This book is the first accurate English translation, with useful introduction and many valuable notes, of al-Ghazali's Kitab Adab Tilawat al-Qu'ran, which is a part of his greatest work Ihya' 'Ulum al-Deen (The Revival of the Religious Sciences). In the Introduction of this translation (pages 9-18) the subject of Qu'ran-reading is nicely initiated. In chapter I (pp. 19-33) the merits of Qu'ran- recitation are discussed. In chapters II & III (pp. 34-85) ten external etiquettes or praiseworthy manners and ten internal (mental) tasks of Quran-recitation are set forth. In chapter IV (pp. 86-104) the existence of deep, hidden meaning of the Qu'ran is proved as against the proponents of outward exegetes. The obstacles to the understanding of deep, hidden meanings of the Qu'ranic verses are pointed out. The Prophet's prohibition of Qu'ran-explanation according to one's personal opinion is discussed in detail in pp. 90-104. In this context the controversial problem of tafsir bi-l ray (interpretation of Qur'an acconding to valid personal opinion) is seriously considered and supported with proofs and evidences.The Arabic text translated here has been compared with eight other printed Arabic texts and then translated very carefully and accurately using free-flowing, modern English

The American Journal of Islamic Social Sciences (AJISS) is an interdisciplinary journal that publishes a wide variety of scholarly research on all facets of Islam and the Muslim world: anthropology, economics, history, philosophy and metaphysics, politics, psychology, religious law, and traditional Islam. Submissions are subject to a blind peer review process.

This volume is one of two edited by Andrew Rippin which are designed to complement one another, and to comprehend the principal trends in modern scholarship on the Qur’an. Both volumes are provided with a new introduction by the editor, analysing this scholarship, and providing references for further study. The Qur’an: Style and Contents reveals the variety of approaches followed within the study of the text. From Nöldeke’s examination of style through Arkoun’s project for the future, these scholarly statements reflect the historical development of the discipline, while providing overviews of key elements for the understanding of the Qur’an.

"Focusing on Cairo's popular neighborhoods, Hirschkind highlights the pivotal role these tapes now play in an expanding arena of Islamic argumentation and debate - what he calls an "Islamic counterpublic.""--BOOK JACKET.

A unique investigation into the aesthetics of colour in Islamic art revealing its deeper symbolic and mystical meanings. The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque's backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.