LEARN HOW TO CREATE AND FORMAT A BASIC PRINT TITLE Have you ever wanted to have complete control over the layout of your print title? If so, then this book may be for you. It will walk you through how to use Affinity Publisher 2.0 to format a basic print title using a small accent image. From creating master pages and text styles to flowing your text and handling widows, orphans, and more. By the time you’re done with this book you will have a fully-formatted print title that’s ready to publish. So what are you waiting for? Get started today.

LEARN HOW TO USE TABLES OF CONTENTS, INDEXES, IMAGES, AND MORE Once you’ve mastered the basics of formatting a print title, it’s time to take it to the next level with tables of contents, indexes, images, and more. Learn how to use Affinity Publisher 2.0 to format a book using one (or more) tables of contents, to insert images directly into your text, to customize your headers to use chapters names, to merge multiple documents to create an omnibus or collection, and more in this book that builds from Affinity Publisher 2.0 for Book Formatting Part 1.

LEARN HOW TO CREATE AND FORMAT A BASIC PRINT TITLE Have you ever wanted to have complete control over the layout of your print title? If so, then this book may be for you. It will walk you through how to use Affinity Publisher 2.0 to format a basic print title using a small accent image. From creating master pages and text styles to flowing your text and handling widows, orphans, and more. By the time you’re done with this book you will have a fully-formatted print title that’s ready to publish. So what are you waiting for? Get started today.

"A guide to the press of the United Kingdom and to the principal publications of Europe, Australia, the Far East, Gulf States, and the U.S.A.

Have you ever wanted to have complete control over the layout of your print title? If so, then this book may be for you. LEARN HOW TO CREATE AND FORMAT A BASIC PRINT TITLE In Part 1 you will learn how to use Affinity Publisher 2.0 to format a basic print title using a small accent image. From creating master pages and text styles to flowing your text and handling widows, orphans, and more. LEARN HOW TO USE TABLES OF CONTENTS, INDEXES, IMAGES, AND MORE In Part 2 you will learn how to work with tables of contents and indexes, how to insert images directly into your text, how to customize your headers to use chapters names, how to merge multiple documents to create an omnibus or collection, and more.

LEARN HOW TO USE TABLES OF CONTENTS, INDEXES, IMAGES, AND MORE Once you’ve mastered the basics of formatting a print title, it’s time to take it to the next level with tables of contents, indexes, images, and more. Learn how to use Affinity Publisher 2.0 to format a book using one (or more) tables of contents, to insert images directly into your text, to customize your headers to use chapters names, to merge multiple documents to create an omnibus or collection, and more in this book that builds from Affinity Publisher 2.0 for Book Formatting Part 1.

A captivating portrait of futurist artist Iliazd infused with the reflections of his accidental biographer on the stickiness of the genre. The poet Ilia Zdanevich, known in his professional life as Iliazd, began his career in the pre-Revolutionary artistic circles of Russian futurism. By the end of his life, he was the publisher of deluxe limited edition books in Paris. The recent subject of major exhibitions in Moscow, his native Tbilisi, New York, and other venues, the work of Iliazd has been prized by bibliophiles and collectors for its exquisite book design and innovative typography. Iliazd collaborated with many major figures of modern art—Pablo Picasso, Sonia Delaunay, Max Ernst, Joán Miro, Natalia Goncharova, and Mikhail Larionov, among others. His 1949 anthology, The Poetry of Unknown Words, was the first international anthology of experimental visual and sound poetry ever published. The list of contributors is a veritable "Who's Who" of avant-garde writing and visual art. And Iliazd's unique hands-on engagement with book production and design makes him the ideal case study for considering the book as a modern art form. Iliazd is the first full-length biography of the poet-publisher, as well as the first comprehensive English-language study of his life and work. Johanna Drucker weaves two stories together: the history of Iliazd's work as a modern artist and poet, and the narrative of the author's encounter with his widow and other figures in the process of researching his biography. Drucker's reflection on what a biographical project entails addresses questions about the relationship between documentary evidence and narrative, between contemporary witnesses and retrospective accounts. Ultimately, Drucker asks how we should understand the connection between the life of an artist and their work. Enriched with photographs from the Iliazd archive and a wealth of primary documents, the book is a vivid account of a unique contributor to modernism—and to the way we continue to reevaluate the history of twentieth-century culture. Accounts of Drucker's research during the mid-1980s in the personal archive of Madame Hélène Zdanevich, the poet's widow, lend the narrative an incredible intimacy. Drucker recounts how, sitting in the studio that Iliazd occupied from the late 1930s until his death in 1975, she was drawn into the circle of scholars who had made him their focus and were doing foundational work on his significance. She also coped with the difference between the widow's view of the artist as a man she loved and Drucker's own perception of Iliazd's significance within a critical approach to history. Iliazd is at once a rich study of a significant figure and a thoughtful reflection on the way a biography creates an encounter with its always absent subject.