When Princess Riva is born, a witch predicts that she will drive away when she turns sixteen, and never return, but a wise woman says the princess will sleep and not wake unless she does so by her own efforts within five years, in a version of "Sleeping Beauty" set in an African kingdom.

What does it take to know oneself? To fully realize one's life dream? For some it may take a lifetime, and for others, the chance may never come. There are those who dream and have the courage to take the first steps past the threshold of familiarity. Their stories, like mine, are etched on the avenues we dare to traverse. The Cape to Cairo road is where I, a black female soul-searcher, faced my greatest trial in confronting my fear of losing my mother to cancer, trying to keep old love alive, and make my childhood dream come true.

African Dream Machines takes African headrests out of the category of functional objects and into the more rarefied category of ‘art’ objects. Styles in African headrests are usually defined in terms of western art and archaeological discourses, but this book interrogates these definitions of style and demonstrates the shortcomings of defining a single formal style model as exclusive to a single ethnic group. Among the artefacts made by southern African peoples, headrests were the best known. Anitra Nettleton’s study of the uses and forms of headrests opened up a number of art-historical methodologies in the attempt to gain an understanding of form, style and content in African art objects. Her drawings of each and every headrest encountered become a major part of the project.