'Clarence Lusane is one of America's most thoughtful and critical thinkers on issues of race, class and power. African Americans at the Crossroads represents an important contribution to the literature on African-American politics and the future of American race relations. I enthusiastically recommend this book to scholars and community activists alike.' Manning Marable, author of How Capitalism Underdeveloped Black AmericaClarence Lusane uses the 1992 elections as a prism to explore Black community leadership and offers a long-term vision of Black empowerment and resistance, inside and outside the electoral arena.

With the exception of a few iconic moments such as Rosa Parks’s 1955 refusal to move to the back of a Montgomery bus, we hear little about what black women activists did prior to 1960. Perhaps this gap is due to the severe repression that radicals of any color in America faced as early as the 1930s, and into the Red Scare of the 1950s. To be radical, and black and a woman was to be forced to the margins and consequently, these women’s stories have been deeply buried and all but forgotten by the general public and historians alike. In this exciting work of historical recovery, Dayo F. Gore unearths and examines a dynamic, extended network of black radical women during the early Cold War, including established Communist Party activists such as Claudia Jones, artists and writers such as Beulah Richardson, and lesser known organizers such as Vicki Garvin and Thelma Dale. These women were part of a black left that laid much of the groundwork for both the Civil Rights Movement of the 1960s and later strains of black radicalism. Radicalism at the Crossroads offers a sustained and in-depth analysis of the political thought and activism of black women radicals during the Cold War period and adds a new dimension to our understanding of this tumultuous time in United States history.

African American Theater is a vibrant and unique entity enriched by ancient Egyptian rituals, West African folklore, and European theatrical practices. A continuum of African folk traditions, it combines storytelling, mythology, rituals, music, song, and dance with ancestor worship from ancient times to the present. It afforded black artists a cultural gold mine to celebrate what it was like to be an African American in The New World. The A to Z of African American Theater celebrates nearly 200 years of black theater in the United States, identifying representative African American theater-producing organizations and chronicling their contributions to the field from its birth in 1816 to the present. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on actors, directors, playwrights, plays, theater producing organizations, themes, locations, and theater movements and awards.

"Seeking to reconstruct the early community of Hinsonville from fragmentary archival materials and oral interviews, Paul Russo, together with his students at Lincoln University, gradually unearthed information on Hinsonville's residents and their lives. Marianne Russo has taken her late husband's extensive research and placed it in the context of nineteenth-century African-American history."--Jacket.

African American folklore dates back 240 years and has had a significant impact on American culture from the slavery period to the modern day. This encyclopedia provides accessible entries on key elements of this long history, including folklore originally derived from African cultures that have survived here and those that originated in the United States. Inspired by the author's passion for African American culture and vernacular traditions, African American Folklore: An Encyclopedia for Students thoroughly addresses key elements and motifs in black American folklore-especially those that have influenced American culture. With its alphabetically organized entries that cover a wide range of subjects from the word "conjure" to the dance style of "twerking," this book provides readers with a deeper comprehension of American culture through a greater understanding of the contributions of African American culture and black folk traditions. This book will be useful to general readers as well as students or researchers whose interests include African American culture and folklore or American culture. It offers insight into the histories of African American folklore motifs, their importance within African American groups, and their relevance to the evolution of American culture. The work also provides original materials, such as excepts from folktales and folksongs, and a comprehensive compilation of sources for further research that includes bibliographical citations as well as lists of websites and cultural centers.

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

This vibrant volume is a creative mix of contributions, including seminal essays and interpretive works, from researchers and writers in the area of popular music and major players in the bright future of symbolic interaction. Genres discussed range from country, jazz and the virtuoso to latino, grindcore and extreme metal.