Socio-political thesis explores the effects of politically induced neo-liberal anxiety on White Australian society. 'White paranoia' is placed in the context of such contemporary events as the Tampa situation, border protection, mandatory detention of asylum seekers, delayed reconciliation with the Aborigines, and Pauline Hanson's One Nation Party. Promotes the notion of a 'caring society' that generates citizens who support and nurture each other. Author teaches Anthropology at the University of Sydney and has also written 'Arab-Australians Today: Citizenship and Belonging' and 'White Nation: Fantasies of White Supremacy in a Multicultural Society'.

A new history of Middle East oil and the deep roots of American violence in Iraq. Iraq has been the site of some of the United States' longest and most sustained military campaigns since the Vietnam War. Yet the origins of US involvement in the country remain deeply obscured--cloaked behind platitudes about advancing democracy or vague notions of American national interests. With this book, Brandon Wolfe-Hunnicutt exposes the origins and deep history of U.S. intervention in Iraq. The Paranoid Style in American Diplomacy weaves together histories of Arab nationalists, US diplomats, and Western oil execs to tell the parallel stories of the Iraq Petroleum Company and the resilience of Iraqi society. Drawing on new evidence--the private records of the IPC, interviews with key figures in Arab oil politics, and recently declassified US government documents--Wolfe-Hunnicutt covers the arc of the 20th century, from the pre-WWI origins of the IPC consortium and decline of British Empire, to the beginnings of covert US action in the region, and ultimately the nationalization of the Iraqi oil industry and perils of postcolonial politics. American policymakers of the Cold War-era inherited the imperial anxieties of their British forebears and inflated concerns about access to and potential scarcity of oil, giving rise to a "paranoid style" in US foreign policy. Wolfe-Hunnicutt deconstructs these policy practices to reveal how they fueled decades of American interventions in the region and shines a light on those places that America's covert empire-builders might prefer we not look.

This study examines the complex relationship between nationalism, violence and Buddhism in nineteenth- and twentieth-century Burma, bringing us to present-day Burma and the struggle by Aung San Suu Kyi for a new Burmese identity.

Anthropologist and social critic Ghassan Hage explores one of the most complex and troubling of modern phenomena: the desire for a white nation.

This book addresses very topical issues being raised in the public agenda and the media - relating directly to our government and its obsession with security and border control and the more global effect of capitalism and the social consequences of this trend. Ghassan Hage is Senior Lecturer in Anthropology at the University of Sydney.

This book is a contribution to a long history of critical writing against an increasingly destructive global order marked by an excessive instrumentalisation, exploitation and degradation of the human and non-human environment, and ridden with unacceptable, but also, importantly, avoidable, forms of inequality, injustice and marginalisation. Alter-Politics is concerned with the way anthropological critical writing in particular aims to weave oppositional concerns (anti-politics) with a search for alternatives (alter-politics): alternative economies, alternative modes of inhabiting and relating to the earth, alternative modes of thinking and experiencing otherness. If Alter-Politics privileges alter-politics over oppositional politics, it is not because, as is made clear, the 'alter' moment is more important than the 'anti'. It is because a concern for alter-politics has been less prevalent. The question of 'political passion' is crucial in this conception of the alter-political. For the book argues that it is because radical political passion has been mostly directed towards anti-politics that it has come to dominate over alter-politics. This does not simply mean that political passion needs to be equally directed towards alter-politics. It also means that this passion itself needs to be a radically different kind of political passion once so directed. It is this 'alter-political passion' that Hage strives to create a space for throughout Alter-Politics.

WITH A NEW FOREWARD Journalist Seyward Darby's "masterfully reported and incisive" (Nell Irvin Painter) exposé pulls back the curtain on modern racial and political extremism in America telling the "eye-opening and unforgettable" (Ibram X. Kendi) account of three women immersed in the white nationalist movement. After the election of Donald J. Trump, journalist Seyward Darby went looking for the women of the so-called "alt-right" -- really just white nationalism with a new label. The mainstream media depicted the alt-right as a bastion of angry white men, but was it? As women headlined resistance to the Trump administration's bigotry and sexism, most notably at the Women's Marches, Darby wanted to know why others were joining a movement espousing racism and anti-feminism. Who were these women, and what did their activism reveal about America's past, present, and future? Darby researched dozens of women across the country before settling on three -- Corinna Olsen, Ayla Stewart, and Lana Lokteff. Each was born in 1979, and became a white nationalist in the post-9/11 era. Their respective stories of radicalization upend much of what we assume about women, politics, and political extremism. Corinna, a professional embalmer who was once a body builder, found community in white nationalism before it was the alt-right, while she was grieving the death of her brother and the end of hermarriage. For Corinna, hate was more than just personal animus -- it could also bring people together. Eventually, she decided to leave the movement and served as an informant for the FBI. Ayla, a devoutly Christian mother of six, underwent a personal transformation from self-professed feminist to far-right online personality. Her identification with the burgeoning "tradwife" movement reveals how white nationalism traffics in society's preferred, retrograde ways of seeing women. Lana, who runs a right-wing media company with her husband, enjoys greater fame and notoriety than many of her sisters in hate. Her work disseminating and monetizing far-right dogma is a testament to the power of disinformation. With acute psychological insight and eye-opening reporting, Darby steps inside the contemporary hate movement and draws connections to precursors like the Ku Klux Klan. Far more than mere helpmeets, women like Corinna, Ayla, and Lana have been sustaining features of white nationalism. Sisters in Hate shows how the work women do to normalize and propagate racist extremism has consequences well beyond the hate movement.