A best gift for your loved ones. This is a fictional script that touches on topics like death, family, relationship, social expectations, regret and acceptance to deliver some social messages. While this book is an imaginary story, still you will realise – how valuable our life is. Currently, most of us value people for their materialistic assets, not for the kind of people they are. The book takes a bold and decisive look at how we, as humans, try to understand mystical happenings that often occur around us. We ignore this and avoid finding answers to them. We not only see events unfold from its imaginary character’s perspective, but also see how the living try to rationalise events that they do not comprehend.

Gersonides’ Afterlife is the first full-scale treatment of the reception of one of the greatest scientific minds of medieval Judaism: the philosopher-scientist Levi ben Gershom (1288–1344). The papers collected here describe his multifarious impact from the fourteenth century to present-day religious Zionism.

Challenging conventional notions about the place of women in Muslim societies, the Bihishti Zewar (Heavenly Ornaments) gives life to the themes of religious and social reform that have too often been treated in the abstract. This instructional guidebook, used by the world's largest population of Muslims, is a vital source for those interested in modern Indian social and intellectual history, in Islamic reform, and in conceptions of gender and women's roles. The Bihishti Zewar was written in northern India in the early 1900s by a revered Muslim scholar and spiritual guide, Maulana Ashraf 'Ali Thanawi (1864-1943), to instruct Muslim girls and women in religious teachings, proper behavior, and prudent conduct of their everyday lives. In so doing, it sets out the core of a reformist version of Islam that has become increasingly prominent across Muslim societies during the past hundred years. Throughout the work, nothing is more striking than the extent to which the book takes women and men as essentially the same, in contrast to European works directed toward women at this time. Its rich descriptions of the everyday life of the relatively privileged classes in turn-of-the-century north India provide information on issues of personality formation as well as on family life, social relations, household management, and encounters with new institutions and inventions. Barbara Metcalf has carefully selected those sections of the Bihishti Zewar that best illustrate the themes of reformist thought about God, the person, society, and gender. She provides a substantial introduction to the text and to each section, as well as detailed annotations.

The fourteen essays collected in this volume, notwithstanding their diversity of subject matter and approach, share a concern with the contexts to which we need to refer in order to understand not only the origins, but also the potential of Mikhail Bakhtin's thought: contexts both immediate and oblique, personal and impersonal, intellectual and theoretical. Five of the essays are by well-known Russian scholars whose work on Bakhtin has not previously been translated in English; the other nine papers are by established and emerging Bakhtin specialists in North America, the United Kingdom, and Europe.

The question of what happens after death was a vital one in Shakespeare's time, as it is today. And, like today, the answers were by no means universally agreed upon. Early moderns held surprisingly diverse beliefs about the afterlife and about how earthly life affected one's fate after death. Was death akin to a sleep where one did not wake until judgment day? Were sick bodies healed in heaven? Did sinners experience torment after death? Would an individual reunite with loved ones in the afterlife? Could the dead communicate with the world of the living? Could the living affect the state of souls after death? How should the dead be commemorated? Could the dead return to life? Was immortality possible? The wide array of possible answers to these questions across Shakespeare's work can be surprising. Exploring how particular texts and characters answer these questions, Shakespeare and the Afterlife showcases the vitality and originality of the author's language and thinking. We encounter characters with very personal visions of what awaits them after death, and these visions reveal new insights into these individuals' motivations and concerns as they navigate the world of the living. Shakespeare and the Afterlife encourages us to engage with the author's work with new insight and new curiosity. The volume connects some of the best-known speeches, characters, and conflicts to cultural debates and traditions circulating during Shakespeare's time.

If there was ever a need-to-know book, Afterlife is it. On his daily call-in radio show, the most common questions Hanegraff fields are about the hereafter. For instance, millions are voraciously reading about the near-death experiences of young children. Consumers are desperate for knowledge and reassurance about what comes after life on the earth. Hank Hanegraff, one of the most remarkable theological minds of the 21st century, explains the marvelous way this physical life connects our past to our eternal future. Afterlife gives reader a clear and concrete understanding about what happens after death to us and to those we love.

A tale of our world and of the afterlife, told to George by Chloe, his deceased daughter. George tells his friend Charles of a strange incident. He says his daughter comes to speak to him while he is asleep. Immediately after she stops speaking, he wakes up and rushes to his computer to type out what she has told him. Chloe relates to George her experiences from the moment of her death, her conversation with a mysterious gatekeeper of the afterlife, and her extensive conversations with other spirits she has come into contact with. James is a Dubliner who died from alcoholism, estranged from his family; Jessie is a model who got caught up in drugs and eventually prostitution; Craig is an effervescent American real estate agent whose life revolved around making money; April married for money and found that after their baby was born and her husband was promoted at work he had no time for them; and Clarissa, who knew well in advance that she was going to die from skin cancer. Throughout the telling of his daughter’s story, George intermittently pauses and questions Charles as to his thoughts on various aspects of the story. Charles is a corporate man and the philosophical arguments and the pure unbelievable nature and emotion of the story leave him virtually speechless. At first George confides only in Charles. But when their wives become suspicious of the men’s activities on the occasions he read his notes out to Charles, George has no choice but to agree to Charles telling them their secret. George is confused as to what he should do with his notes. He finally decides to enlist Charles’s help to reveal to the world the ‘secret’ of his daughter’s story.