Robert Holden enters the bunyips lair to reveal the fascinating literature, folklore and superstitions that have immortalised Australia's most enigmatic creature. Bunyips includes extracts from Australian stories about bunyips, featuring work by Edel Wignell, Rosa Campbell Praed, Catherine Stow, Dal Stivens and others.

Readers are taken on a journey to Australia's lore of the bunyip. This book describes its origin, menacing characteristics, and the monster's legacy in popular culture.

Aust'n. Since Alexander hit the shelves, his voracious consumption of national landmarks has captivated generations of children. His mercurial career includes the longest-running TV series ever hosted by a Bunyip, and coming in 2011, the unveiling of his life-size statue in bronze. A new edition of the unforgettable children's story.

From vampires and demons to ghosts and zombies, interest in monsters in literature, film, and popular culture has never been stronger. This concise Encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters throughout the ages. It is the first major reference book on monsters for the scholarly market. Over 200 entries written by experts in the field are accompanied by an overview introduction by the editor. Generic entries such as 'ghost' and 'vampire' are cross-listed with important specific manifestations of that monster. In addition to monsters appearing in English-language literature and film, the Encyclopedia also includes significant monsters in Spanish, French, Italian, German, Russian, Indian, Chinese, Japanese, African and Middle Eastern traditions. Alphabetically organized, the entries each feature suggestions for further reading. The Ashgate Encyclopedia of Literary and Cinematic Monsters is an invaluable resource for all students and scholars and an essential addition to library reference shelves.

The Lively Audience (1986) studies television from the children’s own point of view. Contrary to most prevailing opinion, it contends that television has much to teach children, and that their relationship with the medium is not one of passive dependency after all. Research shows that what children gain from television depends very much on the child’s age and social experience, and that children ‘see’ television differently from adults. This book examines this issue, and gives us a different understanding of the child audience and the impact of their television viewing.