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Is it really possible to connect with God? Can we find spirituality in Judaism? The answer to both these questions is yes. Traditionally, Judaism teaches that we connect with God through the performance of the commandments, the mitzvot (from the Aramaic word tzavta meaning connection). But what if we are not mitzvah-observant in the traditional ways? Can we still experience a palpable closeness to God and have a sense that we are all connected as one? To this question, our sages also answer yes. Through the meditative quieting of the mind, we can directly experience that “still small voice.” It is the awesome voice of infinite intelligence that created and upholds our world with compassion and justice. When we repeatedly experience it, we enliven its qualities into our lives; we “walk in God’s ways.” When we do so, we uplift not only ourselves, but the world around us.

"... a book which asks and answers a new, interesting question, using a rich range of biblical and humanistic methodologies." -- Journal of Biblical Literature This book examines a literary form within the Bible that has slipped through the cracks of modern scholarship: the mixing of song and story in biblical narrative. Journeying from ancient Egyptian battle accounts to Aramaic wisdom texts to early retellings of biblical tales in the Dead Sea Scrolls, Jewish-Hellenistic literature, and rabbinic midrash, Steven Weitzman follows the history of this form from its origins as a congeries of different literary behaviors to its emergence as a self-conscious literary convention.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In Divine Marriage from Eden to the End of Days, André Villeneuve explores the mystery of God’s love in the Bible and ancient Jewish tradition. Scripture portrays the covenant between God and his people as a divine-human marriage spanning through all of human history. For the ancient Jewish interpreters, God married humanity at the dawn of creation in the Garden of Eden; but the union was broken by human sin. The Lord restored the relationship when he betrothed Israel at Mount Sinai; yet the covenant was wounded again with the transgression of the golden calf. The nuptial bond was healed anew, commemorated, and reenacted through liturgical worship in Israel’s tabernacle and temple. This worship in God’s “nuptial chamber,” in turn, anticipated the ultimate fulfillment of the divine-human marriage in the messianic age at the end of history. The first part of the book explores the marriage through Israel’s biblical history in light of ancient Jewish exegesis. The second part unveils the marriage in the ancient interpretation of the Song of Songs and in wisdom literature. The third part reveals how the same symbolism is taken up in the New Testament and applied to the marriage between Christ and the Church.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.