Afro-American and East German fiction point to significant parallels in the pattern of social development among members of both groups, despite the diversities of race, culture and polemical political systems, factors traditionally viewed as barriers. This work compares the social development of contemporary Afro-American and East German counterparts by means of literary analysis.

Describes the lived experiences of African students in communist East Germany to shed new light on the history of Germany, Africa, and decolonization

An intoxicating, provocative novel of appetite, identity, and self-construction, Darryl Pinckney's Black Deutschland tells the story of an outsider, trapped between a painful past and a tenebrous future, in Europe's brightest and darkest city. Jed--young, gay, black, out of rehab and out of prospects in his hometown of Chicago--flees to the city of his fantasies, a museum of modernism and decadence: Berlin. The paradise that tyranny created, the subsidized city isolated behind the Berlin Wall, is where he's chosen to become the figure that he so admires, the black American expatriate. Newly sober and nostalgic for the Weimar days of Isherwood and Auden, Jed arrives to chase boys and to escape from what it means to be a black male in America. But history, both personal and political, can't be avoided with time or distance. Whether it's the judgment of the cousin he grew up with and her husband's bourgeois German family, the lure of white wine in a down-and-out bar, a gang of racists looking for a brawl, or the ravaged visage of Rock Hudson flashing behind the face of every white boy he desperately longs for, the past never stays past even in faraway Berlin. In the age of Reagan and AIDS in a city on the verge of tearing down its walls, he clambers toward some semblance of adulthood amid the outcasts and expats, intellectuals and artists, queers and misfits. And, on occasion, the city keeps its Isherwood promises and the boy he kisses, incredibly, kisses him back.

Faced with an accusation from the US Army's highest legal authority in 1952, Grossman left his unit stationed in Bavaria and swam the Danube to East Germany. He traces his childhood and experiences as a student, worker, and soldier; then describes life in his new home among a surprisingly large community of defectors. There is no index. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).

A multilayered and rhythmic debut novel about her life as a Black German woman living in Berlin and New York during the chaos of the 2016 U.S. presidential election from playwright Olivia Wenzel. A young woman attends a play about the fall of the Berlin Wall—and realizes she is the only Black person in the audience. She and her boyfriend are hanging out by a lake outside Berlin—and four neo-Nazis show up. In New York, she is having sex with a stranger on the night of the 2016 presidential election—and wakes up to panicked texts from her friends in Germany about Donald Trump’s unlikely victory. Engaging in a witty Q&A with herself—or is it her alter ego?—she takes stock of our rapidly changing times, sometimes angry, sometimes amused, sometimes afraid, and always passionate. And she tells the story of her family: Her mother, a punk in former East Germany who never had the freedom she dreamed of. Her Angolan father, who returned to his home country before she was born to start a second family. Her grandmother, whose life of obedience to party principles brought her prosperity and security but not happiness. And her twin brother, who took his own life at the age of nineteen. Heart-rending, opinionated, and wry, Olivia Wenzel’s remarkable debut novel is a clear-sighted and polyphonic investigation into origins and belonging, the roles society wants to force us into and why we need to resist them, and the freedoms and fears that being the odd one out brings.

Studies of aspects of historical interaction between Germany, Africa and black America. This volume brings together fascinating research on the historical interaction between Germany, African nations and Black Americans. Leading scholars explore the influence of German missions, language and culture, politics, and science on Africa and Black America. Essays examine the medieval links between Germany and Africa, encounters between immigrant Germans and America's African population during the colonial era; the influence of German culture and natinalism on African-American social elites studying in Germany throughout the late nineteenth and early twentieth centuries; Black American musical performers in Weimar Germany; and the shifting contacts among Black Americans, Germany, and Africa as Germany led Western modernization and expansionism during the twentieth century. The authors present a variety of disciplines and use heretofore untapped sources from German, American, and African depositories.