The project (ie the exhibition and the publication) "After Year Zero" takes as its starting point the realignment of global relationships after the Second World War Europe s hour zero. However, it does not recount the post-1945 confrontation of the ideological blocs of the Cold War, and rather focuses on the world-historical caesura of decolonization. This investigation does not revolve around the confrontation, or the separation of identities, between the global North and South, but around models and geographies of collaboration, and reflection on the processes by which the universal is generated. By highlighting particular historical developments, it takes into account the fundamental interconnection of European and African history along with their respective narratives. To design and build new narratives of these historic events, to re-discover unpredictable and forgotten connections and alliances magazines, journals and newspapers will serve as a main source but also as a topic for the divers essays, written by researchers, authors, artists, curators, critics, architects and scientists. Where no art history exists, critical journals and other related platforms are crucial to molding its discourse and involve all the intellectual processes that such an undertaking implies. This first sentence of the mission statement of "NKA - Journal of Contemporary African Art," which was co-founded in 1994 by Okwui Enwezor, the artistic director of Documenta 11 and head of the Haus der Kunst museum in Munich, crystallises the main concern of many magazines launched at various times and different places within the African continent or the African diaspora. The format of magazines is not so much understood as a business model but rather as a periodical and often temporary intervention against a hegemonic voice. These were often set up under precarious circumstances as a collaborative artistic form of organizing discourse, critique and self-expression, but also as a format which renders possible the necessary task of creating a new language to talk about art, life and politics. The publication "After Year Zero "is not only a collection of new text-essays which accompanies the correspondent exhibition (at the Haus der Kulturen der Welt, Berlin in 2013 and at the Museum of Modern Art in Warsaw, 2015) but contains also eight different visual-essays around different emphases which are designed like a collage of documents, quotes, images, short contextual texts serving as the apparent surface of the historic narrative. Another relevant part of the book span the works by more than twenty artists present in the exhibition. "

A marvelous global history of the pivotal year 1945 as a new world emerged from the ruins of World War II Year Zero is a landmark reckoning with the great drama that ensued after war came to an end in 1945. One world had ended and a new, uncertain one was beginning. Regime change had come on a global scale: across Asia (including China, Korea, Indochina, and the Philippines, and of course Japan) and all of continental Europe. Out of the often vicious power struggles that ensued emerged the modern world as we know it. In human terms, the scale of transformation is almost impossible to imagine. Great cities around the world lay in ruins, their populations decimated, displaced, starving. Harsh revenge was meted out on a wide scale, and the ground was laid for much horror to come. At the same time, in the wake of unspeakable loss, the euphoria of the liberated was extraordinary, and the revelry unprecedented. The postwar years gave rise to the European welfare state, the United Nations, decolonization, Japanese pacifism, and the European Union. Social, cultural, and political “reeducation” was imposed on vanquished by victors on a scale that also had no historical precedent. Much that was done was ill advised, but in hindsight, as Ian Buruma shows us, these efforts were in fact relatively enlightened, humane, and effective. A poignant grace note throughout this history is Buruma’s own father’s story. Seized by the Nazis during the occupation of Holland, he spent much of the war in Berlin as a laborer, and by war’s end was literally hiding in the rubble of a flattened city, having barely managed to survive starvation rations, Allied bombing, and Soviet shock troops when the end came. His journey home and attempted reentry into “normalcy” stand in many ways for his generation’s experience. A work of enormous range and stirring human drama, conjuring both the Asian and European theaters with equal fluency, Year Zero is a book that Ian Buruma is perhaps uniquely positioned to write. It is surely his masterpiece.

In the hilarious tradition of "The Hitchhiker's Guide to the Galaxy," Reid goes on a headlong journey through the outer reaches of the universe--and the inner workings of our absurdly dysfunctional music industry.

In his sensational novel The Descent, Jeff Long created a world of stunning terror and adventure, "an imaginative tour de force" (Jon Krakauer). Now he imagines a scenario so vivid, so haunting, it anchors his place among storytelling masters. YEAR ZERO An archaeological manhunt is raging in the holy land -- a hunt for the historical Jesus. For Nathan Lee Swift, a young American field researcher and expectant father, the line between noble discovery and the plunder of ruins is sacred -- until the night he crosses it. At a Roman landfill beneath the crucifixion grounds known as Golgotha, Nathan Lee yields to his professor's greed and turns common grave robber. His world -- his unborn daughter -- seems lost to him. Hundreds of miles away, on the remote Greek island of Corfu, a wealthy collector pries open his latest black-market purchase -- a fourteen-inch holy relic containing a vial of blood dating back to the first century -- and unleashes a two-thousand-year-old plague. As the pandemic explodes from the Mediterranean basin and threatens to devour humankind, Nathan Lee gets a chance at redemption. He embarks on an Odyssean journey back to the United States to find his family. Skirting the edges of the world, Nathan Lee's path finally leads him to New Mexico, where the greatest minds of science have converged at Los Alamos to find a vaccine. There Nathan Lee meets Miranda Abbot, a nineteen-year-old prodigy. As the cure continues to elude them, Miranda launches a desperate final strategy: the use of human lab rats cloned from the year zero. Nathan Lee, the thief of bones, comes face-to-face with men made from the very relics he looted, one of whom claims to be Jesus Christ, but may also be Patient Zero. Combining the scientific precision of The Andromeda Strain with the intensity of classic adventure epics, Jeff Long takes readers on a riveting voyage through the rubble of earthquake-torn Jerusalem, the serenity of the high Himalayas, and the eerie sanctuary of Los Alamos. With Long's characteristic originality, Year Zero races against the apocalyptic clock, creating a maze of twists, astonishing atmosphere, and the clash of science and faith.

It's 1999, and most of the world's computers, according to common belief, are set to regard the coming year as "Year Zero" rather than 2000. The Devil certainly appears to think so, and is planning an apocalypse of evil for New Year's Eve. Unfortunately, Molly, who's having a hard enough time just trying to stay clean and get her kids back from Social Services, becomes accidentally entangled in the Devil's scheme. Her potential allies--Elvis, various fallen angels, little gray men, Britain's Men in Black, the masterminds of Peaslee Pharmaceuticals, and "sanity"--all prove impotent to help her out. It looks as if Molly's going to have to frustrate the Devil's plans all by herself--but it certainly won't be easy! A grand science-fantasy adventure!

In late summer 1929, a countrywide outbreak of Arab-Jewish-British violence transformed the political landscape of Palestine forever. In contrast with those who point to the wars of 1948 and 1967, historian Hillel Cohen marks these bloody events as year zero of the Arab-Israeli conflict that persists today. The murderous violence inflicted on Jews caused a fractious - and now traumatized - community of Zionists, non-Zionists, Ashkenazim, and Mizrachim to coalesce around a unified national consciousness arrayed against an implacable Arab enemy. While the Jews unified, Arabs came to grasp the national essence of the conflict, realizing that Jews of all stripes viewed the land as belonging to the Jewish people. Through memory and historiography, in a manner both associative and highly calculated, Cohen traces the horrific events of August 23 to September 1 in painstaking detail. He extends his geographic and chronological reach and uses a non-linear reconstruction of events to call for a thorough reconsideration of cause and effect. Sifting through Arab and Hebrew sources - many rarely, if ever, examined before - Cohen reflects on the attitudes and perceptions of Jews and Arabs who experienced the events and, most significantly, on the memories they bequeathed to later generations. The result is a multifaceted and revealing examination of a formative series of episodes that will intrigue historians, political scientists, and others interested in understanding the essence - and the very beginning - of what has been an intractable conflict.

This award winning book offers kids an authentic depiction of selective mutism and a story of the experience of middle school interactions and mental illness. Elise carries a notebook full of tallies, each page marking a day spent at her new public school, each stroke of her pencil marking a word spoken. A word that can't be taken back. Five tally marks isn't so bad. Two is pretty good. But zero? Zero is perfect. Zero means no wrong answers called out in class, no secrets accidentally spilled, no conversations to agonize over at night when sleep is far away. But now months have passed, and Elise isn't sure she could speak even if she wanted to—not to keep her only friend, Mel, from drifting further away—or to ask if anyone else has seen her English teacher's stuffed raven come to life. Then, the discovery of a shocking family secret helps Elise realize that her silence might just be the key to unlocking everything she's ever hoped for... A 2019 Notable Children's Books in the Language Arts (NCTE) A 2018 Cybils Nominee A Texas Lone Star Reading List title "Powerful and poetic."—John David Anderson, author of Posted and Ms. Bixby's Last Day "This tender and truthful book stays with you long after the words have gone."—Patricia Forde, author of The List "A must read. After Zero reminds us of so many loved ones of those suffering from anxiety or depressive disorders. It is a story that will hopefully foster empathy and maybe even communication with our 'quiet' peers."—Wesley King, author of OCDaniel Age Level: 8 and up | Grade Level: 3 to 7 Great for parents and educators looking for: A story that addresses middle school social interactions, grief, loss and mental illness A story that depicts selective mutism authentically