In Dolor y Alegría (Sorrow and Joy), fifteen mothers, grandmothers, and great grandmothers in the Mexican city of Cuernavaca speak about the dramatic effects that urbanization and rapid social change have had on their lives. Sarah LeVine deftly combines these autobiographical vignettes with ethnographic material, survey findings, and her own observations. The result is a vivid picture of contrast and continuity. While many earlier publications have focused on the poor of Latin America who live at the margins of urban life, Dolor y Alegría explores the experiences of ordinary working and lower-middle class women, most of them transplants from villages and small towns to a densely populated city neighborhood. In their early years, many experienced family disruption, emotional deprivation, and economic hardship; but steadily increasing educational opportunities, improved health care, and easily available contraception have significantly altered how the younger women relate to their families and the larger society. Today's Mexican schoolgirl, LeVine shows, is encouraged to apply herself to her studies for her own benefit, and the longer she remains in school, the greater the self-confidence she will carry with her into the world of work and later into marriage and motherhood. Hard economic times have forced many married women into the workplace where their sense of personal efficacy is enhanced; at the same time, in the domestic sphere, their earnings allow them greater negotiating power with husbands and male relatives. Changes are not confined to the younger generation. Older women are enjoying better health and living longer; but with adult children either less able or willing to accept responsibility for aged parents than they were in the past, anxiety runs high and family relations are often strained. Dolor y Alegría takes a close look at the efforts of three generations of Mexican women to redefine themselves in both family and workplace; it shows that today's young woman has very different expectations of herself and others from those that her grandmother or even her mother had.

Jorge Manrique was the greatest poet of fifteenth-century Castile and one of the three or four greatest in Spanish literature. Frank A. Domínguez offers here an introduction to Manrique's poetry and the first book-length study of him in English in fifty years. After presenting the biographical and historical context of Manrique's poetry, Domínguez examines the poet's love lyrics, describing the large fund of commonplaces and forms that Manrique's verses share with those of other poets of his age. Manrique's highly stylized language and parallel verse structures express the obsession of the lover with the beloved. Moreover, his attention to parallel construe the world's greatest. In treating the Coplas, Domínguez not only offers a sensitive reading of the elegy but also examines questions of text, structure, and style. Like the love lyrics, the Coplas present a high incidence of parallel structures that make for clarity and symmetry. Domínguez also finds that the complex stylistic relationships of the verses provide the Coplas with a unity that is deeper and more fundamental than has generally been perceived. This study, eclectic in its critical approaches, will be the standard English work on Manrique for years to come.

Finding My Alegria is a beautiful coming-of-age poetic memoir where the author shares her journey, with raw honesty, about becoming a creative entrepreneur and a woman with all its twists and turns. This book will benefit several nonprofit organizations focused on educating young people about mental health and addiction healing through the arts.

"Each of these works is meticulously structured around a two-poem section that gives each its unique configuration and character. Yet, at the same time, each poem maintains its individual independence and singular integrity."--BOOK JACKET. "In Breaking New Ground, W. Michael Mudrovic presents a comprehensive reading and detailed analysis of Rodriguez's work to date, including Casi una leyenda."--BOOK JACKET.

Dependence, Independence, and Death: Toward a Psychobiography of Delmira Agustini depicts the life of Uruguayan poet Delmira Agustini (1886-1914) based on her poems and other writings. These works give evidence of two constructs related to a psychological conflict in her life. The first is a dependence/independence dichotomy, thematized as a polarized love relationship between speaker and Other, who can represent two individuals or dual aspects of the poet's self. The second involves the poet's fascination with death, which becomes a self-fulfilling prophecy when she is murdered by her ex-husband at the age of twenty-seven.

If you have any question about: What is the sense of your life?, What are you doing here?, Who are you?, What are the main goals of your life?, What can i do to feel better daily?, Am i doing the best i can in my life?, What about God is helping me, or not?, Can i ask for help to anyone to pass a complicated situation?, What is the spirit?, Are we alone in this universe?, Where is God?, Am i following the correct path or am i lost?, Why am i so sad?, What can i do to be happy?, Why am i experimenting difficult situations in my life?, Exists any technique to improve your self confidence?, Can i restore from my diseases?, Can i help others with their diseases?, Am i feeling that i don't find my place in this world?, What can i do to attract jobs, money, or someone to my life?, Do i deserve to enjoy the life? How can i eliminate my own borders? Am i strong enough to overcome from any situation?, Am i worrying about others instead of myself? This book will be your answer. Thanks for reading, and remember to share it if you like it.