In 1824 Prince Wilhelm of Prussia and Princess Elisa Radziwill were very much in love, but they had been forbidden to marry. Their story is known as one of the most tragic royal romances of the 19th century. But were they in fact lovers, and did they have a child? A young woman named Agnes emigrated to Australia in 1848 to became the matriarch of a family in which it was whispered that she was a princess. Such stories abound as old wives' tales and most of them are unfounded, but this particular story is true.How did this happen, and how did it remain a secret until now? The book attempts to answer these questions, and in doing so throws light on the history of Europe in the 19th and 20th centuries, in which Kaiser Wilhelm I and his successors would play a vital role. This book connects an Australian dynasty to controversial historical events in Europe and it represents 20 years of research into our own family history. It includes expert DNA analysis alongside a personal journey wrapped up in a ripping yarn.

In 1824 Prince Wilhelm of Prussia and Princess Elisa Radziwill were very much in love, but they had been forbidden to marry. Their story is known as one of the most tragic royal romances of the nineteenth century. But were they in fact lovers, and did they have a child? A young woman named Agnes immigrated to Australia in 1848 to become the matriarch of a family in which it was whispered that she was a princess. Such stories abound as old-wives tales and most of them are unfounded, but this particular story is true. How did this happen, and how did it remain a secret until now? This book attempts to answer these questions and, in doing so, throws light on the history of Europe in the nineteenth and twentieth centuries in which Kaiser Wilhelm I and his successors would play a vital role in the creation of modern Europe. This book connects an Australian dynasty to controversial, historical events in Europe, and it represents twenty years of research into our own family history. It includes expert DNA analysis alongside a personal journey wrapped up in a ripping yarn.

Geoffrey Robertson led students in the '60s to demand an end to racism and censorship. He went on to become a top human rights advocate, saving the lives of many death-row inmates, freeing dissidents and taking on tyrants in a career marked by courage, determination and a fierce independence. In this witty, honest and sometimes irreverent memoir, he recalls battles on behalf of George Harrison and Julian Assange, Salman Rushdie and Václav Havel, Mike Tyson and the Sex Pistols, and battles against General Pinochet, Lee Kuan Yew and Mrs Thatcher (the true story of Spycatcher is told for the first time). Interspersed with these forensic fireworks is the story of a pimply schoolboy from a state comprehensive, inspired by a banned book to become a barrister at the Old Bailey and who went on to found the UK's leading human rights practice (Doughty Street Chambers) and to defend troublemakers throughout the world. Rather His Own Man captures the drama of the trial, the thrill of victory and the feeling of 'courtus interruptus' when a big case settles. Its cast of characters includes Princess Diana, Pee-Wee Herman, Dame Edna, the Queen and Rupert – the bear and the media mogul. It's a read that is both exhilarating and erudite – and very funny.

Had B.G. MacCarthy's criticism been available, Showalter's A Literature of Their Own would have been a very different kind of book...In some ways, contemporary could be ten years ahead if we had started the climb from MacCarthy's groundwork." —Maggie Humm, University of East London Back in print for the first time since the 1940's, this classic work of pre-feminist literary criticism is a challenging and authoritative assessment of women's contributions to English literature. B. G. MacCarthy, widely praised for the originality of her scholarship, challenges the dominant picture of mascaline literary history created by T. S. Eliot and F. R. Leavis. Written with crisp humor and irony, her exploration of women's writing. Focusing on a wide range of authors including Lady Mary Wroath, Eliza Hayward, Aphra Behn, Maria Edgeworth, Mary Wollstonecraft, Elizabeth Inchbald, Margaret Cavendish and Jane Austen- illustrates that these women attempted almost every genre of fiction, enriched many, and initiated some of the most important. Often savagely witty, The Female Pen discusses a vast array of fictional forms, including picturesque, moralistic, oriental, domestic, and gothic novels.