This uniquely designed book and kit with a detachable plexiglass spine contains nearly 2,000 colorful beads and instructions to make a variety of jewelry items while learning about African culture. 100 illustrations.

African Beads: Jewels of a Continent is the first book dedicated exclusively to African-made beads. In detailed chapters organized by material (bone and shell, wood and amber, stone, metal, glass) authors Evelyn Simak and Carl Dreibelbis trace the historical journey of bead making in Africa. Prefaced with an essay by Lois Sherr Dubin and accompanied by 163 color photographs, this magnificent book is a showcase for some of the rarest, most beautiful and most collectible beads in the world.

Catalog of an exhibition held at Smith College Museum of Art, Feb. 1-Jun. 15, 2008.

The beadwork designs of the Zulu-speaking people of southern Africa have evolved from a craft tradition that developed over many generations. Carefully researched and filled with exciting photographs, 'Speaking with Beads' presents jewelry, ornamental headdresses, capes, aprons, beaded panels and other decorative forms.

NEW YORK TIMES BESTSELLER • “The plot provided by the universe was filled with starvation, war and rape. I would not—could not—live in that tale.” Clemantine Wamariya was six years old when her mother and father began to speak in whispers, when neighbors began to disappear, and when she heard the loud, ugly sounds her brother said were thunder. In 1994, she and her fifteen-year-old sister, Claire, fled the Rwandan massacre and spent the next six years migrating through seven African countries, searching for safety—perpetually hungry, imprisoned and abused, enduring and escaping refugee camps, finding unexpected kindness, witnessing inhuman cruelty. They did not know whether their parents were dead or alive. When Clemantine was twelve, she and her sister were granted refugee status in the United States; there, in Chicago, their lives diverged. Though their bond remained unbreakable, Claire, who had for so long protected and provided for Clemantine, was a single mother struggling to make ends meet, while Clemantine was taken in by a family who raised her as their own. She seemed to live the American dream: attending private school, taking up cheerleading, and, ultimately, graduating from Yale. Yet the years of being treated as less than human, of going hungry and seeing death, could not be erased. She felt at the same time six years old and one hundred years old. In The Girl Who Smiled Beads, Clemantine provokes us to look beyond the label of “victim” and recognize the power of the imagination to transcend even the most profound injuries and aftershocks. Devastating yet beautiful, and bracingly original, it is a powerful testament to her commitment to constructing a life on her own terms.

Reviving an ancient beading tradition in Southern Africa, this resource showcases the funky, innovative, and visually stunning bead art created by the woman of MonkeyBiz, a uniquely successful grassroots project that gives employment to poor women and provides them with skills training and HIV/AIDS support. The project employs 450 disadvantaged women from around Cape Town, and serves as a model for nongovernmental organizations and individuals who wish to harness creativity to create employment and empowerment.

Beads of Life is a fascinating exploration of traditional beadwork from eastern and southern Africa, as well as the socio-religious principles upon which many aesthetic choices were based. The author concludes with an examination of contemporary beadwork as seen, in particular, through the eyes of Canadians from these regions.