Acclaimed cartoonist Sarah Leavitt has created a gold rush story like no other: a spine chilling account of one woman’s attempt to escape her past by travelling into the wilds of the Cariboo Agnes, Murderess is a graphic novel inspired by the bloody legend of Agnes McVee, a roadhouse owner, madam and serial killer in the Cariboo region of British Columbia in the mid-nineteenth century. Fascinated by Agnes McVee and her unverified reputation as a murderer (originating in a 1970s guide to buried treasure), Sarah Leavitt has imagined an entirely new story for this mysterious woman: Agnes’s life begins on an isolated island off the coast of Scotland with her terrifying paternal grandmother, Gormul, who is feared by the villagers as a powerful witch. Agnes is desperate to leave the island, but Gormul keeps her trapped, determined to have an heir to her land and her evil powers. With the help of her devoted friend Seamus, Agnes escapes to London, then on to British Columbia, settling in 108 Mile in the Cariboo region. Here, she assumes ownership of a roadhouse serving the Gold Rush Trail. But no matter how far into the wild she ventures, she can’t seem to rid herself of Gormul’s legacy, which haunts both her dreams and her waking life. Leavitt puts a decidedly queer twist on the story, moving from women’s passionate friendships in the gardens of St John’s Wood to female relationships in Cariboo. At the same time, the book grapples with the dangerous pre-conceived notion held by settlers that Canada is a “new world,” free of ghosts and history. Agnes, Murderess presents a tortured, complicated woman struggling to escape her past. It is a spine-chilling tale of ghosts and murder, friendship and betrayal, love and greed, fate and choice.

Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tv=ti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes's death looms, the farmer's wife and their daughters learn there is another side to the sensational story they've heard. Riveting and rich with lyricism, Burial Rites evokes a dramatic existence in a distant time and place, and asks the question, how can one woman hope to endure when her life depends upon the stories told by others?

When Agnes Furey lost her forty-year old daughter Pat and six-year-old grandson Christopher to homicide in 1998 at the hands of Leonard Scovens, words could not describe the hole left in her heart. Even so, rather than hate, Furey chose peace, and she reached out to Scovens in prison. Wildflowers in the Median tells the story of their journey of restoration. Through a collection of poems, vignettes, and letters, both Furey and Scovens pour out their emotions and reflections. It is a tale not of forgiveness, but of understandinga story of a survivor of crime and a criminal finding communion as each struggles with grief and suffering, eventually coming to terms with their spiritual identities and a desire to help others in similar circumstances. A valuable testament to the human heart and its capacity to love, Wildflowers in the Median shows how grace was found in the aftermath of a tragedy.

Swiss Vendetta, Tracee de Hahn's mesmerizing debut, is an emotionally complex, brilliantly plotted mystery set against the beautiful but harsh backdrop of a Swiss winter. Inspector Agnes Lüthi, a Swiss-American police officer in Lausanne, Switzerland, has just transferred to the Violent Crimes unit from Financial Crimes to try to shed all reminders of her old life following her husband's death. Now, on the eve of the worst blizzard Lausanne has seen in centuries, Agnes has been called to investigate her very first homicide case. On the lawn of the grand Château Vallotton, at the edge of Lac Léman, a young woman has been found stabbed to death. The woman, an appraiser for a London auction house, had been taking inventory at the château, a medieval fortress dripping in priceless works of art and historical treasures. Agnes finds it difficult to draw answers out of anyone—the tight-lipped Swiss family living in the château, the servants who have been loyal to the family for generations, the aging WWII survivor who lives in the neighboring mansion, even the American history student studying at the Vallotton château's library. As the storm rages on, roads become impassible, the power goes out around Lausanne, and Agnes finds herself trapped in the candlelit halls of the château with all the players of the mystery, out of her depth in her first murder case and still struggling to stay afloat after the death of her husband.

The first installment in a cozy mystery series about an aunt-niece duo managing a small-town inn—full of “quirky characters and plenty of humor” (Booklist) Danger mounts, deadlines loom, ancient knob-and-tube wiring is explored—and the ladies of Stagecoach Inn learn a thing or two about the awful, wonderful mistake that is going back home. When 28-year-old Agnes Blythe, the contented bifocals-wearing half of an academic power couple, is jilted by her professor boyfriend for the town Pilates instructor, her future is suddenly less than certain. So when her glamorous, eccentric Great Aunt Effie arrives in town and offers a job helping to salvage the condemned Stagecoach Inn, what does Agnes have to lose? But work at the inn has barely begun when the unlikely duo find the body of manipulative Kathleen Todd, with whom Agnes and Effie both have recently had words. Words strong enough to land them at the top of the suspect list. The pair have clearly been framed, but no one else seems interested in finding the real murderer and Agnes and Effie’s sleuthing expertise is not exactly slick. Nevertheless, they’re soon investigating a suspect list with laundry dirtier than a middle school soccer team's and navigating threats, car chases, shotgun blasts, and awkward strolls down memory lane.

Agnes Blythe and her glamorous Aunt Effie must take a break from restoring their inn to rake in the clues when a local mechanic is murdered in national bestselling author Maia Chance’s charming second Agnes and Effie mystery. It’s leaf-peeping season in Naneda, New York, and Agnes Blythe has settled into helping her eccentric Great Aunt Effie restore the Stagecoach Inn. It seems nothing can shatter the golden idyll—or the ka-ching of cash registers—until a mechanic at Hatch Automotive is found bludgeoned to death with a wrench. Sweeping into action, Agnes and Aunt Effie are on the scene, when a tourist-laden motor coach breaks down outside of town. The Stagecoach Inn isn’t exactly ready for guests, but Agnes and Effie agree to take in a group of seniors while they wait for repairs. But then, Agnes finds herself pulled into the investigation when she learns her new boyfriend, gorgeous Otis Hatch, is the Naneda Police Department’s prime suspect. With bodies falling faster than the foliage, Agnes must leaf through the more viable suspects and clear Otis’s name of murder in Bad Neighbors, the charming second Agnes and Effie mystery from national bestselling author Maia Chance.

Delightfully entertaining." - Readers' Favorite Recently widowed Agnes Lockwood is spending a few days on Tyneside in Northeast England, catching up with her past. When expensive jewelry is stolen at the hotel, Chief Inspector Alan Johnson gets on the case. After Alan recognizes Agnes as a friend from schooldays, they rekindle their friendship and Agnes bombards him with questions about the case. But after dinner one evening, they find a body lying on the roadside. Fearing for her safety, Alan warns Agnes to stay away from the case. But being an inquisitive woman, Agnes cannot resist getting involved... too involved.