Performance embodies knowledge transfer, cultural expression, and intercultural influence. It is a method through which Indigenous people express their relations to land and continuously establish their persistent political authority. But performance is also key to the misrepresentation of Indigenous peoples in settler colonial societies. Against the Current and Into the Light challenges dominant historical narratives of the land now known as Stanley Park, exploring performances in this space from the late nineteenth century to the present. Selena Couture engages with knowledge held in an endangered Indigenous language's place names, methods of orientation in space and time, and conceptions of leadership and respectful visiting. She then critically engages with narratives of Vancouver history created by the city's first archivist, J.S. Matthews, through his interest in Lord Stanley's visit to the park in 1889. Matthews organized several public commemorative performances on this land from the 1940s to 1960, resulting in the iconic yet misleading statue of Lord Stanley situated at the park's entrance. Couture places Matthews's efforts at commemoration alongside continuous political interventions by Indigenous people and organizations such as the Native Brotherhood of British Columbia, while also responding to contemporary performances by Indigenous women in Vancouver that present alternative views of history. Using the metaphor of eddies of influence - motions that shape and are shaped by obstacles in their temporal and spatial environments - Against the Current and Into the Light reveals how histories of places have been created, and how they might be understood differently in light of Indigenous resurgence and decolonization.

Looks at being a follower of Aristotle or St. Thomas Aquinas in a modern philosophical world.

The premise: You take two boys who meet at age 12 and then show their relationship 25 years later. One has his promise taken from him by the controlling influence of first, the bully, and later, the grand manipulator. What begins as a story of constant abuse and the struggle to break free, turns into a psychological suspense thriller, as not all is what it seems. The victim is in some ways as calculating as the bully, and willing to sacrifice himself for the sake of others. The power hungry manipulator will stop at nothing to keep his power, and to keep his golden ticket from rising up against him. One moment of bravery becomes the catalyst that ignites the war of attrition. With the help of a kindred spirit, the victim realizes that to break free from the tyranny of oppression, the bully has to be thoroughly stopped. A chess match of deathly proportions ensues within a thirty-six hour period that leaves several people dead and the two men facing each other in a classic battle of, "to the death." Against the Current answers the question of what happens if the bully is still in your life after twenty-five years and you've been pushed hard enough to fight back. The characters are rich and believable, true to themselves. The setting is a mid-sized Iowa town. Evil comes in many forms and wears many faces. Against the Current explores the evil behind the need to manipulate others, and the inner strength of goodness that compels some of us to stand up to that evil.

A definitive history of the pioneering efforts of Television Northern Canada and APTN.