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Excerpt from AEsthetic Principles One of the kindly critics of my book on Pain, Pleasure, and AEsthetics has compared the task of its reading with the effort required in walking over a ploughed field after a heavy rain; although in the end, I am glad to say, he finds the labour healthful, and looks back upon the effort with pleasure. I have thought it worth while to try to show to such readers a way across this ploughed field which will not involve so much arduous labour on their part; and I think this possible because the explorer of a field is often able to guide others with ease in a path already trodden and therefore familiar, being able in places to take a straighter course than that at first necessary, because it is no longer needful to search for the path. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."

Excerpt from The Principles of Aesthetics This book has grown out of lectures to students at the University of Mchigan and embodies my effort to express to them the nature and meaning of art. In writing it, I have sought to maintain scientific accuracy, yet at the same time to preserve freedom of style and something of the inspiration of the subject. While intended primarily for students, the book will appeal generally, I hope, to people who are interested in the intelligent appreciation of art. My obligations are extensive, most directly to those whom I have cited in foot-notes to the text, but also to others whose influence is too indirect or per vasive to make citation profitable, or too obvious to make it necessary. For the broader philosophy of art, my debt is heaviest, I believe, to the artists and philosophers during the period from Herder to Hegel, who gave to the study its greatest development, and, among contemporaries, to Croce and Lipps. In addition, I have drawn freely upon the more special investigations of recent times, but with the caution desirable in view of the very tentative character of some of the results. To lwrs. Robert M. Wenley I wish to express my thanks for her very careful and helpful reading of the page proof. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.