What were the lives of Africans in provincial England like during the early modern period? How, where, and when did they arrive in rural counties? How were they perceived by their contemporaries? This book examines the population of Africans in Norfolk and Suffolk from 1467, the date of the first documented reference to an African in the region, to 1833, when Parliament voted to abolish slavery in the British Empire. It uncovers the complexity of these Africans' historical experience, considering the interaction of local custom, class structure, tradition, memory, and the gradual impact of the Atlantic slaving economy. Richard C. Maguire proposes that the initial regional response to arriving Africans during the fifteenth and sixteenth centuries was not defined exclusively by ideas relating to skin colour, but rather by local understandings of religious status, class position, ideas about freedom and bondage, and immediate local circumstances. Arriving Africans were able to join the region's working population through baptism, marriage, parenthood, and work. This manner of response to Africans was challenged as local merchants and gentry begin doing business with the slaving economy from the mid-seventeenth century onwards. Although the racialised ideas underpinning Atlantic slavery changed the social circumstances of Africans in the region, the book suggests that they did not completely displace older, more inclusive, ideas in working communities.

Politics has always been at the heart of the English country house, in its design and construction, as well as in the activities and experiences of those who lived in and visited these places. As Britain moved from an agrarian to an imperial economy over the course of the eighteenth century, the home mirrored the social change experienced in the public sphere. This collection focuses on the relationship between the country house and the mutable nature of British politics in the eighteenth century. Essays explore the country house as a stage for politicking, a vehicle for political advancement, a symbol of party allegiance or political values, and a setting for appropriate lifestyles. Initially the exclusive purview of the landed aristocracy, politics increasingly came to be played out in the open, augmented by the emergence of career politicians – usually untitled members of the patriciate – and men of new money, much of it created on Caribbean plantations or in the employ of the East India Company. Politics and the English Country House, 1688–1800 reveals how, during this period of profound change, the country house remained a constant. The country house was the definitive tangible manifestation of social standing and, for the political class, owning one became almost an imperative. In its consideration of the country house as lived and spatial experience, as an aesthetic and symbolic object, and as an economic engine, this book offers a new perspective on the complexity of political meaning embedded in the eighteenth-century country house – and on ourselves as active recipients and interpreters of its various narratives, more than two centuries later.

Ten walks through idyllic scenery reveal the countryside’s forgotten links to transatlantic slavery and colonialism—a work of accessible history that will transform our understanding of British landscapes and heritage. The green fields, rugged highlands, and rolling hills of England, Scotland, and Wales are commonly associated with adventure, romance, and seclusion as well as literary figures like Jane Austen and William Wordsworth. But in reality, many of these rural places—with their country houses, lakes, and shorelines—were profoundly changed by British colonial activity. Even hamlets and villages were affected by distant colonial events. Taking ten country walks, author Corinne Fowler explores the unique colonial dimensions of British agriculture, copper-mining, landownership, wool-making, coastal trade, and factory work in cotton mills. One route shows the links between English country houses and Indian colonization. Another explores banking history in Southern England and its link to slavery on Louisianan plantations. Other walks uncover the historical impact of sugar profits on the Scottish isles and 18th-century tobacco imports on an English coastal port. The history of these countryside locations—and the people who lived and worked in them—is closely bound up with colonial rule in far-away continents. Accompanying the author on her walks are a fascinating group of people—artists, musicians, and writers—with strong attachments to the landscapes featured in this book and family links to former British colonies like Barbados and Senegal. These companions illuminate the meaning of colonial history in local settings. Crucially, this is not just a history book but a compassionate reflection on the way we respond to sensitive, shared histories which link people across cultures, generations, and political divides.

Examines the evolving relationship between Church and State, the character of radical thought in Enlightenment England, and the nature of that Enlightenment itself. A tribute to the work of the late Justin Champion, this volume explores the radical religious and political ideas of seventeenth- and eighteenth-century England which were at the heart of Champion's intellectual contributions. Drawing on the debates and upheavals that dominated the period from the British Civil Wars to the mid-eighteenth century, the essays in this collection interrogate the challenging relationship between politics and religion which prompted what Champion called a 'Crisis of Christianity'. Diverse perspectives on that crisis are reconstructed, encompassing the experiences of republicans and radicals, philosophers and historians, atheists and clergymen. Through these individuals, a complex discourse which defies easy categorisation is recovered, but which speaks to central discussions concerning the evolving relationship between Church and State, the character of radical thought in Enlightenment England, and indeed the nature of that Enlightenment itself.

On a cold October afternoon in 1678, the Westminster justice of the peace Sir Edmund Berry Godfrey left his home in Charing Cross and never returned. Within hours of his disappearance, London was abuzz with rumours that the magistrate had been murdered by Catholics in retaliation for his investigation into a supposed 'Popish Plot' against the government. Five days later, speculation morphed into a moral panic after Godfrey's body was discovered in a ditch, impaled on his own sword in an apparent clumsily staged suicide. This book presents an anatomy of a conspiratorial crisis that shook the foundations of late Stuart England, eroding public faith in authority and official sources of information. Speculation about Godfrey's death dovetailed with suspicions about secret diplomacy at the court of Charles II, contributing to the emergence of a partisan press and an oppositional political culture in which the most fantastical claims were not only believable but plausible. Ultimately, conspiracy theories implicating the king's principal minister, his queen and his brother in Godfrey's murder stoked the passions and divisions that would culminate in the Exclusion Crisis, the most serious challenge to the British monarchy since the Civil War.ng the king's principal minister, his queen and his brother in Godfrey's murder stoked the passions and divisions that would culminate in the Exclusion Crisis, the most serious challenge to the British monarchy since the Civil War.ng the king's principal minister, his queen and his brother in Godfrey's murder stoked the passions and divisions that would culminate in the Exclusion Crisis, the most serious challenge to the British monarchy since the Civil War.ng the king's principal minister, his queen and his brother in Godfrey's murder stoked the passions and divisions that would culminate in the Exclusion Crisis, the most serious challenge to the British monarchy since the Civil War.

A discussion of the fascinating interplay between communication, politics and religion in early modern England suggesting a new framework for the politics of print culture. This book challenges the idea that the loss of pre-publication licensing in 1695 unleashed a free press on an unsuspecting political class, setting England on the path to modernity. England did not move from a position of complete control of the press to one of complete freedom. Instead, it moved from pre-publication censorship to post-publication restraint. Political and religious authorities and their agents continued to shape and manipulate information. Authors, printers, publishers and book agents were continually harassed. The book trade reacted by practicing self-censorship. At times of political calm, government and the book trade colluded in a policy of policing rather than punishment. The Restraint of the Press in England problematizes the notion of the birth of modernity, a moment claimed by many prominent scholars to have taken place at the transition from the seventeenth into the eighteenth century. What emerges from this study is not a steady move to liberalism, democracy or modernity. Rather, after 1695, England was a religious and politically fractured society, in which ideas of the sovereignty of the people and the power of public opinion were being established and argued about.

A rare examination of the political, social, and economic contexts in which painters in Tudor and Early Stuart England lived and workedWhile famous artists such as Holbein, Rubens, or Van Dyck are all known for their creative periods in England or their employment at the English court, they still had to make ends meet, as did the less well-known practitioners of their craft. This book, by one of the leading historians of Tudor and Stuart England, sheds light on the daily concerns, practices, and activities of many of these painters. Drawing on a biographical database comprising nearly 3000 painters and craftsmen - strangers and native English, Londoners and provincial townsmen, men and sometimes women, celebrity artists and 'mere painters' - this book offers an account of what it meant to paint for a living in early modern England. It considers the origins of these painters as well as their geographical location, the varieties of their expertise, and the personnel and spatial arrangements of their workshops. Engagingly written, the book captures a sense of mobility and exchange between England and the continent through the considerable influence of stranger-painters, undermining traditional notions about the insular character of this phase in the history of English art. By showing how painters responded to the greater political, religious, and economic upheavals of the time, the study refracts the history of England itself through the lens of this particular occupation.Engagingly written, the book captures a sense of mobility and exchange between England and the continent through the considerable influence of stranger-painters, undermining traditional notions about the insular character of this phase in the history of English art. By showing how painters responded to the greater political, religious, and economic upheavals of the time, the study refracts the history of England itself through the lens of this particular occupation.Engagingly written, the book captures a sense of mobility and exchange between England and the continent through the considerable influence of stranger-painters, undermining traditional notions about the insular character of this phase in the history of English art. By showing how painters responded to the greater political, religious, and economic upheavals of the time, the study refracts the history of England itself through the lens of this particular occupation.Engagingly written, the book captures a sense of mobility and exchange between England and the continent through the considerable influence of stranger-painters, undermining traditional notions about the insular character of this phase in the history of English art. By showing how painters responded to the greater political, religious, and economic upheavals of the time, the study refracts the history of England itself through the lens of this particular occupation.