In the present volume are included fragments of Callimachus' "Aetia (Causes), aetiological legends concerning Greek history and customs; fragments of a book of "Iambi; 147 fragments of the epic poem "Hecale, which described Theseus' victory over the bull which infested Marathon; and other fragments. It also contains the short epic poem on "Hero and Leander by Musaeus.

James Bradley Wells shares his poet’s soul and scholar’s eye in this thought-provoking new translation of two of Vergil’s early works, the Eclogues and Georgics. With its emphasis on a natural rather than stylized rhythm, Eclogues and Georgics honors the original spirit of ancient Roman poetry as both a written and performance-based art form. The accompanying introductory essays situate both sets of poems in a rich literary tradition. Wells provides historical context and literary analysis of these two works, eschewing facile interpretations of these oft examined texts and ensconcing them in the society and culture from which they originated. The translations in Eclogues and Georgics are augmented with annotated essays, a pronunciation guide, and a glossary. These supplementary materials, alongside Wells’s bold vision for what translation choices can reveal, promote radically democratizing access for readers with an interest in classics or poetry.

Winner of the 1990 American Book Award What is classical about Classical civilization? In one of the most audacious works of scholarship ever written, Martin Bernal challenges the foundation of our thinking about this question. Classical civilization, he argues, has deep roots in Afroasiatic cultures. But these Afroasiatic influences have been systematically ignored, denied or suppressed since the eighteenth century—chiefly for racist reasons. The popular view is that Greek civilization was the result of the conquest of a sophisticated but weak native population by vigorous Indo-European speakers—Aryans—from the North. But the Classical Greeks, Bernal argues, knew nothing of this “Aryan model.” They did not see their institutions as original, but as derived from the East and from Egypt in particular. This long-awaited third and final volume of the series is concerned with the linguistic evidence that contradicts the Aryan Model of ancient Greece. Bernal shows how nearly 40 percent of the Greek vocabulary has been plausibly derived from two Afroasiatic languages – Ancient Egyptian and West Semitic. He also reveals how these derivations are not limited to matters of trade, but extended to the sophisticated language of politics, religion, and philosophy. This evidence, according to Bernal, greatly strengthens the hypothesis that in Greece an Indo-European-speaking population was culturally dominated by Ancient Egyptian and West Semitic speakers. Provocative, passionate, and colossal in scope, this volume caps a thoughtful rewriting of history that has been stirring academic and political controversy since the publication of the first volume.

The poetry of Alexandria under the first three Ptolemies represents a second golden age of Greek literature. The eminence grise of poetic circles was Callimachus, whose poetic manifesto in favour of small scale, meticulously detailed and mannered works was to be of great influence on Augustan poetry in Rome. The stylistic aims of the Alexandrian poets have been much discussed, as has their reliance on literary tradition. First published in 1987, Realism in Alexandrian Poetry covers less familiar ground. Taking the whole canon of Alexandrian poetry as his starting point, Dr Zanker surveys the use of the realistic mode in works like The Idylls of Theocritus (were these real shepherds?), including such matters as the humorous elements of Callimachus Hymns, the love-story in Apollonius’ ‘Argonautica’, and the low-life sketches of epyllia like Hecale as well as the Mimes of Herodas. The striving for realism and minute detail is set in the context of the admiration of pictorialism in the plastic arts, the new valuation of science as a measure of human experience, and the deliberate mingling of high and low genres. All this is in turn placed in the cultural context of early Alexandria. Few books take the whole of Alexandrian poetry as their canvas. This one which does will be as valuable a study of the Alexandrian poets as it will be a forceful contribution to literary criticism.