HR Giger worked in the Shepperton Studios near London from February to November 1978, creating the figures and sets for the film Alien (1979) directed by Ridley Scott. The film became an international success, earning Giger an Oscar. In the transcribed Alien Diaries, published here for the first time as a facsimile, HR Giger describes his work in the studios. He writes, sketches, and takes photographs with his Polaroid SX70. With brutal honesty, sarcasm and occasional despair, Giger describes what it is like working for the film industry and how he struggles against all odds be it the stinginess of producers or the sluggishness of his staff to see his designs become reality. The Alien Diaries (in German transcription with an English translation) show a little-known personal side of the artist HR Giger and offer an unusual, detailed glimpse into the making of a movie classic through the eyes of a Swiss artist. The book contains almost completely unpublished material, including drawings, Polaroids showing the monster coming to life, and several still shots from the plentiful film material that Giger took in Shepperton.

The classic status of Alien, the movie, is in large part due to Academy-Award winning artist and designer H.R. Giger. This book provides a complete illustrated record of the months of painstaking work that went into designing the most frightening movie monster of them all.

Max's book of observations, drawings, experiments, and inventions now includes thoughts contributed by Alien Eraser, an extraterrestrial being intent on telling humans about his great exploits.

A People's Army documents the many distinctions between British regulars and Massachusetts provincial troops during the Seven Years' War. Originally published by UNC Press in 1984, the book was the first investigation of colonial military life to give equal attention to official records and to the diaries and other writings of the common soldier. The provincials' own accounts of their experiences in the campaign amplify statistical profiles that define the men, both as civilians and as soldiers. These writings reveal in intimate detail their misadventures, the drudgery of soldiering, the imminence of death, and the providential world view that helped reconcile them to their condition and to the war.

A UFO loses its way in space and settles down on a strange blue planet where it meets a young boy and they become friends.

In this sequel to Trouble in the Trees, it's the end of grade six and Bree plans to spend the summer hanging around her townhouse complex in Vancouver, climbing trees with her friends. But her parents have other plans for her; she is going to Ontario to stay with her grandma who lives on a farm "in the middle of nowhere." A farm that is about to be destroyed by a superhighway unless Bree can stop it. Convinced that saving the land will end her grandma's unhappiness, Bree tries to rally cousins and neighbors, but instead of finding help, Bree uncovers some shocking things about her relatives. The more Bree gets to know about her extended family and their farm, the more complicated everything becomes. If she isn't able to save the farm, can she at least manage to save her family?

H.R. Gigerrsquo;s multi-faceted career From surrealistic dream landscapes to album cover designs and sculptures For decades H.R. Giger (1940ndash;2014) reigned as one of the leading exponents of fantastic art. After he studied interior and industrial design for eight years at the School of Commercial Art in Zurich, Switzerland, from 1962 till 1970, he was soon gaining attention as an independent artist, with endeavors ranging from surrealistic dream landscapes created with a spray gun and stencils, to album cover designs for famous pop stars, and sculptures. In addition, Gigerrsquo;s multi-faceted career includes designing two bars, located in Tokyo and Chur, as well as work on various film projectsmdash;his creation of the set design and title figure for Ridley Scottrsquo;s film Alien won him not only international fame but also an Academy Award for Best Achievement for Visual Effects (1980). HR Giger (1940ndash;2014) was a Swiss painter, sculptor, and designer, who combined surrealist influences and dark fantasies to create his very own biomechanical universe. He first received acclaim in the 1960s with his airbrushed fantasies of post-apocalyptic creatures and landscapes, and rose to fame through high profile movie work, most notably the creation of the monster in Alien, which won the Academy Award for Best Visual Effects. HR Giger was named in the Science Fiction and Fantasy Hall of Fame in 2013.