Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.

In a career that spanned six decades and more than sixty films, Alfred Hitchcock became the most widely recognized director who ever lived. His films -- including The 39 Steps, Notorious, Rear Window, Vertigo, Psycho, and The Birds -- set new standards for cinematic invention and storytelling Élan. Since his death, Hitchcock has become crystallized in the public imagination as the macabre Englishman, the sexual obsessive, the Master of Suspense. But this remarkable biography draws on prodigious new research to restore Hitchcock the man -- the ingenious craftsman, the avid collaborator, the constant trickster, provocateur, and romantic. Like Hitchcock's best films, Patrick McGilligan's life of Hitchcock is a drama full of revelation, graced by a central love story, dark humor, and cliff-hanging suspense: a definitive portrait of the most creative, and least understood, figure in film history.

This book is a comprehensive study of one of the most popular genres in the cinema. From a perspective sympathetic to popular culture, this study analyzes a large number of primarily American and European films by a variety of distinguished directors, including Alfred Hitchcock, Claude Chabrol, John Frankenheimer, Michelangelo Antonioni, and Costa-Gavras. Indispensable to anyone interested in understanding how suspense thrillers work and what they mean, this book provides insightful analysis of hundreds of memorable films, while at the same time working as a virtual how-to manual for anyone trying to write a Hitchcock-like thriller. The first section of the book is primarily theoretical. It offers a bibliographical survey and then explains why we so profoundly enjoy these suspenseful films of murder and intrigue. A chapter on "Thrills: or, How Objects and Empty Spaces Compete to Threaten Us" explores the psychological concept of the thrill and relates it to the psyche of the spectator. To what extent does the suspense thriller represent a symbolic and vicarious experience of danger? A chapter on "Suspense That Makes the Spectator Take a Breath" explores the crucial narrative concept of suspense and relates it to the psychological mechanisms of anxiety incited in the spectator. Why do we like to be scared? A final theoretical chapter offers a dynamic definition of the suspense thriller derived in part from Edgar Allan Poe and based primarily on content analysis. The second section of the book is more of an historical survey and devotes one chapter to each of the suspense thriller's primary sub-genres. These chapters provide close readings of more than 150 major films and detailed analysis of the suspense thriller's conventions, themes, and recurrent iconography. Sub-genres include The Postman Always Rings Twice, Body Heat, The Manchurian Candidate, The China Syndrome, Missing, The Passenger, Spellbound, Obsession, Marathon Man and Blue Velvet. A final chapter explores areas for further research and offers concluding insights.

Alfred Hitchcock is one of the most revered filmmakers of the 20th century. Not only was he the "Master of Suspense," he was also an innovator of storyboarding, directing, framing, editing, and marketing. Hitchcock regularly engaged with his audiences and gave lectures at film institutes, universities, and film schools across the country. Now in this Movie Making Master Class, Hitchcock author and aficionado Tony Lee Moral takes you through the process of making a ?motion picture, Hitchcock-style.

The return of a timeless classic of mounting, subtle horror that has haunted generations of readers. A woman is trapped in her own body. She's a speechless, paralyzed, and truly helpless, cared for by her seemingly loving family. But she knows with chilling certainty that one of them is trying to kill her...and will soon strike again...and she is unable to tell anyone or defend herself. Or is she? "A scary one. Lawrence at her best, with a surprising plot and a baffling mystery. " Los Angeles Daily News "Tense, taut and terrific...will disturbingly charge the atmopshere and chill the marrow of your bone. Lawrence is quite successful in capturing mood, character, and a unique situation. Subtle horror that's hard to beat." Montgomery Advertiser "Expertly written, filled with suspense. It will make the reader look over his shoulder and turn on every light in the house." St. Louis Post-Dispatch "This is on a different plane of horror. The comfort and luxury of the suburban home bring out in striking contrast the evil that pervades the sickroom and closes in on its helpless victim. A Grade-A shocker...inspires hair-raising fear in a genteel, immensely effective way" New York Times "Whacking good, written with delicate subtlety and guaranteed to chill the blood." Boston Globe "Hilda Lawrence is more skill than average in the writing of suspense novels, in creating moods of terror and horror. [This] is excellent fare for the fan who is tired of conventional mystery." Capitol Times (Madison, Wis)