“Simon Green’s Nightside is a macabre and thoroughly entertaining world.”—#1 New York Times bestselling author Jim Butcher John Taylor works in the Nightside—the gaudy, neon noir, secret heart of London, where it’s always three in the morning, where gods and monsters make deals and seek pleasures they won’t find anywhere else. He has a gift for finding things. And sometimes what he's hired to locate can be very, very dangerous indeed. Right now, for example, he's searching for The Unholy Grail, the cup that Judas drank from at the Last Supper. It corrupts all who touch it—but it also gives enormous power. So he's not the only one hunting. Angels, devils, sinners and saints—they’re all out there, tearing apart The Nightside, seeking the dark goblet. And it’s only a matter of time until they realize that the famous John Taylor, the man with the gift for finding things, can lead them straight to it…

In the Nightside, that nightmarish realm hidden deep beneath London, it is forever 3 a.m. Here inhuman creatures walk beside mythic gods. And John Taylor, private detective with a difference, is back, working this secret supernatural heart of London to find an item of inestimable value. The Unholy Grail is missing . . . and everyone wants its corrosive power. This time he must use his unique gifts to locate the cup from which Judas drank at the Last Supper; before it falls into the wrong hands. Anyone who touches the cup will gain tremendous power - but they will also be corrupted. Angels, demons, sinners and saints are all determined to find the Unholy Grail, no matter what the cost. And it isn't long before they realise exactly who can lead them to it . . . Agents of Light and Darkness is the sequel to Something From the Nightside and the second title in Simon R. Green's New York Times bestselling Nightside series.

In the secret heart of London, under the cover of endless darkness, is the Nightside. But enter at your own risk. The party animals who live here may be as inhuman as their appetites... My name is John Taylor. The Nightside is my home, and I’ve got a brand new full-time job there (in addition to my private eye work) as Walker—the Voice of the Authorities. I’m also marrying the love of my life, Suzie Shooter, the Nightside’s most fearsome bounty-hunter. But nothing comes easy here. Not life. Not death. And for certain, not happily-ever-after. Before I can say “I do,” I have one more case to solve as a private eye—and my first assignment as Walker. Both jobs would be a lot easier to accomplish if I weren’t on the run, from friends and enemies alike. And if my bride-to-be weren’t out to collect the bounty on my head...

Conrad Navarro is a champion of the Pageant, a modern day gladiatorial exhibition held in secret arenas across the globe. He becomes indentured by a cabal of ultra-rich patrons, and his sister vanishes while traveling in Mexico. Imogene is a special agent for the FBI following on the trail of a scientist whose eugenics experiments landed him on a most-wanted list. Imogene left behind clues that indicate she uncovered evidence of an occult conspiracy against civilization itself. Now, Conrad is searching for his missing sister while these malign forces seek to destroy him. He becomes enmeshed within a web of primordial evil that stretches back to prehistory.

An innovative and elegant new biography of John Milton from an acclaimed Oxford professor John Milton was once essential reading for visionaries and revolutionaries, from William Blake to Ben Franklin. Now, however, he has become a literary institution—intimidating rather than inspiring. In Making Darkness Light, Oxford professor Joe Moshenska rediscovers a poet whose rich contradictions confound his monumental image. Immersing ourselves in the rhythms and textures of Milton’s world, we move from the music of his childhood home to his encounter with Galileo in Florence into his idiosyncratic belief system and his strange, electrifying imagination. Making Darkness Light will change the way we think about Milton, the place of his writings in his life, and his life in history. It is also a book about Milton’s place in our times: about our relationship with the Western canon, about why and how we read, and about what happens when we let someone else’s ideas inflect our own.