This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).

Essay by Robert Storr. Foreword by Glenn D. Lowry.

Long unavailable in English, Surrealism and Painting remains one of the masterworks of twentieth-century art criticism."--BOOK JACKET.

Cubism and abstract art, by A.H. Barr, Jr.Catalog, by Dorothy C. Miller and Ernestine M. Fantl.Bibliography, by Beaumont Newhall (p. 234-249). Also contains a catalogue, compiled by Dorothy C. Miller and Ernestine M. Fantl, of an exhibition held at the Museum of Modern Art, New York, and a bibliography by Beaumont Newhall.