New allies Mei Lin and Billy come to the aid of Alice, Kyô, Nyozeka, Frey, and Chris in their fight against the dark forces of Mara. Together, they continue the struggle to save Alice's sister Mayura from her entanglement with Darva, who is evil incarnate. To reach Mayura, Alice must understand what her sister felt when she succumbed to the Mara, and the young Lotis Masters learn that they cannot be blind to the darkness even in their own hearts! -- VIZ Media

Alice Seno seems like a normal girl in high school. She's a bit shy, she's got a crush on a boy named Kyô, and she's got an older sister who is more popular than she is...pretty normal stuff, until Alice has an encounter with a mysterious and magical rabbit girl that changes the course of her life, and Alice is introduced to the sublime power of the Lotis Words. New allies Mei Lin and Billy come to the aid of Alice, Kyô, Nyozeka, Frey, and Chris in their fight against the dark forces of Mara. Together, they continue the struggle to save Alice's sister Mayura from her entanglement with Darva, who is evil incarnate. To reach Mayura, Alice must understand what her sister felt when she succumbed to the Mara, and the young Lotis Masters learn that they cannot be blind to the darkness even in their own hearts!

Published "manga-style," in the authentic Japanese right-to-left format.

Jealousy makes the heart grow darker and Mayura's envy of Alice and Kyô's developing relationship makes her vulnerable to being devoured by Darva, dark mistress of the Maram words. Neo Lotis Masters, Alice and Kyô are the only ones who have even a chance against Darva, but are they strong enough to go up against this most formidable of enemies? -- VIZ Media

(Volume 5)With Alice and Hatter distracted, the traitorous Dormouse sets off with the Queen of Hearts in his crosshairs. In his urgency to stop the traitor, Hatter makes the mistake of leaving Alice alone with the Cheshire Cat-an error that has proved near-fatal in the past. And when the Regret formerly known as the 88th Alice confronts Alice, it becomes clear that the Dormouse wasn't the only traitor in their midst! Now Alice must fight to keep his position...lest his name-and his life-be forfeit!

Since the first translations of Lewis Carroll's Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan's internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere--in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders. In Alice in Japanese Wonderlands, Amanda Kennell traverses the breadth of Alice's Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children's books became a vital element in Japanese popular culture. Using Japan's myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the "father of the Japanese short story," Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan's proliferation of Alices to explore both Alice and the Japanese media environment.