I have always harbored a secret wish to meet a nice, kind alien who would give me the answers to life and the cosmos. This is a little story I dedicate to seekers of truth.

With the release of Avatar in December 2009, James Cameron cements his reputation as king of sci-fi and blockbuster filmmaking. It’s a distinction he’s long been building, through a directing career that includes such cinematic landmarks as The Terminator, Aliens, The Abyss, and the highest grossing movie of all time, Titanic. The Futurist is the first in-depth look at every aspect of this audacious creative genius—culminating in an exclusive behind-the-scenes glimpse of the making of Avatar, the movie that promises to utterly transform the way motion pictures are created and perceived. As decisive a break with the past as the transition from silents to talkies, Avatar pushes 3-D, live action, and photo-realistic CGI to a new level. It rips through the emotional barrier of the screen to transport the audience to a fabulous new virtual world. With cooperation from the often reclusive Cameron, author Rebecca Keegan has crafted a singularly revealing portrait of the director’s life and work. We meet the young truck driver who sees Star Wars and sets out to learn how to make even better movies himself—starting by taking apart the first 35mm camera he rented to see how it works. We observe the neophyte director deciding over lunch with Arnold Schwarzenegger that the ex-body builder turned actor is wrong in every way for the Terminator role as written, but perfect regardless. After the success of The Terminator, Cameron refines his special-effects wizardry with a big-time Hollywood budget in the creation of the relentlessly exciting Aliens. He builds an immense underwater set for The Abyss in the massive containment vessel of an abandoned nuclear power plant—where he pushes his scuba-breathing cast to and sometimes past their physical and emotional breaking points (including a white rat that Cameron saved from drowning by performing CPR). And on the set of Titanic, the director struggles to stay in charge when someone maliciously spikes craft services’ mussel chowder with a massive dose of PCP, rendering most of the cast and crew temporarily psychotic. Now, after his movies have earned over $5 billion at the box office, James Cameron is astounding the world with the most expensive, innovative, and ambitious movie of his career. For decades the moviemaker has been ready to tell the Avatar story but was forced to hold off his ambitions until technology caught up with his vision. Going beyond the technical ingenuity and narrative power that Cameron has long demonstrated, Avatar shatters old cinematic paradigms and ushers in a new era of storytelling. The Futurist is the story of the man who finally brought movies into the twenty-first century.

"An exciting series opener."—Kirkus From the mind of Murr from the Impractical Jokers comes a new hilarious, action-packed series about a world of bizarre creatures, wacky gadgets, and four kid interns at the most interesting place on Earth: Area 51! It's the first day of summer vacation, and Viv Harlow just wants to relax with her friends at the beach before they all go to different high schools next year. She is definitely not interested in visiting her mom's office, even if Director Harlow works at the famous Area 51. But when an alarm sounds beneath the secret base and a whole race of aliens escape, she's about to get much more than she bargained for. Viv, Charlotte, Ray, and Elijah (who Viv is totally NOT crushing on) will have to work together, gear up with gadgets, and even protect a baby alien to save the day and defend Area 51. The debut middle-grade series from Murr of the Impractical Jokers, Area 51 Interns is filled with enough high-tech hijinks, bizarre creatures, and laugh-out-loud humor (plus an extra color insert full of gadgets) to make even alien skeptics hooked for more!

At a time when interest in herbs and natural medicine has never been higher, the second edition of this essential guide shows how to identify more than 500 healing plants. 300+ color photos.

Leading international scholars illuminate the party's significance in Modernism In 12 chapters internationally distinguished scholars explore the party both as a literary device and as a forum for developing modernist creative values, opening up new perspectives on materiality, the everyday and concepts of space, place and time. There are chapters on Conrad and domestic parties, T S Eliot's 'Prufrock', the party vector in Joyce's 'The Dead' and Finnegans Wake, Katherine Mansfield's party stories, Virginia Woolf's idea of a party, the textual parties of Proust, Ford Madox Ford and Aldous Huxley and the real-life parties of Sylvia Beach, Adrienne Monnier, Natalie Barney and Gertrude Stein, the black 'after-party' of the Harlem Renaissance and the parties in extremis in D H Lawrence's Women in Love. Like guests at a party, the chapters talk to and argue with each other. They contribute different approaches: formal, historical, thematic, biographical and theoretical. They address gender and sexuality, race, genre, class, sociality and privacy. And they establish critical viewpoints. The party is shown to be the site both of introspection and self-display. It provokes competition, collaboration and violence. It is an occasion of nihilism as well as a model for creative production. Key Features: Develops the concept of space, currently of central concern to Modernist scholars Explores the tensions between Modernism as an aesthetics of intensity and Modernism as a movement of the everyday Adds a new and vital area of research to investigations of Modernism as the product of intellectual and social networks

“Four expertly turned stories” of comedy, deception, and revenge from the acclaimed author of Heir to the Glimmering World (TheNew York Times Book Review). A New York Times Notable Book Dictation brings together four long stories by this Pulitzer and Man Booker Prize finalist, forming a quartet of sly humor and piercing insight into the human heart. The title story imagines a fateful meeting between the secretaries to Henry James and Joseph Conrad at the peak of their fame. Timid Miss Hallowes, who types for Conrad, comes under the influence of James’s Miss Bosanquet, high-spirited, flirtatious, and scheming. In a masterstroke of genius, Ozick hatches a plot between them to insert themselves into literary posterity. Each story in the collection starts in the comic mode, with heroes who suffer willful self-deceit. From self-deception, these not-so-innocents proceed to deceive others, who don’t take it lightly. Revenge is the consequence—and for the reader, a delicious if dark recognition of emotional truth. In Dictation, an author whose stories have won four O. Henry first prizes “reveals herself a master” (The New York Times Book Review). “A testament to the seductions of language and the smoldering aspirations of art.” —O, The Oprah Magazine “A brilliant book, a necessary book, a book that radiates the true intelligence of literature from every page.” —The New York Observer