Africa's Political Wastelands explores and confirms the fact that because of irresponsible, corrupt, selfish, and unpatriotic kleptocrats parading as leaders, the ultimate breakdown of order has become the norm in African nations, especially those south of the Sahara. The result is the virtual annihilation of once thriving and proud nations along with the citizenry who are transformed into wretches, vagrants, and in the extreme, refugees. Doh uses Cameroon as an exemplary microcosm to make this point while still holding imperialist ambitions largely responsible for the status quo in Africa. Ultimately, in the hope of jumpstarting the process, he makes pertinent suggestions on turning the tide on the continent.

Africa?s Political Wastelands explores and confirms the fact that because of irresponsible, corrupt, selfish, and unpatriotic kleptocrats parading as leaders, the ultimate breakdown of order has become the norm in African nations, especially those south of the Sahara. The result is the virtual annihilation of once thriving and proud nations along with the citizenry who are transformed into wretches, vagrants, and in the extreme, refugees. Doh uses Cameroon as an exemplary microcosm to make this point while still holding imperialist ambitions largely responsible for the status quo in Africa. Ultimately, in the hope of jumpstarting the process, he makes pertinent suggestions on turning the tide on the continent.

Africa?s Political Wastelands explores and confirms the fact that because of irresponsible, corrupt, selfish, and unpatriotic kleptocrats parading as leaders, the ultimate breakdown of order has become the norm in African nations, especially those south of the Sahara. The result is the virtual annihilation of once thriving and proud nations along with the citizenry who are transformed into wretches, vagrants, and in the extreme, refugees. Doh uses Cameroon as an exemplary microcosm to make this point while still holding imperialist ambitions largely responsible for the status quo in Africa. Ultimately, in the hope of jumpstarting the process, he makes pertinent suggestions on turning the tide on the continent.

The Cameroons is in the grips of a perpetual tailspin. The confusion and lack of clarity in the nation threaten everyone's sanity. The Absurd and the Cameroonian Tragedy at Decolonization dissects these ills and tries to isolate what has caused them: emotional bankruptcy. Family life cannot survive in such an environment; which has been split down the middle since 1961. Political reality and slipshod behavior underlie the dystopian snare in which British Southern Cameroons finds itself within La Rpublique du Cameroun. Doh's narrative points to confusion and La Rpublique du Cameroun's bad faith dealings with British Southern Cameroons. This orphan in the storm quality extends to a far reach with The Absurd ... looking at the storm clouds that create such misery. Doh's characters have no control in a Francophone majority dominated world. This helplessness creates emotional stress and a severe breakdown requiring professional help. The social, political, and economic deficits are consequences of colonialism and the complicity of Francophone abettors of imperial exploitation. Africa is a marionette dancing on someone else's string. This book looks at theft, and the way in which kleptocracy at the governmental level has ripped the heart, spirit, and energy out of The Cameroons and shows how Doh's literature deals with the inability to count on anything and or observe a direct connection between the cause and the effect. Despite the negativity that permeates Doh's literature, he views The Cameroons as resilient.

The wooden bicycle -- Fateful ride -- One way ticket -- One of a kind -- The money -- Moment of truth -- Caught in-between -- A matter of choice -- Daddy's boy -- Chicken soup.

The personality of the highly charismatic foremost African Nationalist, Kwame Nkrumah as featured once in a while in Ghanaian fiction. For example, the celebrated Ghanaian novelist, Ayi Kwei Armah draws attention to the corrupt nature of the Nkrumah regime in his famous novel, The Beautiful Ones Are Not Yet Born. But this is by far the very first time that Kwame Nkrumah and his era have been made the main subject of a full-length novel.

Dennis Nunqam Ndendemajem, the spectral social misfit of No Way To Die, having failed to die by suicide, is pursued by the hatred of friends and family relations. He seeks refuge in The Salvation Colony of the Angels of Limbo Church of Africa - a veritable paradise for all whom society has sidelined and whom chance or choice have led thereto. Refuge Dennis finds at the Salvation Colony, thanks to the kindly founding spiritual and material patron, the highly reputable but extremely devilish Pastor Sixtus Shrapnell, fondly referred to as Our Father. At the Colony, though completely dehumanized, Dennis maintains self-value and something to live for in life - God. In dispensing so completely and successfully with any authorial presence in this extremely rare but deeply psychological novel, Asong pushes the art of African fiction to a great new height. The novel shows his intellectual and perhaps formal vortex. His iridescent flushes of exquisite know-how in art, philosophy and psychology make the work worth a thinker's time.