Afghanistan In Ink uses a wide and largely unknown corpus of twentieth century Afghan Dari and Pashto literature to show not only how Afghans have reflected on their modern history, but also how the state has repeatedly sought to dominate the ideological contours of that history through the patronage or exile of writers. Drawing on an abundance of Afghan language sources, the chapters by leading international experts reveal a disruptive twentieth century dynamic between the importing of multiple conflicting ideologies through literary globalisation and the destabilisation of the state as a consequence of these literary and ideological flows. As the first scholarly survey of modern Afghan literature, Afghanistan In Ink places the twentieth century's itinerant and exiled Afghan writers into their transnational contexts to trace Afghan artistic and ideological interactions with Muslim and Western nations. The volume emphasises the study of literatures in their social and political contexts. With its extensive contextualising introduction, this book provides both specialists and non-specialists with unique 'inside' perspectives on the interweaving of religious, political and cultural debates that have shaped modern Afghan society.

A gripping story about one refugee boy on a desperate journey from Afghanistan, and the Australian boy who befriends him.

New! Second Edition! Expanded and available only here at Amazon, and at 1/2 the price of the previous edition -- from $29.00 to $14.00. Tattoo Zoo is a novel that could only have been written by a veteran of more than three years in the Afghan War -- as a Green Beret then a civilian embedded journalist. America's longest war is compressed into a charged forty-six hours with the GIs of the Tattoo Zoo platoon trapped fighting a fierce Taliban in a nowhere piece of picturesque real estate called Wajma Valley, as they are left hung out to dry by a politically correct four-star command hell-bent on prosecuting them for war crimes or just letting them die in place. You will be taken into the heart and soul of the American soldier -- from private to general. You will be with the soldiers, you will be with the command, and you will be swept into the Afghan War on a visceral level of extreme verisimilitude. If you've been in the war, you will recognize and feel those hours and days and months, and you will want others to read this to understand what you lived. If you haven't been to the war and only know Afghanistan from blips you've seen on TV news, Tattoo Zoo will put you there, and you'll know it. No need here to detail the characters, but you can count on remembering Wolfe and Doc Eberly and Redcloud and St Claire and Dove and Finkle and Victoria Marshall and a whole slew more. This is a big novel, and not meant for the casual reader expecting some throw-away weekend-read thriller. There is nothing pretentious or artificially artistic or overly intellectual about the language here; just the opposite, the reading is easy. In fact, there's enough character and story and conflict here that there's no need for false literary stylings meant to impress other writers and professors of hoity-toity MFA programs. Open it up, give it a shot, and find again the deep pleasure of an epic war novel.

Shaffer delivers an exciting, eyewitness account of fighting terrorism in Afghanistan using the military's most cutting-edge espionage tactics. Just before St. Martin's Press release of the book, The Department of Defense and the Defense Intelligence Agency, demanded the author and the publisher produce the book for review. They, and "other interested U.S. intelligence agencies" met with the author to review changes and redactions that they required be made, before the book could be published, in order to "not damage our national security, harm our troops, or harm U.S. military intelligence efforts or assets." Thus, there are sections with redactions in the final book.

Afghanistan has been a theatre of civil and international conflict for much of the twentieth century – stability is essential if there is to be peace in the Greater Middle East. Yet policy-makers in the West often seem to forget the lessons learned from previous administrations, whose interventions have contributed to the instability in the region. Here, Sharifullah Dorani focuses on the process of decision-making, looking at which factors influenced American policy-makers in the build-up to its longest war, the Afghanistan War, and how reactions on the ground in Afghanistan have influenced events since then. America in Afghanistan is a new, full history of US foreign policy toward Afghanistan from Bush's 'War on Terror', to Obama's war of 'Countering Violent Extremism' to Trump's war against 'Radical Islamic Terrorism'. Dorani is fluent in Pashto and Dari and uses unique and unseen Afghan source-work, published here for the first time, to understand the people in Afghanistan itself, and to answer their unanswered questions about 'real' US Afghan goals, the reasons for US failures in Afghanistan, especially its inability to improve governance and stop Pakistan, Iran and Russia from supporting the insurgency in Afghanistan, and the reasons for the bewildering changes in US Afghan policy over the course of 16 and a half years. To that end the author also assesses Presidents Karzai and Ghani's responses to Bush, Obama and Trump's policies in Afghanistan and the region. In addition, the book covers the role Afghanistan's neighbours – Russia, Iran, India, and especially Pakistan – played in America's Afghanistan War. This will be an essential book for those interested in the future of the region, and those who seek to understand its recent past.

COLBY AWARD WINNER • “One of the most important books to come out of the Afghanistan war.”—Foreign Policy “A saga of courage and futility, of valor and error and heartbreak.”—Rick Atkinson, author of the Liberation Trilogy and The British Are Coming Of the many battlefields on which U.S. troops and intelligence operatives fought in Afghanistan, one remote corner of the country stands as a microcosm of the American campaign: the Pech and its tributary valleys in Kunar and Nuristan. The area’s rugged, steep terrain and thick forests made it a natural hiding spot for local insurgents and international terrorists alike, and it came to represent both the valor and futility of America’s two-decade-long Afghan war. Drawing on reporting trips, hundreds of interviews, and documentary research, Wesley Morgan reveals the history of the war in this iconic region, captures the culture and reality of the conflict through both American and Afghan eyes, and reports on the snowballing missteps—some kept secret from even the troops fighting there—that doomed the American mission. The Hardest Place is the story of one of the twenty-first century’s most unforgiving battlefields and a portrait of the American military that fought there.

PULITZER PRIZE FINALIST • NATIONAL BOOK AWARD FINALIST • Hailed by The Washington Post as “mandatory reading,” and praised by Fareed Zakaria as “intelligent, compassionate, and revealing,” a powerful journey to help bridge one of the greatest divides shaping our world today. If the Oceans Were Ink is Carla Power's eye-opening story of how she and her longtime friend Sheikh Mohammad Akram Nadwi found a way to confront ugly stereotypes and persistent misperceptions that were cleaving their communities. Their friendship-between a secular American and a madrasa-trained sheikh-had always seemed unlikely, but now they were frustrated and bewildered by the battles being fought in their names. Both knew that a close look at the Quran would reveal a faith that preached peace and not mass murder; respect for women and not oppression. And so they embarked on a yearlong journey through the controversial text. A journalist who grew up in the Midwest and the Middle East, Power offers her unique vantage point on the Quran's most provocative verses as she debates with Akram at cafes, family gatherings, and packed lecture halls, conversations filled with both good humor and powerful insights. Their story takes them to madrasas in India and pilgrimage sites in Mecca, as they encounter politicians and jihadis, feminist activists and conservative scholars. Armed with a new understanding of each other's worldviews, Power and Akram offer eye-opening perspectives, destroy long-held myths, and reveal startling connections between worlds that have seemed hopelessly divided for far too long. Praise for If the Oceans Were Ink “A vibrant tale of a friendship.... If the Oceans Were Ink is a welcome and nuanced look at Islam [and] goes a long way toward combating the dehumanizing stereotypes of Muslims that are all too common.... If the Oceans Were Ink should be mandatory reading for the 52 percent of Americans who admit to not knowing enough about Muslims.”—The Washington Post “For all those who wonder what Islam says about war and peace, men and women, Jews and gentiles, this is the book to read. It is a conversation among well-meaning friends—intelligent, compassionate, and revealing—the kind that needs to be taking place around the world.”—Fareed Zakaria, author of The Post-American World “Carla Power’s intimate portrait of the Quran, told with nuance and great elegance, captures the extraordinary, living debate over the Muslim holy book’s very essence. A spirited, compelling read.”—Azadeh Moaveni, author of Lipstick Jihad “Unique, masterful, and deeply engaging. Carla Power takes the reader on an extraordinary journey in interfaith understanding as she debates and discovers the Quran’s message, meaning, and values on peace and violence, gender and veiling, religious pluralism and tolerance.”—John L. Esposito, University Professor and Professor of Islamic Studies, Georgetown University, and author of The Future of Islam “A thoughtful, provocative, intelligent book.”—Diana Abu-Jaber, author of Birds Of Paradise and The Language of Baklava