Medium Median is the mesmeric new installation by Berlin-based artist Alicja Kwade, commissioned by the Whitechapel Gallery in 2016/17. Exploring our relationship with the nature of space and time, Kwade creates subtly arranged but conceptually rooted works, imbued with intellectual enquiry and discovery. At the centre of Medium Median is a twenty-first century astrolabe: iPhones suspended as a slowly rotating mobile, each showing star charts picked up from GPS satellite while emitting a robotic reading from the Book of Genesis; this is accompanied by three giant bronze casts of fossilised bones, their biomorphic shapes echoed in a background projection of an asteroid as seen by an infrared camera. Assembling human technology and cosmic phenomenon, it is an investigation into how we understand the universe. Bringing together the ideas behind this unique commission, this book features an illuminating conversation with Kwade about the work, as well as a detailed survey of her practice to date by curator Cameron Foote and new essays by curator Daniel F. Herrmann and anthropologist Debbora Battaglia.

One of the most prominent artists of her generation Berlin-based Alicja Kwade (*1979, Katowice, Poland) has garnered international attention during the last decade, securing herself a leading position on the international contemporary art scene. In Aporie is the first monograph on Kwade covering a wide range of her intriguing works. Being 'In Aporie' is to be in a state where an insoluble theoretical problem allows for the paradoxical knowledge of one's own ignorance. From early on in her career, Kwade was never afraid to ponder complicated scientific and mathematical questions in her objects, sculptures, and installations, such as probability calculation, astronomical wormholes, the endless universe, and parallel realities. And these complex ideas and theories continue to fuel her artistic practice and drive. Besides many images of her work, the monograph features articles by Danish experts on her work.

Few positions in art currently attract more attention than the works of the young sculptor Alicja Kwade (b. Katowice, 1979; lives and works in Berlin). They show how easy it would be to lift our construction of reality off its hinges. In her installations, objects, and photographs, experiments in philosophical thought take concrete shape, reminding us that we cannot understand everything. The texts in this book are likewise unusual: in addition to an introduction by the art historian Eveline Suter, it includes an essay by Alicja Kwade's mother, the biologist Elisabeth Kwade, about why artists are different, and the well-known furniture maker and author Rafael Horzon contributes a jester's play.

A bold new spatial perspective on modern sculpture, with 800 color images of work by artists including Henry Moore, Lygia Clark, Anish Kapoor, and Ana Mendieta. This monumental, richly illustrated volume from ZKM | Karlsruhe approaches modern sculpture from a spatial perspective, interpreting it though contour, emptiness, and levitation rather than the conventional categories of unbroken volume, mass, and gravity. It examines works by dozens of twentieth- and twenty-first-century artists, including Hans Arp, Marcel Duchamp, Henry Moore, Barbara Hepworth, Lygia Clark, Anish Kapoor, Olafur Eliasson, Ana Mendieta, Fujiko Nakaya, Tomás Saraceno, and Alicja Kwade. The large-scale book contains over 800 color images. Negative Space comes out of an epic exhibition at ZKM, and volume editor Peter Weibel (Chairman and CEO of ZKM) takes a curatorial approach to the topic. The last exhibition to deal comprehensively with the question “What is modern sculpture?” was at the Centre Georges Pompidou in 1986. Weibel and ZKM pick up where the Pompidou left off, examining sculptures not as figurative, solid, and self-contained monoliths but in terms of open and hollow spaces; reflection, light, shadow; innovative materials; data; and the moving image. Weibel puts advances in science, architecture, and mathematics in the context of avant-garde sensibilities to show how modern sculpture significantly deviates from the work of the past. Texts in the volume include an introduction and twelve chapters written by Weibel with contributions by cocurators as well as facsimiles and reproductions of artist-authored manifestos.

The fascinating life story of collector Manuela Alexejew Berlin-based collector Manuela Alexejew is known for her distinguished art collection, with works by Dix, Piene, Condo and Kusama. This book documents her collection and glamorous life as a former flight attendant and guest of Sophia Loren at Studio 54.

The work of Berlin-based artist Alicja Kwade is elegant, rigorous, and highly experiential. With equal parts poetry and critical acumen, Kwade creates sculptures and installations that reflect on time, perception, and scientific inquiry, calling into question the systems designed to make sense of the universe. Ultimately, she seeks to draw out the mystery and absurdity of the human condition, heightening our powers of self-reflection. For The Met, Kwade has created ParaPivot I and II, a pair of sculptures with nine massive stone spheres floating in apparent weightlessness in large, intersecting steel frames. This sculptural ballet evokes a miniature solar system, a piece of space that has settled temporarily on the Iris and B. Gerald Cantor Roof Garden. This book, the first on Kwade’s work published in the United States, includes an insightful essay on her practice by curator Kelly Baum and a revealing interview with the artist by Sheena Wagstaff. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

Polish-born and Berlin-based artist Alicja Kwade's most recent installation at the Schirn Kunsthalle Frankfurt takes as its inspiration the pendulum experiments of the nineteenth-century French physicist Léon Foucault, which provided evidence of Earth's rotation. A series of quasi-scientific set-ups installed in the Schirn Rotunda, Kwade's works superimpose established scientific knowledge and paradoxical social realities, resulting in a playful commentary on the transformation of space and the true movement of time. The latest volume in a series of publications in cooperation with the Schirn Kunsthalle Frankfurt, this volume presents a detailed look at this complex work by a captivating, internationally acclaimed artist.