Rugged, remote, riven by tribal rivalries and religious violence, Afghanistan seems to many a country frozen in time and forsaken by the world. Afghan Modern presents a bold challenge to these misperceptions, revealing how Afghans, over the course of their history, have engaged and connected with a wider world and come to share in our modern globalized age. Always a mobile people, Afghan travelers, traders, pilgrims, scholars, and artists have ventured abroad for centuries, their cosmopolitan sensibilities providing a compass for navigating a constantly changing world. Robert Crews traces the roots of Afghan globalism to the early modern period, when, as the subjects of sprawling empires, the residents of Kabul, Kandahar, and other urban centers forged linkages with far-flung imperial centers throughout the Middle East and Asia. Focusing on the emergence of an Afghan state out of this imperial milieu, he shows how Afghan nation-making was part of a series of global processes, refuting the usual portrayal of Afghans as pawns in the “Great Game” of European powers and of Afghanistan as a “hermit kingdom.” In the twentieth century, the pace of Afghan interaction with the rest of the world dramatically increased, and many Afghan men and women came to see themselves at the center of ideological struggles that spanned the globe. Through revolution, war, and foreign occupations, Afghanistan became even more enmeshed in the global circulation of modern politics, occupying a pivotal position in the Cold War and the tumultuous decades that followed.

Long heralded as a seminal work on the history of Afghanistan, this book traces the evolution of the modern Afghan state by studying the politics of reform and modernization that started in 1880 through World War II. In this reissue, Vartan Gregorian offers a new introduction that places the key themes of the book in the context of contemporary events, addressing questions of tribalism, nationalism, Islam, and modernization, as well as the legacies of the Cold War and the various exit strategies of occupying powers. The book remains as distinctive today as when it was first published. It is the only broad work on Afghan history that considers ethnicity as the defining influence over the course of the country's history, rather than religion. In light of today's ongoing struggle to develop a coherent national identity, the question of Afghan nationalism remains a particularly significant issue.

What impact does 40 years of war, violence, and military intervention have on a country and its people? As the "global war on terror" now stretches into the 21st century with no clear end in sight, Identity and Politics in Modern Afghanistan collects the work of interdisciplinary scholars, aid workers, and citizens to assess the impact of this prolonged conflict on Afghanistan. Nearly all of the people in Afghan society have been affected by persistent violent conflict. Identity and Politics in Modern Afghanistan focuses on social and political dynamics, issues of gender, and the shifting relationships between tribal, sectarian, and regional communities. Contributors consider topics ranging from masculinity among the Afghan Pashtun to services offered for the disabled, and from Taliban extremism to the role of TV in the Afghan culture wars. Prioritizing the perspective and experiences of the people of Afghanistan, new insights are shared into the lives of those who are hoping to build a secure future on the rubble of a violent past.

In the West, media coverage of Afghanistan and Pakistan is framed by military and political concerns, resulting in a simplistic picture of ageless barbarity, terrorist safe havens, and peoples in need of either punishment or salvation. Under the Drones looks beyond this limiting view to investigate real people on the ground, and to analyze the political, social, and economic forces that shape their lives. Understanding the complexity of life along the 1,600-mile border between Afghanistan and Pakistan can help America and its European allies realign their priorities in the region to address genuine problems, rather than fabricated ones. This volume explodes Western misunderstandings by revealing a land that abounds with human agency, perpetual innovation, and vibrant complexity. Through the work of historians and social scientists, the thirteen essays here explore the real and imagined presence of the Taliban; the animated sociopolitical identities expressed through traditions like Pakistani truck decoration; Sufism’s ambivalent position as an alternative to militancy; the long and contradictory history of Afghan media; and the simultaneous brutality and potential that heroin brings to women in the area. Moving past shifting conceptions of security, the authors expose the West’s prevailing perspective on the region as strategic, targeted, and alarmingly dehumanizing. Under the Drones is an essential antidote to contemporary media coverage and military concerns.

This chronological account traces the history of Afghanistan from pre-civilization to present-day events and considers the future of democracy in Afghanistan. For centuries, Afghanistan has endured control by a gamut of political regimes as a result of its strategic location along the trade route between Asia and the Middle East. The area has been at the center of constant conflict and only in recent years has recovered from the vestiges of warfare. The second edition of this popular reference offers a fresh glimpse at the country, showing modern Afghanistan to be a melting pot of cultures, tribes, and political influences all under the guiding belief of Islam. In addition to thorough coverage of the country's political, economic, and cultural history, the book provides students with an account of recent events in Afghanistan since 2007, such as the death of Osama bin Laden in Pakistan and the removal of NATO soldiers. Other changes include a revised timeline, an updated glossary, additions to the notable figures appendix, and an expanded bibliography that includes electronic resources.

Debunking conventional narratives of Afghanistan as a perennial war zone and the rule of law as a secular-liberal monopoly, Faiz Ahmed presents a vibrant account of the first Muslim-majority country to gain independence, codify its own laws, and ratify a constitution after the fall of the Ottoman Empire. Afghanistan Rising illustrates how turn-of-the-twentieth-century Kabul--far from being a landlocked wilderness or remote frontier--became a magnet for itinerant scholars and statesmen shuttling between Ottoman and British imperial domains. Tracing the country's longstanding but often ignored scholarly and educational ties to Baghdad, Damascus, and Istanbul as well as greater Delhi and Lahore, Ahmed explains how the court of Kabul attracted thinkers eager to craft a modern state within the interpretive traditions of Islamic law and ethics, or shariʿa, and international norms of legality. From Turkish lawyers and Arab officers to Pashtun clerics and Indian bureaucrats, this rich narrative focuses on encounters between divergent streams of modern Muslim thought and politics, beginning with the Sublime Porte's first mission to Afghanistan in 1877 and concluding with the collapse of Ottoman rule after World War I. By unearthing a lost history behind Afghanistan's founding national charter, Ahmed shows how debates today on Islam, governance, and the rule of law have deep roots in a beleaguered land. Based on archival research in six countries and as many languages, Afghanistan Rising rediscovers a time when Kabul stood proudly as a center of constitutional politics, Muslim cosmopolitanism, and contested visions of reform in the greater Islamicate world.

Since 9/11 there has been a cultural and political blossoming among those of the Afghan diaspora, especially in the United States, revealing a vibrant, active, and intellectual Afghan American community. And the success of Khaled Hosseni's The Kite Runner, the first work of fiction written by an Afghan American to become a bestseller, has created interest in the works of other Afghan American writers. One Story, Thirty Stories (or "Afsanah, Seesaneh," the Afghan equivalent of "once upon a time") collects poetry, fiction, essays, and selections from two blogs from thirty-three men and women—poets, fiction writers, journalists, filmmakers and video artists, photographers, community leaders and organizers, and diplomats. Some are veteran writers, such as Tamim Ansary and Donia Gobar, but others are novices and still learning how to craft their own "story," their unique Afghan American voice. The fifty pieces in this rich anthology reveal journeys in a new land and culture. They show people trying to come to grips with a life in exile, or they trace the migration maps of parents. They navigate the jagged landscape of the Soviet invasion, the civil war of the 1990s and the rise of the Taliban, and the ongoing American occupation.