Gulliver’s Travels meets The Underground Railroad: a road trip through the countryside – and the psyche – by the author of Fifteen Dogs. Longlisted for the 2019 Scotiabank Giller Prize Botanist Alfred Homer, ever hopeful and constantly surprised, is invited on a road trip by his parents’ friend, Professor Morgan Bruno, who wants company as he tries to unearth the story of the mysterious poet John Skennen. But this is no ordinary road trip. Alfred and the Professor encounter towns where Black residents speak only in sign language and towns that hold Indigenous Parades; it is a land of house burnings, werewolves, and witches. Complete with Alfred’s drawings of plants both real and implausible, Days by Moonlight is a Dantesque journey taken during the “hour of the wolf,” that time of day when the sun is setting and the traveller can’t tell the difference between dog and wolf. And it asks that perpetual question: how do we know the things we know are real, and what is real anyway? “A mash-up that is part fabulism, part faux biography, and part satire, Days by Moonlight conveys the experience of grief, managing to transform its inarticulable and symbolic weight into a finely wrought literary work.” —Quill and Quire

GODS MEDDLE AND MAGIC WILL BETRAY YOU, BUT THIS TIME JUSTICE WILL REIGN. Terry J. Benton-Walker's contemporary fantasy debut, Blood Debts, is "an extravaganza from start to finish" (Chloe Gong) with powerful magical families, intergenerational curses, and deadly drama in New Orleans. A National Indie Bestseller. A Publisher's Weekly Best Book of the Year. A Southern Book Prize Finalist. Featured on NPR Weekend Edition Sunday, Buzzfeed, BookPage, Nerd Daily, POPSUGAR, and more. “A conjuring of magnificence.” —NIC STONE • “A force.” —ROSEANNE A. BROWN • “An extravaganza.” —CHLOE GONG • “Powerful.” —AYANA GRAY • “Sings with hope and rage.” —TJ KLUNE • “An unforgettable thrill ride.” —J. ELLE • “Steeped in magic.” —ALEXIS HENDERSON • “Crackles with mystery and ferocity.” —MARK OSHIRO Thirty years ago, a young woman was murdered, a family was lynched, and New Orleans saw the greatest magical massacre in its history. In the days that followed, a throne was stolen from a queen. On the anniversary of these brutal events, Clement and Cristina Trudeau—the sixteen-year-old twin heirs to the powerful, magical, dethroned family—are mourning their father and caring for their sick mother. Until, by chance, they discover their mother isn’t sick—she’s cursed. Cursed by someone on the very magic council their family used to rule. Someone who will come for them next. Cristina, once a talented and dedicated practitioner of Generational magic, has given up magic for good. An ancient spell is what killed their father and she was the one who cast it. For Clement, magic is his lifeline. A distraction from his anger and pain. Even better than the random guys he hooks up with. Cristina and Clement used to be each other’s most trusted confidant and friend, now they barely speak. But if they have any hope of discovering who is coming after their family, they’ll have to find a way to trust each other and their family's magic, all while solving the decades-old murder that sparked the still-rising tensions between the city’s magical and non-magical communities. And if they don't succeed, New Orleans may see another massacre. Or worse. ★ “Riveting and relevant.” —Kirkus Reviews, starred review At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

When a pack of werewolves start hunting and killing in Pine View County, Texas, Sheriff Garrett Lambert must end the carnage. This task becomes even more urgent when three people he cares about are bitten and become infected. If Sheriff Lambert cannot find and kill the alpha werewolf that infected them by the next full moon, they will become cursed. With the help of his teenage daughter, Paige, best friend and deputy, Tyrone “Ty” Jackson, an English professor who specializes in the occult and folklore, Dr. James Huff, a Native American of the indigenous Cato tribe, Trowa Raintree, and an elemental witch with the gift of sight who is a decedent of Marie Laveau, Lola Laveau, Garrett becomes the hunter.

Engaging a diverse range of contemporary anglophone literature from authors of the Asian, Middle Eastern and Caribbean diasporas, this book explores how such works turn to spirit forces, spirit realms and spirit beings - were-animals, mystical birds, and snake goddesses - as positive forces that assert perceptual dimensions beyond those of the human, and present a vision of Earth as agentive and animate. With previous scholarship downplaying these aspects of modern works as uncanny hauntings or symptoms of capitalism's or anthropocentrism's destructiveness, or within a blanket rubric of 'magical realism', Hilary Thompson rejects this partitioning of them as products of an exotic East or global South. By contrast, this book builds a new critical framework for analysis of worldly spirits, drawing on anthropological discussions of animism, the newly recovered 1930s boundary-crossing art movement Dimensionism, and multispecies theories of animals' diverse perceptual worlds. Taking stock of novels published from 2018-2020 by such writers as Amitav Ghosh, André Alexis, Yangsze Choo, Azareen Van der Vliet Oloomi, Zeyn Joukhadar, and Tanya Tagaq, Thompson illuminates how these works extend an ecological call to decentre the human and align with multidimensional theories of art and literature to provide ways to read for rather than reduce the extra-human dimensions emerging in contemporary fiction. A refreshing rejection of ecological apocalypticism, this book unsettles typical conceptualizations of both anglophone and Anthropocene literatures by invoking European art theory, philosophy, and non-Western ideas on animism and spirits to put forward perceptions of the extra-human as a form of dealing with the many uncertainties of today's different crises.

Icarus: The Collected Plays is an excursion into the uniqueness of an individual confronting an indifferent and often hostile universe. A demigod, time travelers, vampires, the pioneers of modern-day rocketry, a magus, two young convicts, an amateur bodybuilder, a murderous alienmisfits, all of them. Each of these fifteen plays is a projection of existence with an unusual main character and those within his sphere of influence. They are the manipulators of a reality of their own creation.

An inventory of works of art produced under the Works Progress Administration, 1933-1943, located in non-Federal depositories, initiated by the Fine Arts Program of GSA.