A tale of Europe in the days just before the war. It tells of a small group of Jewish holiday makers in the resort of Badenheim in the Spring of 1939. Hitler's war looms, but Badenheim and its summer residents go about life as normal."

From "fiction's foremost chronicler of the Holocaust" (Philip Roth), here is a haunting novel about an unforgettable group of Jewish partisans fighting the Nazis during World War II. Battling numbing cold, ever-present hunger, and German soldiers determined to hunt them down, four dozen resistance fighters—escapees from a nearby ghetto—hide in a Ukrainian forest, determined to survive the war, sabotage the German war effort, and rescue as many Jews as they can from the trains taking them to concentration camps. Their leader is relentless in his efforts to turn his ragtag band of men and boys into a disciplined force that accomplishes its goals without losing its moral compass. And so when they're not raiding peasants' homes for food and supplies, or training with the weapons taken from the soldiers they have ambushed and killed, the partisans read books of faith and philosophy that they have rescued from abandoned Jewish homes, and they draw strength from the women, the elderly, and the remarkably resilient orphaned children they are protecting. When they hear about the advances being made by the Soviet Army, the partisans prepare for what they know will be a furious attack on their compound by the retreating Germans. In the heartbreaking aftermath, the survivors emerge from the forest to bury their dead, care for their wounded, and grimly confront a world that is surprised by their existence—and profoundly unwelcoming. Narrated by seventeen-year-old Edmund—a member of the group who maintains his own inner resolve with memories of his parents and their life before the war—this powerful story of Jews who fought back is suffused with the riveting detail that Aharon Appelfeld was uniquely able to bring to his award-winning novels.

A young holocaust survivor tries to create a new life in the newly established state of Israel. Erwin doesn’t remember much about his journey across Europe when the war ended because he spent most of it asleep, carried by other survivors as they emerged from their hiding places or were liberated from the camps and made their way to Naples, where they filled refugee camps and wondered what was to become of them. Erwin becomes part of a group of boys being rigorously trained both physically and mentally by an emissary from Palestine for life in their new home. When he and his fellow clandestine immigrants are released by British authorities from their detention camp near Haifa, they are assigned to a kibbutz, where they learn how to tend the land and speak their new language. But a part of Erwin clings to the past—to memories of his parents, his mother tongue, the Ukrainian city where he was born—and he knows that despite what he is being told, who he was is just as important as who he is becoming. When he is wounded in an engagement with snipers, Erwin spends months trying to regain the use of his legs. As he exercises his body, he exercises his mind as well, copying passages from the Bible in his newly acquired Hebrew and working up the courage to create his own texts in this language both old and new, hoping to succeed as a writer where his beloved, tormented father had failed. With the support of his friends and the encouragement of his mother (who visits him in his dreams), Erwin takes his first tentative steps with his crutches—and with his pen. Once again, Aharon Appelfeld mines personal experience to create dazzling, masterly fiction with a universal resonance.

"Aharon Appelfeld is one of the subtlest, most unorthodox, and most exactingly perceptive novelists to make the memory of the Holocaust his abiding project." --Philip Gourevitch, The New Yorker A lonely older man and his devoted young caretaker transform each other’s lives in ways they could never have imagined. Ernst is a gruff seventy-year-old Red Army veteran from Ukraine who landed, almost by accident, in Israel after World War II. A retired investment adviser, he lives alone (his first wife and baby daughter were killed by the Nazis; he divorced his shrewish second wife) and spends his time laboring over his unpublished novels. Irena, in her mid-thirties, is the unmarried daughter of Holocaust survivors who has been taking care of Ernst since his surgery two years earlier; she arrives every morning promptly at eight and usually leaves every afternoon at three. Quiet and shy, Irena is in awe of Ernst’s intellect. And as the months pass, Ernst comes to depend on the gentle young woman who runs his house, listens to him read from his work, and occasionally offers a spirited commentary on it. But Ernst’s writing gives him no satisfaction, and he is haunted by his godless, Communist past. His health, already poor, begins to deteriorate even further; he becomes mired in depression and seems to lose the will to live. But this is something Irena will not allow. As she becomes an increasingly important part of his life—moving into his home, encouraging him in his work, easing his pain—Ernst not only regains his sense of self and discovers the path through which his writing can flow but he also discovers, to his amazement, that Irena is in love with him. And, even more astonishing, he realizes that he is in love with her, too.

When Aharon Appelfeld was seven years old the Nazis occupied Czernowitz, his hometown. They penned the Jews into a ghetto and eventually sent whoever had not been shot or starved to death on a forced march across the Ukraine to a labor camp. As men, women, and children fall away around them, Aharon and his father miraculously survive, and Aharon, even more miraculously, escapes from the camp shortly after he arrives there. The next few years of Aharon’s life are both harrowing and heartrending: he hides, alone, in the Ukrainian forests from peasants who are only too happy to turn Jewish children over to the Nazis; he has the presence of mind to pass himself off as an orphaned gentile when he emerges from the forest to seek work; and, at war’s end, he joins the stream of refugees as they cross Europe on their way to displaced persons’ camps that have been set up for the survivors. Aharon eventually makes his way to Palestine; once there, he attempts to build a new life while struggling to retain the barely remembered fragments of his old life, and he takes his first, tentative steps as a writer. As he begins to receive national attention, Aharon realizes his life’s calling: to bear witness to the unfathomable. In this unforgettable work of memory, Aharon Appelfeld offers personal glimpses into the experiences that resonate throughout his fiction.

The inability to express the horrors of the Holocaust, combined with guilt feelings of the survivors, led to silence. Appelfeld explores the role of art in redeeming pain from darkness, and the conflicting desires to speak out and to keep silent. He forcefully argues that the Jewish people need a spiritual vision. In his conversation with Philip Roth, Appelfeld sheds light on his work and talks with candor about his life, influences, and concerns.

The second and last children's book by the extraordinary Holocaust survivor and Hebrew-language author of the award-winning Adam & Thomas. A mystical and transcendent journey of two wanderers, an eleven-year-old boy and an old man to whom the boy has been entrusted by his father, a Jew, fleeing the ravages of the war by the late award winning author, Aharon Appelfeld. The old man is a former Ukranian commander, revered by the soldiers under his command, who has gone blind and chosen the life of a wanderer as his last spiritual adventure. The child, now disguised as a Ukranian non-Jew, learns from the old man how to fend for himself and how to care for others. In the tradition of The Alchemist, the travelers learn from each other and the boy grows stronger and wiser as the old man teaches him the art of survival and, through the stories he shares, the reasons for living. Long Summer Nights carries its magic not only in the words, but also in the silences between them.