In his major New York Times bestseller, Jimmy Carter looks back from ninety years of age and “reveals private thoughts and recollections over a fascinating career as businessman, politician, evangelist, and humanitarian” (Booklist). At ninety, Jimmy Carter reflects on his public and private life with a frankness that is disarming. He adds detail and emotion about his youth in rural Georgia that he described in his magnificent An Hour Before Daylight. He writes about racism and the isolation of the Carters. He describes the brutality of the hazing regimen at Annapolis, and how he nearly lost his life twice serving on submarines and his amazing interview with Admiral Rickover. He describes the profound influence his mother had on him, and how he admired his father even though he didn’t emulate him. He admits that he decided to quit the Navy and later enter politics without consulting his wife, Rosalynn, and how appalled he is in retrospect. In his “warm and detailed memoir” (Los Angeles Times), Carter tells what he is proud of and what he might do differently. He discusses his regret at losing his re-election, but how he and Rosalynn pushed on and made a new life and second and third rewarding careers. He is frank about the presidents who have succeeded him, world leaders, and his passions for the causes he cares most about, particularly the condition of women and the deprived people of the developing world. “Always warm and human…even inspirational” (Buffalo News), A Full Life is a wise and moving look back from this remarkable man. Jimmy Carter has lived one of our great American lives—from rural obscurity to world fame, universal respect, and contentment. A Full Life is an extraordinary read from a “force to be reckoned with” (Christian Science Monitor).

A classic of Slavic vampire literature from 19th century Serbian author Milovan Glisic, "After Ninety Years" tells the tale of Sava Savanovic, who haunted the watermill in the village of Zarozje. Because Glisic wrote 17 years before Bram Stoker's "Dracula" introduced bats and Transylvania to the vampire trope, he based his story on the folktales and folk beliefs of villagers in the mountains of western Serbia along the Drina River valley. As such, it represents a treasure trove of ethnographic information and offers insights into authentic vampire lore before the creation of the modern pop culture vampire. The language Glisic employs is the vernacular of the uneducated and illiterate rural population in the mountainous regions of western Serbia along the Drina River valley in the 18th and 19th centuries. In contrast to the heavily ornamented and wordy prose so common among his 19th century contemporaries in Russia and the west, Glisic deliberately wrote in a sparse, plain, and raw style, accurately reflecting the mannerisms of village life and culture, an approach used by Mark Twain in "The Celebrated Jumping Frog of Calaveras County." Similar to 19th century American author Washington Irving's The Legend of Sleepy Hollow or Rip Van Winkle, Glisic mined local folklore to retell the story of the vampire Sava Savanovic. As such, the text presents a wealth of ethnographic material. Glisic offers valuable insights into the roles of women and children in the traditional patriarchal Serbian zadruga, a family-based agricultural cooperative that formed the basis of village life. The role of alcohol in hospitality, causing and settling disputes is also quite evident. And village gossip plays an important role in the everyday life of both men and women. Of particular note is Glisic's description of the folk beliefs surrounding vampires, how they are found, how they are killed, the forms they take, their physical appearance, etc. In this, Glisic accurately reflects folk beliefs still present today in many rural areas of the Balkans.

The goal is ninety. Just ninety clean and sober days to loosen the hold of the addiction that caused Bill Clegg to lose everything. With six weeks of his most recent rehab behind him he returns to New York and attends two or three meetings each day. It is in these refuges that he befriends essential allies including Polly, who struggles daily with her own cycle of recovery and relapse, and the seemingly unshakably sober Asa. At first, the support is not enough: Clegg relapses with only three days left. Written with uncompromised immediacy, Ninety Days begins where Portrait of an Addict as a Young Man ends-and tells the wrenching story of Clegg's battle to reclaim his life. As any recovering addict knows, hitting rock bottom is just the beginning.

Former poet laureate of the United States Donald Hall’s final collection of essays, from the vantage point of very old age, once again “alternately lyrical and laugh-out-loud funny.”* *(New York Times) “Why should a nonagenarian hold anything back?” Donald Hall answers his own question in these self-knowing, fierce, and funny essays on aging, the pleasures of solitude, and the sometimes astonishing freedoms arising from both. Nearing ninety at the time of writing, he intersperses memories of exuberant days in his youth, with uncensored tales of literary friendships spanning decades—with James Wright, Richard Wilbur, Seamus Heaney, and other luminaries. Cementing his place alongside Roger Angell and Joan Didion as a generous and profound chronicler of loss, this final work is as original and searing as anything Hall wrote during his extraordinary literary lifetime.