Alice-Miranda is thrilled to be back at Winchesterfield-Downsfordvale Academy for Proper Young Ladies, where the girls are rehearsing a play with the neighboring boys' school. But it's not all glamour and stage lights: there are rumors of a witch in the woods, and Alice-Miranda's friends, Jacinta and Millie, are clashing with Sloan Sykes, a rude new student whose pushy mother comes up with a get-rich scheme that could have disastrous results. When Alice-Miranda learns of the plot, she tries to set things right--and on the night of the big performance, no less!

Move over Matilda and Madeline, there's a charming miniature heroine ready to make her mark! Her name is Alice-Miranda--and she's full of spunk! Alice-Miranda Highton-Smith-Kennigton-Jones can't wait to start boarding school. When she arrives at Winchesterfield-Downsfordvale Academy for Proper Young Ladies, the adventure begins . . . only not quite as Alice-Miranda expects. The minute she sets foot on the school's manicured grounds, she senses that something is wrong: Miss Grimm, the headmistress, is nowhere to be seen, the gardens have no flowers, and a mysterious stranger seems to be hiding out on the premises. But that's not all. Some girls are mean and spoiled, like Alethea Goldsworthy. Can Alice-Miranda defeat Alethea in one of three difficult tests she must pass to remain at school? Will she discover Winchesterfield-Downsfordvale's big secret—and make things right? Well, if anyone can, it's spunky Alice-Miranda!

Alice-Miranda Highton-Smith-Kennington-Jones has survived her first term at Winchesterfield-Downsfordvale. And now Jacinta Headlington-Bear, the school's second best tantrum thrower, is joining Alice-Miranda's family for term break. Who would have thought it! The two girls are looking forward to a relaxing holiday at Highton Hall. But a cranky boy is causing mischief on the estate, a movie star has come to visit, and a stranger is snooping about. Add a naughty pony, a hint of romance and a dastardly scheme, and Jacinta and Alice-Miranda might have a more exciting holiday than they were expecting.

Alice-Miranda and her friends are off to the Australian outback! They're going to help an old family friend who's found himself short staffed during cattle mustering season. The landscape is like nothing else - wide open and dusty red as far as the eye can see. It's also full of quirky characters, like eccentric opal miner Sprocket McGinty and the enigmatic Taipan Dan. As the gang settles in at Hope Springs Station, mysteries start piling up. A strange map indicates treasure beneath the paddocks, a young girl is missing and there are unexplained water shortages. Can Alice-Miranda get to the bottom of this desert dilemma?

When Alice-Miranda, Millie and Jacinta travel to Japan during the school holidays, they are in for a fascinating treat. Dolly Oliver, the family cook, has been invited to speak at a conference in Tokyo on her Just Add Water (JAW) food creation. But she is even more interested in her newest invention, and vows to try it out while overseas. Alice-Miranda becomes embroiled in an elaborate missing persons hunt when a gift from her father confuses the authorities. Things come to a head when Alice-Miranda and her friends are invited to dinner at the Imperial Palace in Tokyo, and the plans of a jealous sister begin to unravel, with startling consequences.

Bean's older sister, Nancy, is going to Girl Power 4-Ever Camp and Bean can't go. So Bean and Ivy make their own camp.

Alice Faye's sweet demeanor, sultry glances, and velvety voice were her signatures. Her haunting rendition of “You'll Never Know” has never been surpassed by any other singer. Fans adored her in such films as Alexander's Ragtime Band, Rose of Washington Square, Tin Pan Alley, Week-End in Havana, and Hello, Frisco, Hello. In the 1930s and 1940s she reigned as queen of 20th Century Fox musicals. She co-starred with such legends as Shirley Temple, Tyrone Power, Carmen Miranda, and Don Ameche and was voted the number-one box-office attraction of 1940, placing ahead of Bette Davis and Myrna Loy. To a select cult, she remains a beloved star. In 1945 at the pinnacle of her career she chose to walk out on her Fox contract. This remarkable episode is unlike any other in the heyday of the big-studio system. Her daring departure from films left Fox mogul Darryl F. Zanuck and the rest of the movie industry flabbergasted. For years she had skirmished with him over her roles, her health, and her private life. His heavy-handed film editing of her fine work in Otto Preminger's drama Fallen Angel, a role she had fought for, relegated Faye to the shadows so that Zanuck could showcase the younger Linda Darnell. After leaving Fox, Faye (1915–1998) devoted herself to her marriage to radio star Phil Harris, to motherhood, and to a second career on radio in the Phil Harris–Alice Faye Show, broadcast for eight years. She happily gave up films in favor of the independence and self-esteem that she discovered in private life. She willingly freed herself of the “star-treatment” that debilitated so many of her contemporaries. In the 1980s she emerged as a spokeswoman for Pfizer Pharmaceuticals, touring America to encourage senior citizens to make their lives more meaningful and vital. Before Betty Grable, before Marilyn Monroe—Alice Faye was first in the lineup of 20th Century Fox blondes. This book captures her special essence, her work in film, radio, and popular music, and indeed her graceful survival beyond the silver screen.