This book looks at a refined selection of drawings by Alberto Giacometti and examines them against the background provided by more than one hundred letters exchanged between Giacometti and his parents, the majority of which have not previously been published. The choice of drawings and the selected correspondence illuminate important aspects of the development of Giacometti's work over five decades of his life. Furthermore, Patrick de Vries examines Alberto Giacometti's friendships with important contemporary artists such as Pablo Picasso, Francis Gruber, Balthus, and Tal-Coat, and discloses the artists' views of each other, as well as links and dissimilarities in their work. Discussions with Giacometti's friend, the Japanese philosopher Isaku Yanaihara, reveal interesting insights into the, rarely discussed, subject of Giacometti's fascination with East Asian Art.

A giant of twentieth-century art, Alberto Giacometti (1901-1966) stands beside Picasso and Matisse as an artist who has defined the way our century is perceived, and alongside them as one of the few modern artists who have created sculpture, paintings and drawings with equal mastery. This lavishly illustrated book accompanies a major retrospective of Giacometti's work at the Scottish National Gallery of Modern Art in Edinburgh. The two hundred and forty-one works in the exhibition include many of Giacometti's greatest and best-known pieces, as well as rarely-seen Surrealist sculptures and previously unrecorded works. All are reproduced - eighty as full page colour plates. The fully illustrated essays, written by some of the world's leading Giacometti scholars, bring together remarkable new research and make this book an invaluable introduction to the artist's life and work.

Alberto Giacometti forged a singular path within European Modernism, restlessly seeking a new language for sculpture as the double of reality. His quest brought him into close, face-to-face contact with some of the most influential intellectuals of the twentieth century--including Georges Bataille, Jean Genet, and Samuel Beckett. Tracing how these literary friendships molded the artist's creative development, Alberto Giacometti: Face to Face discovers new continuities among the various strains of modernist thought and develops a fresh approach to Giacometti and his work. This accessible overview of Giacometti's career is illustrated by more than 150 reproductions of his sculptures and paintings as well as excerpts from the literature that shaped his ideas, tracking the evolution of his work from post-cubism through surrealism and into post-war realism.

When we look at a painting hanging on an art gallery wall, we see only what the artist has chosen to disclose--the finished work of art. What remains mysterious is the process of creation itself--the making of the work of art. Everyone who has looked at paintings has wondered about this, and numerous efforts have been made to discover and depict the creative method of important artists. A Giacometti Portrait is a picture of one of the century's greatest artists at work. James Lord sat for eighteen days while his friend Alberto Giamcometti did his portrait in oil. The artist painted, and the model recorded the sittings and took photographs of the work in its various stages. What emerged was an illumination of what it is to be an artist and what it was to be Giacometti--a portrait in prose of the man and his art. A work of great literary distinction, A Giacometti Portrait is, above all, a subtle and important evocation of a great artist.

DIVDIVRenowned French philosopher Jean-Paul Sartre references artists such as Tintoretto, Calder, Lapoujade, Titian, Raphael, and Michaelangelo in discussing how great art of the past relates to the challenges of his era/divDIVEssays in Aesthetics is a provocative collection that considers the nature of art and its meaning. Sartre considers the artist’s “function,” and the relation of art and the artist to the human condition. Sartre integrates his deep concern for the sensibilities of the artist with a fascinating analysis of the techniques of the artist as creator. The result is a vibrant manifesto of existentialist aesthetics./divDIV /divDIVBy looking at existentialism through the lens of great art, Essays in Aesthetics is just as valuable a read to the artist as it is to the philosopher./divDIV /div/div

"Space does not exist," the Swiss sculptor Alberto Giacometti (1901-1966) wrote in 1949. "It has to be created... Every sculpture made on the assumption that space exists is wrong, there is only the illusion of space." This fascinating statement serves as a conceptual underpinning for Hatje Cantz's new appraisal of the artist's mature work. Giacometti's emaciated sculptures have long been seen as symbols of a newly anxious, frail humanity. But more recently, attention has come to focus on the relevance of his work for contemporary considerations of space and time. Alberto Giacometti: The Origin of Space supplies a comprehensive overview of the later works of this lastingly influential artist, presenting 200 color images of sculptures, paintings and drawings.

The renowned French philosopher lays the foundation for an Existentialist approach to psychology and aesthetics in this pair of classic works. In The Emotions: Outline of a Theory, Jean-Paul Sartre explores the role of emotions in the human psyche, presenting a phenomenological approach to psychology. Analyzing the universal, yet subjective, experiences of fear, lust, anguish, and melancholy, Sartre asserts that human beings develop their emotional capabilities from a very early age, which helps them identify and understand the names and qualities of their feelings later in life. Essays in Aesthetics is a provocative collection that explores the nature of art and its meaning. Sartre considers the artist’s “function,” and the relation between art and the human condition. Engaging with the works of Tintoretto, Calder, Lapoujade, Titian, Raphael, and Michaelangelo, Sartre offers a fascinating analysis of the creative process. The result is a vibrant manifesto of existentialist aesthetics.