Alexander the Great and Propaganda explores the use of propaganda - whether literature, coinage, or iconography – in the court of Alexander the Great, as well as those of his Successors, demonstrating that it was as integral to Hellenistic courts as it was to Imperial Rome. This volume brings together ten essays from leading international scholars in Alexander studies. There is currently no equivalent collection which has a specialist focus of themes or issues relating to the use of propaganda in the courts of Alexander or his Successors. This book will be an invaluable resource for students and scholars of Alexander studies, as well as those studying the use of propaganda across the ancient world, and to the more general reader with an interest in Alexander the Great and his reign.

This major study by a leading expert is dedicated to the thirty years after the death of Alexander the Great in 323 BC. It deals with the emergence of the Successor monarchies and examines the factors which brought success and failure. Some of the central themes are the struggle for pre-eminence after Alexander's death, the fate of the Macedonian army of conquest, and the foundation of Seleucus' monarchy. Bosworth also examines the statesman and historian Hieronymus of Cardia, concentrating on his treatment of widow burning in India and nomadism in Arabia. Another highlight is the first full analysis of the epic struggle between Antigonus and Eumenes (318-316), one of the most important and decisive campaigns of the ancient world.

This book investigates the kinds and quantities of treasure seized by Alexander the Great, from gold and silver to land and slaves, and reassesses the widespread belief that the Macedonian king used the profits of war to improve the ancient economies he conquered. It reveals what became of the king's wealth and what Alexander's redistribution of these vast resources can tell us about his much-disputed policies and personality.

The literary tradition surrounding the Macedonian conqueror is rich, contradictory and complex. Much of what we know comes from the history of Quintus Curtius, who wrote a history of Alexander in the first century AD. Baynham explores Curtius' historical style and his presentation of the legendary king. She examines his use of ancient sources, and discusses why Curtius chose to preserve the information about Alexander that he did. She demonstrates that his work was a carefully planned narrative, and that he was not only interested in presenting Alexander as a clever ruler and accomplished tactician, but also as a human subject to the whims of chance, of fortuna .

"Alexander the Great (356-323 BC), King of Macedonia lived a life of mythical proportions. He modelled himself on Achilles and slept with a copy of the Iliad, annotated by Aristotle, his teacher, under his pillow. Unrivalled by any historical military figure, he conquered the Mediterranean, Persia, Afghanistan, and northwest India during his brief life. By the time he died at the age of 33 he had introduced Greek civilisation to the world. A gifted strategist and self-proclaimed deity, Alexander was impetuous and merciless in warfare. He never lost a battle. Exhibiting conspicuous personal bravery, two millennia after his death he is still remembered as the greatest soldier of all time."--BOOK JACKET.

Propaganda Prints reviews the history, cultural diversity and artistic legacy of art produced in the service of social and political change from ancient times to the present day. The author presents the arts of state control, of opposition, of revolution, of advertising, politics and self-promotion in their historical contexts, with three hundred images to evoke some of the dreams and concerns which have driven humanity through the last five thousand years. The Ancient Mesopotamians are there with the Romans, the Crusaders, the Normans, the Victorians, the Suffragettes, the Nazis and the Hippies. The American, French, Russian, Mexican, Chinese and Cuban revolutions all contribute as do many, far too many, wars. From Gutenberg's printing press to You Tube, from Alexander to Obama, this review of propaganda art reflects the best and the worst of us, and offers the pictures by way of consolation.

Brill’s Companion to the Reception of Alexander the Great offers a considerable range of topics, of interest to students and academics alike, in the long tradition of this subject’s significant impact, across a sometimes surprising and comprehensive variety of areas. Arguably no other historical figure has cast such a long shadow for so long a time. Every civilisation touched by the Macedonian Conqueror, along with many more that he never imagined, has scrambled to “own” some part of his legacy. This volume canvasses a comprehensive array of these receptions, beginning from Alexander’s own era and journeying up to the present, in order to come to grips with the impact left by this influential but elusive figure.