Louisville's African-American community dates back to the early 1800s. Before the 1850s, many Black churches such as the Quinn Chapel A.M.E. Church were founded in the area. Prominent African Americans, including Whitney M. Young, Woodford Porter, FrankStanley, and Calvin Winstead, became Louisville's pioneer families in modern business and politics. Within the pages of this volume are many of the families who worked to become institution builders and leaders--in Louisville and around the world.African-American Life in Louisville covers the period from the late nineteenth century to the 1960s and focuses on the people and places in the Greater Louisville area, including Shelbyville. AuthorBruce Tyler, Associate Professor of History at the University of Kentucky, Louisville, has created this unique collection of vintage photographs as a tribute to his community.

Early African Americans in Sumner County, both slaves and free, left a legacy not only of beautiful brick buildings and sturdy stone fences, but also a social history as rich and varied as the many tribes they represented. This exciting book is an invaluable resource for anyone interested in the immeasurable contributions, undeniable services, and the devotion of black Americans to the evolution of Sumner County's communities. Many of the sienna-hued photographs and Civil War-era tintypes presented here were taken when folks wore their Sunday best and didn't smile for the camera. These images, many never before published, capture everything from a "creek baptism" and bonnet worn by a local slave, to views of families and schoolchildren. The volume covers most of the early settlements in Sumner County where African Americans largely resided, from Rockland and Avondale to Scattersville, Parker's Chapel, and Gallatin.

Primarily known as the birthplace of three prominent and celebrated Americans, our nation's first and fifth presidents and the South's most revered general during the War between the States, Westmoreland County enjoys a fascinating and diverse history, one shaped by both the contributions of its white and black citizens. Like many Southern states, Virginia's Northern Neck did not legalize formal education for African Americans until 1870. From that date to 1958, black students studied in small "separate but equal" oneand two-room schoolhouses throughout the county and remained segregated until 1970. African-American Education in Westmoreland County is a unique study of the traditions, institutions, and people who were involved in teaching and educating the black population throughout the county. In this volume, with many never-before-published photographs, you will take a visual journey through the area's past and visit the oneand two-room schoolhouses of Templemans, Potomac, and some of the smaller areas, such as Frog Hall and Mudbridge; and meet the dedicated and creative teachers and their students who studied and learned in this picturesque region nestled between the Potomac and Rappahannock Rivers.

Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images

With the advent of national franchises and increased commercial development throughout Virginia, fewer and fewer areas are able to maintain their agrarian nature. However, Westmoreland County continues its long tradition of relying on its unique environment for sustenance, with its fertile farmlands and its bountiful rivers and creeks, thus preserving its rural essence.

This highly regarded biography traces the life and times of Frederick Douglass, from his birth on Maryland's Eastern Shore in 1818 to 1838, when he escaped from slavery to emerge upon the national scene.