Venice, home of Tiepolo, Canaletto, Piranesi, Piazzetta, and Guardi, was the most artistic city of 18th-century Italy. This beautiful book examines the whole range of the arts in Venice during the period, including paintings, pastels and gouaches, drawings and watercolors, prints and illustrated books and sculpture. Beautifully illustrated.

Beginning in the 1920s, Kress and his foundation assembled, first in New York, and later in Washington, the nation's most inclusive collection of Italian art. In 1938 he decided to donate the collection to the National Gallery of Art, and when it opened in 1941, 375 paintings and 18 works of sculpture from the Kress gift were installed in the West Building. The Gallery's holdings of seventeenth- and eighteenth-century Italian paintings have been enriched by gifts from P.A.B. Widener and Paul Mellon, and more recently from purchases. This catalogue is the first of four volumes to document the National Gallery's great collection of Italian paintings.

The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.

The first comprehensive study of the dominant form of solo singing in Renaissance Italy prior to the mid-sixteenth century.