This collection of fiction and poetry, memoirs and autobiography, history and journalism illuminates the African American experience in St. Louis in the nineteenth and twentieth centuries.

Historian Scott Reynolds Nelson recounts how he came to discover the real John Henry, an African-American railroad worker who became a legend in the famous song.

One of America's foremost applied animal behaviorists offers a humane, effective approach to pet behavior modification. Includes Dr. Wright's 11 steps to a well-behaved pet, how to read a pet's body language, sections devoted to dogs' and cats' life cycles; the latest breakthroughs in animal behavior studies, and more. Illustrations.

This Ain't Chicago: Race, Class, and Regional Identity in the Post-Soul South

What happened to Jim Morrison in Paris and who is really buried in Pere Lachaise cemetery?In the early hours of 3rd July 1971, Jim Morrison, the lead singer of The Doors, supposedly died of heart failure in a bath tub at 17 Rue Beautreillis, in the 4th Arrondissement, Paris. He was 27 years old. The novel examines the questions surrounding his supposed death. It examines what happened on that fateful night and in the weeks leading up to it. And more importantly, what happened afterwards.Crime novelist Ron Clooney, a Doors fan since his teenage years, does what others have not dared to do. Ron has opened the past as if it were a criminal investigation, only this time he attempts to explain how it was done. Suicide? Accident at the hands of his girlfriend’s heroin? Murder? Simple heart attack? Or a complete and utter hoax? Ron looks into the complex mind of Jim Morrison and explores the nature of his relationship with his partner, Pamela Courson, so he can answer one of pop’s greatest mysteries: What really happened to Mr Mojo Risin’?A novel mixed with fact, this will appeal to all Doors fans and lovers of conspiracy theories. Ron Clooney gives a credible explanation of what really happened to Mr Mojo Risin’....

How in the world did fear ever become so popular, especially when it never should have existed in the first place? Why were we put here to do what we want, if we end up being too afraid to do it? For some who read FEAR AIN'T ALL THAT, learning to exist without fear is an option. For twelve-year old Miguel Estes, it's a necessity. Miguel happens to live with a fatal form of the skin-blistering disease E.B., yet believing he'll have a future is what sustains him. "The longer you keep your To Do list, the longer you'll have to hang around to get everything done," says Miguel's Aunt Shirley. Through his insightful aunt, through his dreams about his brother Jorge in heaven, and through the challenging lessons he's chosen to learn, Miguel is able to eliminate nearly every fear within him-all that's left is his mighty power of belief. In the end, Miguel is the ultimate victor; he realizes he's living life the way it was meant to be lived.without fear.

In sociolinguistic research on Englishes world-wide, little has been published on the pragmatics of postcolonial varieties. This interdisciplinary volume closes this research gap by providing integrative investigations of postcolonial discourses, probing the interstices between linguistic methodologies and literary text analysis. The literary texts under discussion are conceptualized as media both reflecting and creating reality, so that they provide valuable insights into postcolonial discourse phenomena. The contributions deal with the issue of how postcolonial Englishes, such as those spoken in India, Nigeria, South Africa and the Caribbean, have produced different pragmatic conventions in a complex interplay of culture-specific and global linguistic practices. They show the ways in which hybrid communicative situations based on ethnic, cultural, and linguistic diversity result in similarly hybrid social and communicative routines. The central pragmatic paradigms discussed here include im/politeness, speech act conventions, conversational maxims, deixis, humour, code-switching and -mixing, Othering, and linguistic exclusion.