists who articulate grand visions of what constitutes the authentic good for human beings. Who are these epic theorists, and what are their strengths and weaknesses? Beiner selects a dozen leading candidates: Arendt, Oakeshott, Strauss, Löwith, Voegelin, Weil, Gadamer, Habermas, Foucault, MacIntyre, Rawls, and Rorty. In each case, he shows both why the political philosophies continue to be intellectually compelling and why they are problematic or can be challenged in various ways. In this sense, Political Philosophy attempts to draw up a balance sheet for political philosophy in the twentieth century, by identifying a canon of towering contributions and reviewing the extent to which they fulfil their intellectual aspirations.

This book explores the usefulness of the concept of "Wirkungsgeschichte" for New Testament interpretation by analysing Mt 14: 22-33 in the light of six works of art and a selection of nineteenth century theological texts.

An extraterrestrial is trapped on Earth where the future collides with the past and nothing is as it seems. The alien must find his "split half" in order to escape. The reader is taken on a quest of discovery, a journey through hell to reach self fulfillment.

Truth and Method is a landmark work of 20th century thought which established Hans Georg-Gadamer as one of the most important philosophical voices of the 20th Century. In this book, Gadamer established the field of 'philosophical hermeneutics': exploring the nature of knowledge, the book rejected traditional quasi-scientific approaches to establishing cultural meaning that were prevalent after the war. In arguing the 'truth' and 'method' acted in opposition to each other, Gadamer examined the ways in which historical and cultural circumstance fundamentally influenced human understanding. It was an approach that would become hugely influential in the humanities and social sciences and remains so to this day in the work of Jurgen Habermas and many others.

This book puts a creative new reading of Hans-Georg Gadamer’s philosophical hermeneutics and literary genre theory to work on the problem of Scripture. Reading texts as Scripture brings two hermeneutical assumptions into tension: that the text will continually say something new and relevant to the present situation, and that the text has stability and authority over readers. Given how contested the Bible’s meaning is, how is it possible to ‘read Scripture’ as authoritative and relevant? Rather than anchor meaning in author, text or reader, Gadamer’s phenomenological model of hermeneutical experience as Spiel (‘play’) offers a dynamic, intersubjective account of how understanding happens, avoiding the dead end of the subjective–objective dichotomy. Modern genre theory addresses some of the criticisms of Gadamer, accounting for the different roles played by readers in different genres using the new term Lesespiel (‘reading game’). This is tested in three case studies of contested texts: the recontextualization of psalms in the book of Acts, the use of Hagar’s story (Genesis 16) in nineteenth-century debates over slavery and the troubling reception history of the rape and murder in Gibeah (Judges 19). In each study, the application of ancient text to contemporary situation is neither arbitrary, nor slavishly bound to tradition, but playful.