A selection of the 13th-century Galician Cantigas de Santa Maria commissioned by Alfonso X of Castile in a new edition produced by the Oxford CSM Critical Edition project, with critical apparatus. The order of poems will replicate the distinctive internal structure of the main compilations and the edition will make these texts available in a form suitable as a set text for student use, with an introduction placing them in their historical, cultural and linguistic context, and with English translations.

In the "Cantigas de Santa Maria," a collection of about four hundred poems written in Galician, Alfonso X, el Sabio, king of Castile-Leon, has left us a kind of poetic biography. This volume explicates the historical circumstances surrounding the stories that the king tells about himself and his kingdom. As Mary's troubadour, he appeals to her as his advocate and consoler.

Alfonso X (1221-84) ruled over the Crown of Castile from 1252 until his death. Known as "the Wise," he oversaw the production of a wealth of literature, one of the most impressive of which is the collection of songs known as the Cantigas de Santa Maria. This book offers a new perspective to the song collection, probing how the Cantigas use their music and text, together with rhetorical devices, to communicate with their desired audience.

An illuminating biography of Alfonso X, the 13th-century philosopher-king whose affinity for Islamic culture left an indelible mark on Western civilization "If I had been present at the Creation," the thirteenth-century Spanish philosopher-king Alfonso X is said to have stated, "Many faults in the universe would have been avoided." Known as El Sabio, "the Wise," Alfonso was renowned by friends and enemies alike for his sparkling intellect and extraordinary cultural achievements. In The Wise King, celebrated historian Simon R. Doubleday traces the story of the king's life and times, leading us deep into his emotional world and showing how his intense admiration for Spain's rich Islamic culture paved the way for the European Renaissance. In 1252, when Alfonso replaced his more militaristic father on the throne of Castile and Leóthe battle to reconquer Muslim territory on the Iberian Peninsula was raging fiercely. But even as he led his Christian soldiers onto the battlefield, Alfonso was seduced by the glories of Muslim Spain. His engagement with the Arabic-speaking culture of the South shaped his pursuit of astronomy, for which he was famed for centuries, and his profoundly humane vision of the world, which Dante, Petrarch, and later Italian humanists would inherit. A composer of lyric verses, and patron of works on board games, hunting, and the properties of stones, Alfonso is best known today for his Cantigas de Santa Marí/i> (Songs of Holy Mary), which offer a remarkable window onto his world. His ongoing struggles as a king and as a man were distilled-in art, music, literature, and architecture-into something sublime that speaks to us powerfully across the centuries. An intimate biography of the Spanish ruler in whom two cultures converged, The Wise King introduces readers to a Renaissance man before his time, whose creative energy in the face of personal turmoil and existential threats to his kingdom would transform the course of Western history.

Jews and Converts in Late Medieval Castile examines the ways in which Jewish-Christian relations evolved in Castile, taking account of social, cultural, and religious factors that affected the two communities throughout the fourteenth and early fifteenth centuries. The territorial expansion of the Christian kingdoms in Iberia that followed the reconquests of the mid-thirteenth century presented new military and economic challenges. At the same time the fragile balance between Muslims, Jews, and Christians in the Peninsula was also profoundly affected. Economic and financial pressures were of over-riding importance. Most significant were the large tax revenues that the Iberian Jewish community provided to royal coffers, new evidence for which is provided here. Some in the Jewish community also achieved prominence at court, achieving dizzying success that often ended in dismal failure or death. A particular feature of this study is its reliance upon both Castilian and Hebrew sources of the period to show how mutual perceptions evolved through the long fourteenth century. The study encompasses the remarkable and widespread phenomenon of Jewish conversion, elaborates on its causes, and describes the profound social changes that would culminate in the anti-converso riots of the mid-fifteenth century. This book is valuable reading for academics and students of medieval and of Jewish history. As a study of a unique crucible of social change it also has a wider relevance to multi-cultural societies of any age, including our own.

This book explores the complexity of Iberian identity and multicultural/multi-religious interactions in the Peninsula through the lens of spells, talismans, and imaginative fiction in medieval and early modern Iberia. Focusing particularly on love magic—which manipulates objects, celestial spheres, and demonic conjurings to facilitate sexual encounters—Menaldi examines how practitioners and victims of such magic as represented in major works produced in Castile. Magic, and love magic in particular, is an exchange of knowledge, a claim to power and a deviation from or subversion of the licit practices permitted by authoritative decrees. As such, magic serves as a metaphorical tool for understanding the complex relationships of the Christian with the non-Christian. In seeking to understand and incorporate hidden secrets that presumably reveal how one can manipulate their environment, occult knowledge became one of the funnels through which cultures and practices mixed and adapted throughout the centuries.