The exhibition brings together some 120 works and photographs on loan from international museums and private collectors in Duisburg. Each of the works is an almost indispensable component of the exhibition of the Woman With Chariot. The exhibition showcases over 30 sculptures, paintings and prints, more than 40 original photographs, documents and archival materials. The 153.5-centimeter-high Woman With Chariot was built around 1945 in the studio of the sculptor, who worked during the war in Geneva and Maloja. It is the only plaster sculpture by Giacometti in a German museum.

Der vorliegende Band dokumentiert in Texten internationaler Wissenschaftler und mit zum Teil unveröffentlichten Werkgruppen ausführlich und zum ersten Mal die Entstehungsgeschichte sowie die Veränderungen und Modifikationen der Skulptur in Gips und Bronze ; Vergleiche mit weiteren Skulpturen sowie mit Gemälden, Zeichnungen und Fotografien markieren deutlich die Umbruchphase im Gesamtwerk des Künstlers. Endgültig gelingt die "Ganzheit einer Gestalt", in der sich Nähe und innere Vision zu einer schlanken und fragilen Figuration zusammenschliessen.

Laurie Wilson shows how Giacometti's secret beliefs & emotional scars are reflected in his sculpture, drawings & paintings.

A comprehensive survey of the work of the legendary Swiss artist, this book illustrates and examines more than 100 of his sculptures, paintings, drawings, and prints This lavishly illustrated retrospective traces the early and midcareer development of the preeminent Swiss artist Alberto Giacometti (1901-1966), examining the emergence of his distinct figural style through works including a series of walking men, elongated standing women, and numerous busts. Rare paintings and drawings from his formative period show the significance of landscape in Giacometti's work, while also revealing the influence of the postimpressionist painters that surrounded his father, the artist Giovanni Giacometti. Other areas of inquiry on which Alberto Giacometti casts new light are his studio practice--amply illustrated with photographs--his obsessive focus on depicting the human head, his collaborations with poets and writers, and his development of the walking man sculpture, thanks to numerous drawings, many of which have never been shown. Original essays by modern art and Giacometti specialists shed new light on era-defining sculptural masterpieces, including the Walking Man, the Nose, and the Chariot, or on key aspects of his work, such as the significance of surrealism, his drawing practice, or the question of space.

Giacometti: Critical Essays brings together new studies by an international team of scholars who together explore the whole span of Alberto Giacometti's work and career from the 1920s to the 1960s. During this complex period in France's intellectual history, Giacometti's work underwent a series of remarkable stylistic shifts while he forged close affiliations with an equally remarkable set of contemporary writers and thinkers. This book throws new light on under-researched aspects of his output and approach, including his relationship to his own studio, his work in the decorative arts, his tomb sculptures and his use of the pedestal. It also focuses on crucial ways his work was received and articulated by contemporary and later writers, including Michel Leiris, Francis Ponge, Isaku Yanaihara and Tahar Ben Jelloun. This book thus engages with energising tensions and debates that informed Giacometti's work, including his association with both surrealism and existentialism, his production of both 'high' art and decorative objects, and his concern with both formal issues, such as scale and material, and with the expression of philosophical and poetic ideas. This multifaceted collection of essays confirms Giacometti's status as one of the most fascinating artists of the twentieth century.

"Space does not exist," the Swiss sculptor Alberto Giacometti (1901-1966) wrote in 1949. "It has to be created... Every sculpture made on the assumption that space exists is wrong, there is only the illusion of space." This fascinating statement serves as a conceptual underpinning for Hatje Cantz's new appraisal of the artist's mature work. Giacometti's emaciated sculptures have long been seen as symbols of a newly anxious, frail humanity. But more recently, attention has come to focus on the relevance of his work for contemporary considerations of space and time. Alberto Giacometti: The Origin of Space supplies a comprehensive overview of the later works of this lastingly influential artist, presenting 200 color images of sculptures, paintings and drawings.