In Against Julian Augustine stresses in the first two books the traditional teachings of the Church found in the Fathers and contrasts their teaching with the rationalism of the Pelagians

Machiavelli on War offers a comprehensive interpretation of the philosopher-historian's treatment of war throughout his writings, from poems and memoranda drafted while he was Florence's top official for military matters to his posthumous works, The Prince and Discourses on Livy. Christopher Lynch argues that the issue of war permeates the form and content of each of Machiavelli's works, the substance of his thoughts, and his own activity as a writer, concluding that he was the first great modern philosopher because he was the first modern philosopher of war. Lynch details Machiavelli's understanding of warfare in terms of both actual armed conflict and at the intellectual level of thinkers competing on the field of knowledge and belief. Throughout Machiavelli's works, he focuses on how military commanders' knowledge of human necessities, beginning with their own, enables and requires them to mold soldiers, organizationally and politically, to best deploy them in operations attuned to political context and changing circumstances. Intellectually, leaders must shape minds, their own and others', to reject beliefs that would weaken their purpose; for Machiavelli, this meant overcoming the classical and Christian traditions in favor of a new teaching of human freedom and excellence. As Machiavelli on War makes clear, prevailing both on the battlefield and in the war of ideas demands a single-minded engagement in "reasoning about everything," beginning with oneself. For Machiavelli, Lynch shows, the successful military commander is not just an excellent leader but also an excellent human being in constant pursuit of the truth about themselves and the world.

This title provides an upper-level introduction to the doctrine of justification which triggered the Reformation and is still high up on the agenda in Ecumenical dialogue. The core of the book is an historical survey of the doctrine of justification as it has developed within the Western church - a somewhat simplified version of McGrath's Justitia Dei, but with a more outspoken assessment of the various moves that are taken at various stages in the discussion. Attention will is paid to the context or prevailing world view in which such a doctrine is deemed significant. Although the focus is on a number of principal theologians there are some reference to their peers or followers. Only at the end the Pauline texts are examined. The conclusion considers what part a doctrine of justification can have within a modern worldview in which the concept of divine judgement has generally been marginalised. Continuum's Guides for the Perplexed are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging - or indeed downright bewildering. Concentrating specifically on what it is that makes the subject difficult to grasp, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material.

This book asks what theological messages theologically educated Catholics in late-eighteenth-century Prague might have perceived in Mozart’s late opera seria La clemenza di Tito. The book’s thesis is two-fold: first, that Catholics might have heard the opera’s advocacy of enlightened absolutism as a celebration of a distinctly Catholic understanding of political governance; and second, that they might have found in the opera a metaphor for the relationship between a gracious God and humanity caught up in sin, expressed as sexual concupiscence, pride, and lust for power. The book develops its interpretation of the opera through narrative character analyses of the main protagonists, an examination of their dramatic development, and by paying attention to the biblical and theological associations they may have evoked in a Catholic audience. The book is geared towards academic readers interested in opera, theologians, historians, and those who work at the intersection of theology and the arts. It contributes to a better understanding of the theological implications of Mozart’s operatic work.

"This is a wonderful anthology. Its texts not only span the whole of Luther's reforming career, but also cover the theological, political, and social issues that mattered most to him and his age. Best of all, the original integrity of the texts remains perceptible, even when abridged. This valuable collection will be a great teaching tool and also a most useful resource for anyone interested in Luther or the Protestant Reformation." —Carlos Eire, Yale University, author of Reformations: The Early Modern World, 1450-1650 (Yale University Press) CONTENTS: Thematic Table of Contents General Introduction 1. Preface to the Complete Edition of the Latin Writings (1545) 2. Disputation on the Power of Indulgences (The Ninety-Five Theses) (1517) 3. Sermon on Indulgence and Grace (1518) 4. Disputation Held at Heidelberg (1518) 5. To the Christian Nobility of the German Nation (1520) 6. The Babylonian Captivity of the Church (1520) 7. On the Freedom of a Christian (1520) 8. Preface to the New Testament (1522) 9. Preface to the Epistle of St. Paul to the Romans (1522) 10. On Married Life (1522) 11. On Secular Authority: To What Extent It Must Be Obeyed (1523) 12. That Jesus Christ Was Born a Jew (1523) 13. Against the Heavenly Prophets Concerning Images and the Sacrament (1525) 14. Against the Robbing and Murdering Hordes of Peasants (1525) 15. The Bondage of the Will (1525) 16. The German Mass and Order of Divine Service (1526) 17. How Christians Should Regard Moses (1527) 18. Concerning Rebaptism (1528) 19. Hymns (pre-1529) 20. On the War against the Turks (1529) 21. The Small Catechism (1529) 22. Commentary on St. Paul's Epistle to the Galatians (1535) 23. The Schmalkald Articles (1537) 24. Letter to Landgrave Philipp of Hesse (1539) 25. On the Jews and Their Lies (1543) Suggestions for Further Reading Index

Is a life cycle that depends on eating or being eaten compatible with a creation in which 'the heavens are telling the glory of God; and the firmament proclaims His handiwork'? Are animal death and extinction manifestations of a good God's majesty and power? When creating the world, did God use animal death and extinction as a means to realize his intentions? This study challenges the view that the emergence and acceptance of the theory of evolution brought a break in thinking about animal suffering in a good creation. Even before Darwin, people thought about animal suffering, about how God's goodness and good creation related to this, and about whether animals were already subject to death in paradise. Historically, Charles Darwin's theory of evolution did not form a watershed in the debate about animal suffering, nor did concerns about animal suffering only emerge with the Darwinian theory of evolution.

Taking as their common subject the key early Christian anti-Manichaean work, the Acts of Archelaus (Acta Archelai), the contributors to this volume offer a systematic exploration of what the text has to tell us about inter-religious contact, conflict, and comprehension at a crucial moment in religious history: the encounter between Christianity and Manichaeism along the political and cultural frontier zone of West Asia in the early fourth century CE. The contributions examine the text's structure, apologetic and polemical strategies, and possible sources, and through these analyses challenge received notions of ‘orthodoxy’ and ‘heresy’ in the mutual construction of identity that took place between these two claimants to the Christian heritage.