Old English Lives of Saints, a series composed in the 990s by the Benedictine monk Aelfric, portrays an array of saints--including virgin martyrs, kings, soldiers, and bishops--whose examples modeled courageous faith, self-sacrifice, and individual and collective resistance at a turbulent time when England was under severe Viking attack.

In The Third Gender, McDaniel addresses the idea of the "third gender" in early hagiography and Latin treatises on virginity and then examines Aelfric's treatment of gender in his translations of Latin monastic Lives for his non-monastic audiences. She first investigates patristic ideas about a "third gender" by describing this concept within the theoretical frameworks of monasticism and then turns to creating a historical and theological cultural context within which to locate an interpretation of Aelfric's portrayals of male and female saints.

When young Vittorio Innocente’s mother, Cristina, is bitten by a snake in the family stable, no one sees the blue-eyed stranger leaving except for Vittorio. He struggles to keep his mother’s secret but secrets in a small village are hard to keep, and while Cristina’s belly gradually grows under her loose dresses, they find themselves shunned by their superstitious neighbours. A classic of Canadian literature, Lives of the Saints has earned many distinctions since it was originally published in 1990. It was a national bestseller for seventy-five weeks, received the Governor Generals Literary Award for Fiction, the W.H. Smith / Books in Canada First Novel Award, and the F.G. Bressani Prize. In England it won the Betty Trask Award and Winifred Holtby Memorial Prize, in the U.S. was shortlisted for the Los Angeles Times Art Seidenbaum Award for First Fiction, and in France was an Oeil de la letter Selection of the National Libraries Association. It was also adapted into a miniseries starring Sophia Loren.

Drawn from Aelfric's Old English Lives of the Saints, this is an edition of the lives of the little-known virgin spouses: Julian and Basilissa, Cecilia and Valerian, and Chrysanthus and Daria. As well as the Old English original texts, it provides the reader with modern English parallel-text translations. As a useful comparison, their closest Latin source texts are also reproduced - again with English parallel-text translations. As a leading churchman writing at the time of the Viking raids at the end of the first millennium, Aelfric wrote his Lives to bolster the faith of English Christians. These three stories of couples who marry but do not consummate their unions point to an ideal of marital celibacy in Aelfric's programme of pastoral care. Taken together, the group provides an opportunity to emphasise different but related points about literal and figurative types of chastity and purity appropriate to the laity.

The cult of saints was one of the most important aspects of life in the Middle Ages, and it often formed the nucleus of developing group identities in a town, a province or a country. The literature of Anglo-Saxon England is unique among contemporary European literatures in that it features a vast amount of saints' Lives in the vernacular. Of these Lives, Ælfric is the most important author, and his saints' Lives have never previously been explored in their contemporary setting. In this study, Gretsch analyses Ælfric's Lives of five important saints in the light of their cults in Anglo-Saxon England. This gives the reader fascinating glimpses of 'Ælfric at work': he adapts the cults and rewrites the received Latin hagiography of the five saints, with the result that each of their English Lives conveys a distinct message to the contemporary political elite and to a lay audience at large.