Eminem as emblem of America throughout Alex Da Corte's oeuvre This book exhaustively documents Philadelphia-based installation artist Alex Da Corte's (born 1980) preoccupation with the musician Eminem across four exhibitions. From Detroit to Cologne, from an artist-run space to a major international museum, Da Corte's work parallels Eminem's career through his thirties, reappearing, evolving alongside America, explaining more of himself each time. Eminem's place in culture and his role in Da Corte's practice, as well as the larger story of American identity, is explored through recent and commissioned essays by Hilton Als, Charlie Fox, William Pym, Martine Syms and Moritz Wesseler, as well as manipulated found texts and an extensive Q&A with Danish filmmaker Jørgen Leth, whose 1982 work Andy Warhol Eating a Hamburger strongly informs the discussion. True Life is both an uncompromising reference book and a work of fantasy.

Longtime friends and first-time collaborators Alex Da Corte (born 1980) and Jayson Musson (born 1977) created a major new commission for ICA Philadelphia in 2014. Nearly two and a half hours in length, this in-the-round video installation was scripted by Jayson Musson, directed by Alex Da Corte, and scored by composer Devonté Hynes. Easternsports is an amorality tale for the digital age. Both deadly serious and heartbreakingly flippant, it embraces Gap commercials and grand jury rulings, middle-class aspirations and global imperialism. And it transforms a decade-long conversation between Musson and Da Corte into a work awash in the neon glow of their American milieu.

Since 2000, The Brooklyn Rail has been a platform for artists, academics, critics, poets, and writers in New York and abroad. The monthly journal’s continued appeal is due in large part to its diverse contributors, many of whom bring contrasting and often unexpected opinions to conversations about art and aesthetics. No other publication devotes as much space to the artist’s voice, allowing ideas to unfold and idiosyncrasies to emerge through open discussion. Since its inception, cofounder and artistic director Phong Bui and the Rail’s contributors have interviewed over four hundred artists for The Brooklyn Rail. This volume brings together for the first time a selection of sixty of the most influential and seminal interviews with artists ranging from Richard Serra and Brice Marden, to Alex Da Corte and House of Ladosha. While each interview is important in its own right, offering a perspective on the life and work of a specific artist, collectively they tell the story of a journal that has grown during one of the more diverse and surprising periods in visual art. There is no unified style or perspective; The Brooklyn Rail’s strength lies in its ability to include and champion difference. Selected and coedited by Jarrett Earnest, a frequent Rail contributor, with Lucas Zwirner, the book includes an introduction to the project by Phong Bui as well as many of the hand-drawn portraits he has made of those he has interviewed over the years. This combination of verbal and visual profiles offers a rare and personal insight into contemporary visual culture. Interviews with Vito Acconci, Ai Weiwei, Lynda Benglis, James Bishop, Chris Burden, Vija Celmins, Francesco Clemente, Bruce Conner, Alex Da Corte, Rosalyn Drexler, Keltie Ferris, Simone Forti, Andrea Fraser, LaToya Ruby Frazier, Suzan Frecon, Coco Fusco, Robert Gober, Leon Golub, Ron Gorchov, Michelle Grabner, Josephine Halvorson, Sheila Hicks, David Hockney, Roni Horn, House of Ladosha, Alfredo Jaar, Bill Jensen, Alex Katz, William Kentridge, Matvey Levenstein, Nalini Malani, Brice Marden, Chris Martin, Jonas Mekas, Shirin Neshat, Thomas Nozkowski, Lorraine O’Grady, Genesis Breyer P-Orridge, Joanna Pousette-Dart, Ernesto Pujol, Martin Puryear, Walid Raad, Dorothea Rockburne, Tim Rollins and K.O.S., Robert Ryman, Dana Schutz, Richard Serra, Shahzia Sikander, Nancy Spero, Hiroshi Sugimoto, Sarah Sze, Rirkrit Tiravanija, James Turrell, Richard Tuttle, Luc Tuymans, Kara Walker, Stanley Whitney, Jack Whitten, Yan Pei-Ming, and Lisa Yuskavage Special thanks to Furthermore, a program of the J.M. Kaplan Fund, for their support of The Brooklyn Rail.

Philadelphia-based Alex Da Corte's (born 1980) new publication takes its name from the pre-Revolutionary tavern that stands in the heart of Philadelphia's historic district. Using the "privy," an archeological pit located near the A Man Full of Trouble tavern, as inspiration, Da Corte presents the world within such a portal; a place where memories, objects, past and present aggregate and reconstitute.

I believe I am in Hell, therefore I am."0?Arthur Rimbaud, Night in Hell00Rubber Pencil Devil is the fourth book in an ongoing series of flipbooks cataloging Da Corte's fifty-seven part film, Rubber Pencil Devil (2018).0The flipbook features an essay by Jamillah James for A Season in He?ll, curated by Jamillah James at Art + Practice, Los Angeles, in collaboration with the Hammer Museum, July 9 ? September 16, 2016.

John Banville’s stunning powers of mimicry are brilliantly on display in this engrossing novel, the darkly compelling confession of an improbable murderer. Freddie Montgomery is a highly cultured man, a husband and father living the life of a dissolute exile on a Mediterranean island. When a debt comes due and his wife and child are held as collateral, he returns to Ireland to secure funds. That pursuit leads to murder. And here is his attempt to present evidence, not of his innocence, but of his life, of the events that lead to the murder he committed because he could. Like a hero out of Nabokov or Camus, Montgomery is a chillingly articulate, self-aware, and amoral being, whose humanity is painfully on display.

Andrew Durbin's Mature Themes is a hybrid text of poetry, art criticism, and memoir focused on the subject of disingenuity-and what constitutes "personal experience" both online and IRL when to "go deep" in a culture of so many unreliable communication technologies is to resend a text at 3 AM. Throughout the book, Durbin's voice mutates into others in order to uncover the fading specters of meaning buried under the pristine surfaces of art and Hollywood, locating below them the other realities that structure our experience of both.