The story of an unusual missionary. Joseph Booth published a book in 1897 demanding independence for Malawi and played a key role in inspiring an anti-colonial rising eighteen years later. This book tells of his activities in Malawi, South Africa and Lesotho and of his efforts to find support for his cause in Australia, Britain and the USA.

This collection of essays encourages a critical evaluation of the concept of "Florida" as a cultural and geographical entity and the influences and effects of the numerous African and Africa American-influenced cultures.

'I cannot afford to be a participator, by passiveness in such stupendous and widespread wrongs as I perceive are being abundantly inflicted upon the African race. Hence my appeal...to the British Queen and Government...that "Africa for the African" be made a reality as far as each has the power to bring it about.' Joseph Booth penned his appeal in 1897 in protest of the racist stereotpying of the Africans by the colonisers; and witnessing the unjust and inhumane exploitation of the native peoples, for the sole benefit of the Europeans. He drew his ideas from the social and political messages he inferred from the Gospel and his appeal was published only thirteen years after European leaders met in Berlin to divide up the African continent. The book, which was not welcomed by the colonial government in Malawi was first published in 1897 in the US and is now republished in Malawi. Laura Perry reproduced the text of Booth's second edition, compared it to the first edition and added explanatory footnotes.

African Friends and Money Matters grew out of frustrations that Westerners experience when they travel and work in Africa. Africans have just as many frustrations relating to Westerners in their midst. Each manages money, time, and relationships in very different ways, often creating friction and misunderstanding. This book deals with everyday life in Africa, showing the underlying logic of African economic systems and behavior. Two new chapters in this second edition emphasize personal relationships, making the book even more relevant to the thoughtful reader. Maranz introduces these principles, as well as the very different goals of African and Western economic systems, plus ninety specific observations of money-related African behaviors. Personal anecdotes bring this book to life. The result is that the reader can make sense of customs that at first seem incomprehensible. This popular book has captured the interest of Westerners living in or visiting Sub-Saharan Africa: business, diplomatic, and NGO personnel; religious workers, journalists, and tourists. The readership includes professors and students of African Studies. African readers will also be interested for what it reveals about Western culture and ways Westerners often react to Africa. David E. Maranz (Ph.D., International Development) has worked with SIL International in several African countries since 1975 in community development, administration, and anthropology consulting. His earlier book, Peace is Everything (SIL International), examines the worldview and religious context of the Senegambia region.

Stereomodernism and amplifying the Black Atlantic -- Sight reading: early Black South African transcriptions of freedom -- Négritude musicology: poetry, performance and statecraft in Senegal -- What women want: selling hi-fi in consumer magazines and film -- 'Soul to soul': echo-locating histories of slavery and freedom from Ghana -- Pirate's choice: hacking into (post- )pan-African futures -- Epilogue: Singing songs.

An introduction to the complex relationship between African Americans and the African continent What is an “African American” and how does this identity relate to the African continent? Rising immigration levels, globalization, and the United States’ first African American president have all sparked new dialogue around the question. This book provides an introduction to the relationship between African Americans and Africa from the era of slavery to the present, mapping several overlapping diasporas. The diversity of African American identities through relationships with region, ethnicity, slavery, and immigration are all examined to investigate questions fundamental to the study of African American history and culture.

"African Humanity: Creativity, Identity and Personhood is a collection of thought-provoking essays from scholars around the world on topics that inform new ways of thinking while engaging critical perspectives about Africa and the African Diaspora. The essays focus on the discourse of creativity, culture, identity and well-being from multiple fields such as design, art, gender studies, education, health and museum studies in pre-colonial, colonial and post-colonial Africa and the African Diaspora. This multidisciplinary group of global scholars offer a critical dialogue on topics such as the creative process in Africa and the African Diaspora; gender and creative space; histories of creativity and inventions; globalized modernity and its consequence on cultural performances; politics of creativity; creativity, performance and Nollywood; social, political, and economic ramifications of creativity and design; ethical issues in creativity; and sustainability, well-being and the environment. The book's goal is to offer a comparative critical dialogue for a multidisciplinary academic audience, artists, grassroots activists, diverse communities and interested members of the general public. It has five distinct sections: Gender, Education, and Language; Design and Art in Africa and Its Diaspora; Creativity, Performance and Nollywood; Identity and Institutions of Politics and Living; and Sustainability, Health and the Environment. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin"--