In this charming repackage from a beloved series, Alice doesn’t feel like fitting in. Alice McKinley likes her life, but she senses things are changing. She gets a little bored by her best friends Elizabeth’s and Pamela’s obsession with clothes and makeup. She’s just not that interested. And though she is very interested in her boyfriend, Patrick, she’s not entirely sure how to keep their relationship going. Alice is struggling to figure out how she feels about things—and then how her feelings fits into what other people think she should be feeling. Getting older is even trickier than Alice thought—is she ready for the challenge? As Alice stumbles her way through the minefield of early adolescence, there are plenty of bumps, giggles, and surprises along the way. Every girl should grow up with Alice, and with this irresistible new look, a whole new generation will want to.

Alice must choose between Patrick and Sam in this beloved series. How can someone be in love with two people at the same time? It doesn't make sense to Alice—until Sam, her friend from Camera Club, starts to pay attention to her. Sam is quiet, gentle, and a terrific dancer, and Alice likes being with him. But Alice has been Patrick’s girlfriend for almost two years—so why is she interested in another guy? As Alice stumbles her way through the minefield of early adolescence, there are plenty of bumps, giggles, and surprises along the way. Every girl should grow up with Alice, and with this irresistible new look, a whole new generation will want to.

What does migration look like from the inside out? In The Outside, Alice Elliot decenters conventional approaches to migration by focusing on places of departure rather than arrival and rethinks migration from the perspective of those who have not (yet) left. Through an intimate ethnography of towns and villages notorious in Morocco for their striking emigration to "the outside," Elliot traces the powerful ways migration permeates life: as brutal bureaucratic machinery administering hope and despair, as intimate force crisscrossing kinship relations and bonds of love and care, as imaginative horizon of the self and of the future. Challenging dominant understandings of migration and their deadly consequences by centering non-migrants' sharp theorizations and intimate experiences of "the outside," Elliot recasts migration as a deeply relational entity, and attends to the ethnographic, conceptual, and political imagination required by the constitutive relationship between migration and life.

During the summer between eighth and ninth grades, Alice and her friends Pamela and Elizabeth decide to improve themselves through exercise.

Life, Alice McKinley feels, is just one big embarrassment. Here she is, about to be a teenager and she doesn't know how. It's worse for her than for anyone else, she believes, because she has no role model. Her mother has been dead for years. Help and advice can only come from her father, manager of a music store, and her nineteen-year-old brother, who is a slob. What do they know about being a teen age girl? What she needs, Alice decides, is a gorgeous woman who does everything right, as a roadmap, so to speak. If only she finds herself, when school begins, in the classroom of the beautiful sixth-grade teacher, Miss Cole, her troubles will be over. Unfortunately, she draws the homely, pear-shaped Mrs. Plotkin. One of Mrs. Plotkin's first assignments is for each member of the class to keep a journal of their thoughts and feelings. Alice calls hers "The Agony of Alice," and in it she records all the embarrassing things that happen to her. Through the school year, Alice has lots to record. She also comes to know the lovely Miss Cole, as well as Mrs. Plotkin. And she meets an aunt and a female cousin whom she has not really known before. Out of all this, to her amazement, comes a role model -- one that she would never have accepted before she made a few very important discoveries on her own, things no roadmap could have shown her. Alice moves on, ready to be a wise teenager.

Alice McKinley comes home on the first day of junior high with a list of seven things about seventh grade that stink. Just about the only good thing she can think of is that she’s friends with everyone. Maybe that’s how to survive seventh grade—make it through the entire year with everyone liking her. That turns out to be easier said than done, when Alice gets on the wrong side of the school bully, Denise “Mack Truck” Whitlock. But Alice’s problems with Denise pale in comparison with the romantic entanglements of both her father and her older brother, Lester. And when Alice decides to help them out…life gets even more complicated.

Seeking one last adventure before going off to college, Alice and her friends find summer employment on a Chesapeake Bay cruise ship.