After Finitude provides readings of the history of philosophy and sets out a critique of the unavowed fideism at the heart of post-Kantian philosophy. Author Quentin Meillassoux introduces a philosophical alternative to the forced choice between dogmatism and critique. After Finitude proposes a new alliance between philosophy and science and calls for an unequivocal halt to the creeping return of religiosity in contemporary philosophical discourse.

Quentin Meillassoux has been described as the fastest-rising star in French philosophy since Derrida in the 1960s. In Meillassoux: Philosophy in the Making, Graham Harman takes us behind the scenes for this unique study of Meillassoux's path to philosophy

Traditionally aesthetics has been associated with phenomenal experience, human apprehension and an appreciation of beauty--the domains in which human cognition is rendered finite. What is an aesthetics that might occur 'after finitude'?

Philosophers are accustomed to thinking about human existence as finite and deathbound. Anne O'Byrne focuses instead on birth as a way to make sense of being alive. Building on the work of Heidegger, Dilthey, Arendt, and Nancy, O'Byrne discusses how the world becomes ours and how meaning emerges from our relations to generations past and to come. Themes such as creation, time, inheritance, birth and action, embodiment, biological determinism, and cloning anchor this sensitive and powerful analysis. O'Byrne's thinking advances and deepens important discussions at the intersections of feminism, continental philosophy, philosophy of religion, and social and political thought.

The current crisis in thinking the “human” raises questions not only about who or what may come after the human, but also about what happened before. What dark secrets lie in our ancestral past that may be stopping us from becoming human “otherwise”?

Heidegger&’s thinking has an underlying unity, this book argues, and has cogency for seemingly diverse domains of modern culture: philosophy and religion, aesthetics and literary criticism, intellectual history and social theory. &“The theme of mortality&—finite human existence&—pervades Heidegger&’s thought,&” in the author&’s words, &“before, during, and after his magnum opus, Being and Times, published in 1927.&” This theme is manifested in Heidegger&’s work not &“as funereal melodramatics or as despair and destructive nihilism&” but rather &“as a thinking within anxiety.&” & Four major subthemes in Heidegger&’s thinking are explored in the book&’s four parts: the fundamental ontology developed in Being and Time; the &“lighting and clearing&” of Being, understood as &“unconcealment&”; the history of philosophy&—with emphasis on Heraclitus, Hegel, and Nietzsche&—interpreted as the &“destiny&” of Being; and the poetics of Being, explicated as the &“fundamental experience&” of mortality. & Neither an introduction nor a survey, this book is a close reading of a wide range of Heidegger&’s books, lectures, and articles&—including extensive material not yet translated into English&—informed by the author&’s conversations with Heidegger in 1974&–76. Each of the four subthemes is treated critically. The aim of the book is to push its interrogations of Heidegger&’s thought as far as possible, in order to help the reader toward an independent assessment of his work and to encourage novel, radically conceived approaches to traditional philosophical problems.

A philosophical interrogation of the concepts of chance, contingency, and eternity through a concentrated study of Mallarmé's poem “Un Coup de Dés.” A meticulous literary study, a detective story à la Edgar Allan Poe, a treasure-hunt worthy of an adventure novel—such is the register in which can be deciphered the hidden secrets of a poem like no other. Quentin Meillassoux, author of After Finitude, continues his philosophical interrogation of the concepts of chance, contingency, infinity, and eternity through a concentrated study of Mallarmé's poem “Un Coup de Dés,” patiently deciphering its enigmatic meaning on the basis of a dazzlingly simple and lucid insight with regard to Mallarmé's “unique Number.” The decisive point of the investigation proposed by Meillassoux comes with a discovery, unsettling and yet as simple as a child's game. The Number that “can be no other” can only be revealed to us via a secret code, hidden in the “Coup de dés” like a key that finally unlocks every one of its poetic devices. Thus is also unveiled the meaning of that siren, emerging for a lightning-flash amongst the debris of the shipwreck: as the living heart of a drama that is still unfolding. With this bold new interpretation of Mallarmé's work, Meillassoux offers brilliant insights into modernity, poetics, secularism, and religion, and opens a new chapter in his philosophy of radical contingency. The volume contains the entire text of the “Coup de dés” and three other poems, with new English translations.